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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rev.
Non classifié
4 400
Piano & claviers
Piano seul
4 011
Piano, Voix et Guitare
1 595
Piano, Voix
1 227
Piano Facile
843
Orgue
216
Instruments en Do
181
Accompagnement Piano
98
Piano grosses notes
96
1 Piano, 4 mains
78
2 Pianos, 4 mains
60
Piano Trio: piano, violon, violoncelle
52
Accordéon
23
Piano (partie séparée)
19
Piano Quatuor: piano, violon, alto, violoncelle
16
Clavecin
10
Ligne De Mélodie, Piano
8
Orgue, Piano (duo)
8
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Ensemble d'Accordéons
1
2 Orgues (duo)
1
1 Piano, 6 mains
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 163
Ligne De Mélodie, (Paroles) et Accords
383
Guitare
356
Basse electrique
251
Paroles et Accords
235
Ukulele
214
Piano, Guitare (duo)
181
2 Guitares (duo)
29
Guitare (partie séparée)
26
Dulcimer
25
Mandoline
13
Banjo
12
4 Guitares (Quatuor)
9
Ensemble de guitares
9
Basse électrique (partie séparée)
3
Ukulele Baryton
2
3 Guitares (trio)
2
Partitions De Groupes
2
Guitare, Violon, Violoncelle (trio)
2
Guitare, Flûte, Clarinette
1
Mandoline, Piano (duo)
1
2 Ukuleles
1
2 Dulcimers (duo)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 842
Chorale 3 parties
400
Chorale 2 parties
249
Chorale TTBB
228
Chorale SSAA
129
Pack Instrumental pour Chorale
119
Chorale Unison
118
Voix seule
78
Voix duo, Piano
68
Voix Soprano, Piano
64
Chorale
59
Voix Tenor, Piano
54
Voix duo
53
Voix Alto, Piano
40
Voix haute
20
Voix Tenor
10
Voix moyenne, Piano
9
Chorale SSAATTBB
7
Voix, Guitare
7
Voix Baryton, Piano
6
Soli, choeur mixte et accompagnement
5
Voix basse, Piano
4
Chorale SSATTB
4
Voix d'Enfants
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Chorale SSATBB
2
Voix Soprano
2
Chorale SSAB a cappella
2
Chorale SSAB, Piano
2
Chorale SSAATB
2
Chorale, Orchestre
1
+ 27 instrumentations
Retracter
Vents
Flûte traversière et Piano
447
Clarinette et Piano
374
Hautbois, Piano (duo)
354
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
299
Quatuor de Saxophones: 4 saxophones
290
Saxophone Alto et Piano
287
Quatuor de Clarinettes: 4 clarinettes
276
Flûte traversière
249
Saxophone Tenor et Piano
229
Clarinette
220
Flûte, Hautbois, Clarinette, Basson
212
Saxophone (partie séparée)
173
Saxophone Alto
161
2 Saxophones (duo)
136
Saxophone
128
Quintette de Saxophone: 5 saxophones
117
Saxophone Tenor
116
Flûte et Guitare
114
Saxophone Soprano et Piano
88
2 Flûtes traversières (duo)
78
Ensemble de Clarinettes
77
Clarinette (partie séparée)
75
Hautbois (partie séparée)
74
Quintette de Clarinettes: 5 clarinettes
72
Quatuor de Flûtes : 4 flûtes
70
2 Clarinettes (duo)
67
Clarinette, Guitare (duo)
61
Cor anglais, Piano
58
Flûte, Violon, Piano
54
Saxophone Baryton, Piano
51
Flute (partie séparée)
46
3 Saxophones (trio)
38
Ensemble de Flûtes
34
3 Clarinettes (trio)
33
Saxophone, Clarinette (duo)
30
Flûte, Clarinette (duo)
30
Ensemble de saxophones
29
Clarinette, Violon (duo)
28
Clarinette Basse, Piano
27
Hautbois
26
Trio de Flûtes: 3 flûtes
23
Cor anglais, Guitare (duo)
20
2 Hautbois (duo)
20
Saxophone Soprano
19
Flûte, Violon
19
Saxophone et Guitare
18
Hautbois, Basson (duo)
16
Instruments en Mib
16
Hautbois, Clarinette (duo)
16
Flûte à bec Soprano
15
2 Flûte à bec (duo)
15
Flûte à Bec
14
Quintette de Flûte : 5 flûtes
14
Clarinette, Trompette (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Trompette (duo)
12
Clarinette, Basson (duo)
11
Flûte à bec Alto, Piano
11
Ocarina
11
Flûte, Clarinette et Basson
11
Clarinette et Alto
10
Hautbois, Flûte
9
Cor Anglais
8
Hautbois, Guitare (duo)
8
Flûte, Clarinette, Piano (trio)
8
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
