English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
6
Partitions
Numériques
7
Librairie
Musicale
3
Matériel
de Musique
3
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
249
PIANO & CLAVIERS
Piano seul
278
Piano, Voix
66
Piano Facile
52
Orgue
38
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
6
Instruments en Do
4
Piano, Voix et Guitare
3
Accompagnement Piano
2
Instrumentations suivantes
Retracter
GUITARES
Guitare
26
Basse electrique
8
Guitare notes et tablatures
5
2 Guitares (duo)
2
Paroles et Accords
1
VOIX
Chorale SATB
84
Chorale 3 parties
24
Chorale 2 parties
16
Voix seule
10
Chorale TTBB
8
Voix duo, Piano
7
Chorale Unison
6
Chorale SSAA
4
Voix duo
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone
48
2 Flûtes traversières (duo)
42
Flûte traversière
40
Flûte traversière et Piano
38
Clarinette
37
2 Saxophones (duo)
32
Clarinette et Piano
29
Hautbois, Piano (duo)
29
Saxophone Alto et Piano
23
Saxophone Tenor et Piano
17
2 Clarinettes (duo)
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Soprano et Piano
15
Quatuor de Saxophones: 4 saxophones
14
Saxophone Tenor
13
Saxophone Alto
13
Hautbois
13
2 Hautbois (duo)
13
Saxophone Baryton, Piano
12
Flûte, Hautbois, Clarinette, Basson
10
Saxophone (partie séparée)
9
Quintette de Saxophone: 5 saxophones
8
Trio de Flûtes: 3 flûtes
7
Saxophone Soprano
6
Cor anglais, Piano
6
Hautbois (partie séparée)
6
Saxophone Baryton
6
3 Saxophones (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Clarinette (duo)
4
3 Clarinettes (trio)
4
2 Flûte à bec (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Alto et Piano
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Basson (duo)
3
2 Flûtes traversières, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Piano (trio)
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte et Guitare
2
Flûte à Bec
2
Hautbois, Clarinette (duo)
2
2 Clarinettes, Piano
2
Flûte, Violoncelle
2
Flûte, Violon et Violoncelle
2
Ensemble de saxophones
2
Clarinette, Basson, Piano (trio)
1
Ensemble de Clarinettes
1
Hautbois, Basson et Piano
1
5 Flûtes à bec
1
Flûte, Basson et Piano
1
Hautbois, Violoncelle et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
Hautbois, Basson (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
36
Trombone
33
Trompette, Piano
30
Trombone et Piano
24
Tuba et Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Cor
18
Tuba
15
Cor et Piano
15
2 Trompettes (duo)
14
2 Trombones (duo)
12
2 Cors (duo)
10
Euphonium, Piano (duo)
7
Cor anglais, Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Trombone (duo)
4
Trombone (partie séparée)
3
Ensemble de Trombones
3
2 Tubas (duo)
3
Trombone basse
2
Quatuor de cuivres: 4 cors
2
Bass Clef Instruments
2
Quatuor de Cuivres
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
Ensemble de Cors
1
Clarinette, Cor (duo)
1
Cor, Violoncelle (duo)
1
Cor et Basson (duo)
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trompettes
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
51
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon
33
Violoncelle
31
Alto seul
30
Violoncelle, Piano
30
Alto, Piano
27
2 Violons (duo)
15
Contre Basse
14
Contrebasse, Piano (duo)
14
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
12
2 Altos (duo)
11
Trio à Cordes: violon, alto, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe
4
Alto (partie séparée)
3
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
2
Violon (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Violon, Basson (duo)
1
Contrebasse (partie séparée)
1
Quatuor à cordes: 4 violons
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
162
Orchestre à Cordes
25
Batterie
17
Cloches
14
Orchestre
13
Ensemble de cuivres
6
Orchestre de chambre
4
Xylophone, Piano
2
Xylophone
2
Jazz combo
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Serene
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
7 partitions trouvées
<
1
Wading In The Velvet Sea
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1232300 By Phis…
(+)
String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1232300 By Phish. By Tom Marshall and Trey Anastasio. Arranged by AZSAP MUSiC. Rock. 17 pages. AZSAP MUSiC #827989. Published by AZSAP MUSiC (A0.1232300). Take a deep dive into the serene sounds of Wading in the Velvet Sea by Phish with our exquisite string trio arrangement. This rendition transports the essence of the original song, inviting you to wade in a tranquil sea of music. With the optional viola part included, this arrangement offers even more flexibility and depth for your ensemble.Key Features:1. **Serene Transformation:** Wading in the Velvet Sea is known for its tranquil and emotive qualities. Our string trio arrangement preserves the song's serene essence, creating a soothing and mesmerizing performance.2. **Versatile Ensemble:** This arrangement can be performed as a trio, and the included optional viola part opens up the possibility for a quartet, allowing you to tailor your ensemble's configuration to your preferences.3. **Ideal for Multiple Occasions:** Whether you're planning a relaxed recital, an intimate gathering, or a special event, this arrangement provides a serene and emotionally resonant backdrop for your performance.4. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your ensemble has meticulously crafted parts that harmonize seamlessly, resulting in a polished and expressive performance.5. **Room for Artistic Expression:** While staying true to the original, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and emotions into the performance.6. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation both convenient and efficient.Let the soothing waves of Wading in the Velvet Sea wash over your string trio. This arrangement was thoughtfully designed to capture the serenity and depth of the original while providing flexibility through the optional viola part. Order your copy today and embark on a musical journey that envelops your audience in tranquility and emotion, leaving a lasting impression on both your ensemble and your listeners.
$12.99
11.83 €
#
Trio à Cordes: violon, alto, violoncelle
#
Phish
#
AZSAP MUSiC
#
Wading In The Velvet Sea
#
AZSAP MUSiC
#
SheetMusicPlus
The Swan (from 'Carnival of the Animals')
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1487915 By Jame…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1487915 By James Widden. By Camille Saint-Saens. Arranged by James Widden. 19th Century,Chamber,Classical,Romantic Period,Wedding. 6 pages. James Widden #1064844. Published by James Widden (A0.1487915). Camille Saint-Saens's sublime melody 'The Swan' depicts the calm, serene and majestic swan gliding across the water - the beauty of the melody enhanced by the rippling accompaniment. This arrangement for string trio by James Widden retains the original cello line