3 Flûtes à bec (trio)
7
Quatuor de Flûtes à bec
7
Hautbois, violon (duo)
6
Clarinette, Violoncelle (duo)
6
Piccolo
6
Flûte, Hautbois (duo)
6
Flûte à bec Soprano, Piano
6
Flûte, Saxophone (duo)
6
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
6
Flûte, Alto (duo)
5
Hautbois, Trompette (duo)
5
2 Clarinettes, Piano
5
Flûte à bec Tenor
5
Clarinette, Harpe (duo)
4
Saxophone Baryton
4
Saxophone, Violon (duo)
4
Flûte, Hautbois, Piano (trio)
4
Clarinette Basse
4
Flûte, Violoncelle
4
Flûte, Alto et Piano
3
2 Flûtes traversières, Piano
3
Piccolo, Piano
3
Harmonica
3
Flûte irlandaise
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone et Piano
3
Flûte, Violoncelle, Guitare
3
Saxophone et Orgue
3
Flûte à bec Alto
3
Flûte à Bec, Piano
2
Saxophone et Harpe
2
4 Hautbois
2
Hautbois, Violoncelle et Piano
2
Clarinette, Trombone (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois, Basson
2
Ensemble De Flûte à bec
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, Alto et Piano (trio)
2
2 Clarinettes, Basson
2
Flûte et Trio à cordes
1
Flûte, Trombone (duo)
1
Clarinette, Basson, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Hautbois et alto (duo)
1
Flûte, Tuba (duo)
1
Flûte à bec, Harpe
1
Cor anglais et Harpe (duo)
1
Hautbois, trombone (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Basson et Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violon et Violoncelle
1
Hautbois, Harpe
1
Flûte et Quatuor à Cordes
1
Flûte à bec, Guitare (duo)
1
Flûte, trombone et piano
1
Clarinette, Contrebasse (duo)
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
Clarinette, Tuba
1
+ 124 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
299
Trompette
289
Trombone et Piano
271
Quatuor de Cuivres : 2 trompettes, trombone, tuba
199
Trompette, Piano
183
Trombone
171
Trompette (partie séparée)
146
Trombone (partie séparée)
121
Cor et Piano
95
Cor
82
Quatuor de Cuivres
63
Cor anglais, Piano
58
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Euphonium, Piano (duo)
46
Cor (partie séparée)
43
Tuba
42
Tuba et Piano
39
2 Trompettes (duo)
37
2 Trombones (duo)
34
Trompette, Saxophone (duo)
23
Tuba (partie séparée)
22
Quatuor de cuivres: 4 trombones
21
Cor anglais, Guitare (duo)
20
Trompette, Trombone (duo)
18
Instruments en Sib
16
Quatuor de cuivres: 4 cors
16
2 Cors (duo)
12
Euphonium
11
2 Euphoniums et 2 Tubas
10
Bass Clef Instruments
9
Ensemble de Cors
9
Ensemble de Trompettes
9
Quatuor de cuivres: 4 trompettes
8
Ensemble de Trombones
8
Cor Anglais
8
Trombone basse
6
Trompette, Violoncelle et Piano
5
Instruments en Fa
5
4 Tubas
5
Trompette, violon (duo)
5
Tuba ou Euphonium ou Saxhorn
4
Trio de Cuivres
4
Trombone, violoncelle (duo)
4
Trompette, Cor (duo)
4
3 Trompettes (trio)
4
3 Trombones (trio)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Harpe
2
Trompette, Basson (duo)
2
2 Euphoniums (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Tuba et Orgue
2
Trombone basse et Piano
2
3 Cors (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Violon (duo)
1
Trompette, Trombone, Piano
1
Trompette, Tuba (duo)
1
Trombone, Orgue
1
Trompette et Guitare
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
Trompette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Harpe
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
796
Violon et Piano
490
Violoncelle, Piano
366
Alto, Piano
345
Violon
309
Violoncelle
216
Alto seul
134
Violon, Violoncelle (duo)
126
Trio à Cordes: violon, alto, violoncelle
102
Harpe
97
2 Violons (duo)
81
Alto (partie séparée)
62
2 Violoncelles (duo)
62
Violon, Guitare (duo)
54
Violon (partie séparée)
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Contre Basse
42
Contrebasse (partie séparée)
40
Violon, Alto (duo)
31
Contrebasse, Piano (duo)
27
Trio à Cordes: 2 violons, violoncelle
25
2 Altos (duo)
23
Violoncelle , Guitare (duo)
22
Violoncelle (partie séparée)
20
4 Violoncelles
18
Alto, Violoncelle (duo)
18
2 Harpes (duo)
13
Trio à cordes: 3 violins
11
Trio à Cordes: 3 violoncelles
9
Violoncelle, Contrebasse (duo)
9
Trio à cordes
9
Alto, Guitare (duo)
9
Quatuor à cordes : 4 altos
7
2 Violons, Piano
6
Piano Trio: Violon, Alto, Piano
6
Harpe, Voix
5
Quatuor à cordes: 4 violons
4
Harpe, Flûte (duo)
4
Harpe, Violoncelle (duo)
3
Trio à cordes: 3 altos
3
Harpe, Violon (duo)
3
2 Contrebasses (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violons
3
Ensemble de Violoncelles
3
Violon, Basson (duo)
2
Flûte, Contrebasse (duo)
2
4 Contrebasses
2
Alto et Harpe
2
Alto et Basson
2
Ensemble d'Altos
2
Autoharp
2
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Harpe (partie séparée)
1
Violoncelle, Basse continue
1
Harpe et Piano
1
Violon, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Orchestre
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 617
Orchestre
406
Orchestre à Cordes
347
Ensemble Jazz
202
Batterie
177
Ensemble de cuivres
176
Orchestre de chambre
115
Fanfare
106
Cloches
100
Jazz combo
40
Percussion
38
Ensemble de Percussions
36
Percussion (partie séparée)
31
Batterie (partie séparée)
18
Marimba
13
Timbales (partie séparée)
10
Piano et Orchestre
6
Bongos
4
Xylophone
3
Quintette à Vent
3
Vibraphone
3
Timbales
3
Orchestre, Violon
2
Ensemble d'École
1
Caisse Claire
1
Xylophone, Piano
1
Conga
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
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Instruments
ACCORDEON
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AUTRES INST…
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BASSON
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CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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101
Diamonds Are Forever
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Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Don Black and John Barry
#
Sherry Lewis
#
Diamonds Are Forever
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1370559 Composed by Don Black and John Barry. Arranged by Sherry Lewis. Film/TV,Pop,Wedding. 15 pages...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1370559 Composed by Don Black and John Barry. Arranged by Sherry Lewis. Film/TV,Pop,Wedding. 15 pages. Sherry Lewis Publishing #954904. Published by Sherry Lewis Publishing (A0.1370559). Diamonds Are ForeverSTRING TRIO Intermediate Level for 2 violins and cello or violin, viola and celloScore: YesParts: 8 pages Time: 3:30If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$12.99
Forever
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Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Rock
#
The Beach Boys
#
Sherry Lewis Publishing
#
Forever
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521357 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Sherry Lewis Publishing. P...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521357 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Sherry Lewis Publishing. Pop,Rock. 12 pages. Sherry Lewis Publishing #5854259. Published by Sherry Lewis Publishing (A0.521357). FOREVER, Beach Boys STRING TRIO, Intermediate Level for 2 violins and cello or violin, viola and cello score: 5 pages parts: 4 pages time: 2'24 DEMO NOTE: I began the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course. MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three partshowever I offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.
$12.99
ART: arias & interludes ... Commedia dell'arte for String Quartet (1996, rev. 1997) cello part
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Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
ART: arias & interludes ..
#
Thomas Oboe Lee
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.869499 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roman...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.869499 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Thomas Oboe Lee #3056647. Published by Thomas Oboe Lee (A0.869499).
$9.99
ART: arias & interludes ... Commedia dell'arte for String Quartet (1996, rev. 1997) violin 1 part
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Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
ART: arias & interludes ..
#
Thomas Oboe Lee
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.869498 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roman...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.869498 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 25 pages. Thomas Oboe Lee #3056651. Published by Thomas Oboe Lee (A0.869498).
$9.99
ART: arias & interludes ... Commedia dell'arte for String Quartet (1996, rev. 1997) viola part
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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ART: arias & interludes ..
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Thomas Oboe Lee
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.869500 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roman...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.869500 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 25 pages. Thomas Oboe Lee #3056649. Published by Thomas Oboe Lee (A0.869500).
$9.99
ART: arias & interludes ... Commedia dell'arte for String Quartet (1996, rev. 1997) violin 2 part
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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ART: arias & interludes ..
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Thomas Oboe Lee
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.869501 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roman...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.869501 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 26 pages. Thomas Oboe Lee #3056653. Published by Thomas Oboe Lee (A0.869501).
$9.99
Spanish Dance No. 1, Danza from La vida breve for string trio (vln/vla duet)
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Classique
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M
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Klas Krantz
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Spanish Dance No. 1, Danza fro
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Amadeus Music
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 5 - SKU: A0.532337 Composed by M. de Falla. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. 20 p...
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String Trio Cello,Viola,Violin - Level 5 - SKU: A0.532337 Composed by M. de Falla. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. 20 pages. Amadeus Music #5998141. Published by Amadeus Music (A0.532337). This arrangement is also playable as a violin and viola duet. There is a special ossia staff in the viola part.Manuel de Falla (1876 – 1946) was a Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century, although the number of pieces he composed was relatively modest.
$13.95
Feels Like Home - Randy Newman - String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Randy Newman, Bonnie Raitt,
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Katrina Wreede
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Feels Like Home - Randy Newman
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Vlazville Music-Digital
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SheetMusicPlus
Violin, Viola, Cello, String Trio - Advanced Intermediate - By Randy Newman, Bonnie Raitt, Linda Ronstadt, Emmylou Harris, Chantal Kreviazuk. Arrang...
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Violin, Viola, Cello, String Trio - Advanced Intermediate - By Randy Newman, Bonnie Raitt, Linda Ronstadt, Emmylou Harris, Chantal Kreviazuk. Arranged by Katrina Wreede. Score, Set of Parts. 5 pages. Published by Vlazville Music-Digital
Flowing and easy-to-play version of lovely and moving Randy Newman song. Perfect for chamber parties, wedding gigs, student recitals, etc.
More history on this song from Wikipedia:
"Feels Like Home" is a song written by Randy Newman for the musical Randy Newman's Faust, in which Bonnie Raitt sung it. Linda Ronstadt, also involved in the musical, recorded it for Trio II in 1994, but released it for solo album Feels Like Homein March 1995. Raitt's version was released on the musical's album soundtrack in September 1995. Raitt's version was also used the following year in the soundtrack to the film Michael. Linda Ronstadt's original version, with Emmylou Harris and Dolly Parton, the latter of whom was mixed out of Ronstadt's original release due to label disputes, was released in 1999.
The most successful version of the song was a version sung by Chantal Kreviazuk and released as a single from the 1999 soundtrack Songs from Dawson's Creek. The Kreviazuk version reached the top 40 in Ireland and the top 20 in the Canadian adult contemporary chart, and was later included on some editions of her 2002 album What If It All Means Something.
$12.99
A Couple Of Forevers
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Chrisette Michele
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Katerina Anne Lewis
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A Couple Of Forevers
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Katerina Anne Lewis
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SheetMusicPlus
By Chrisette Michele. By Andrew Wansel, Chrisette Michele Payne, Kenneth Gamble, Leon Huff, Tiwa Savage, and Warren Felder. Arranged by Katerina Anne ...
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By Chrisette Michele. By Andrew Wansel, Chrisette Michele Payne, Kenneth Gamble, Leon Huff, Tiwa Savage, and Warren Felder. Arranged by Katerina Anne Lewis. Contemporary. Score and parts. 9 pages. Katerina Anne Lewis #4719337. Published by Katerina Anne Lewis
$14.95
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 9 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 7 in G major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 8 in F major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Strawberry Fields Forever
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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The Beatles
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Gary Wolk
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Strawberry Fields Forever
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Gary Wolk Music
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1395023 By The Beatles. By John Lennon and Paul McCartney. Arranged by Gary Wolk. 20th Century,Po...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.1395023 By The Beatles. By John Lennon and Paul McCartney. Arranged by Gary Wolk. 20th Century,Pop,Rock. 11 pages. Gary Wolk Music #978499. Published by Gary Wolk Music (A0.1395023). An instrumental version of The Beatles song, arranged for String Sextet. Edited out one verse, and the psychedelic ending and fade.
$19.99
Forever In Love
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Kenny G
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Melquisedeque C
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Forever In Love
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Melquisedeque C.Silva
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.943636 By Kenny G. By Kenny G. Arranged by Melquisedeque C.Silva. Contemporary,Pop. S...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.943636 By Kenny G. By Kenny G. Arranged by Melquisedeque C.Silva. Contemporary,Pop. Score and parts. 6 pages. Melquisedeque C.Silva #6681653. Published by Melquisedeque C.Silva (A0.943636).
$13.99
Forever
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Trio à Cordes: violon, alto, violoncelle
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Metal/Hard Rock
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Rock
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Kiss
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Ciro Chiapponi
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Forever
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Ciro Chiapponi
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.928688 By Kiss. By Michael Bolton and Paul Stanley. Arranged by Ciro Chiapponi. Metal,Rock. Sco...
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String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.928688 By Kiss. By Michael Bolton and Paul Stanley. Arranged by Ciro Chiapponi. Metal,Rock. Score and parts. 8 pages. Ciro Chiapponi #6058637. Published by Ciro Chiapponi (A0.928688).
$15.00
Fuga a tre (3 part fugue) for string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #36...
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String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
Symphony No. 5 by Beethoven for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1179372 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic P...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1179372 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 11 pages. Woods Only, Arrangements #779347. Published by Woods Only, Arrangements (A0.1179372). This adaptation was intended for a small group of string trio, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests.The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$5.99
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Bach - The Well-Tempered Clavier - Fugue 2 for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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JÃ der Cruz
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Bach - The Well-Tempered Clavi
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Jader Cruz
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.1012129 Composed by Johann Sebastian Bach. Arranged by JÃ der Cruz. Baroque. Score and parts. 7 pages....
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String Ensemble,String Trio - Level 3 - SKU: A0.1012129 Composed by Johann Sebastian Bach. Arranged by JÃ der Cruz. Baroque. Score and parts. 7 pages. Jader Cruz #4296819. Published by Jader Cruz (A0.1012129). The traditional Bach's music revisited and revised in a new style for string trio, exploring the timbres offered by traditional strings instruments: violin, viola and cello.
$2.99
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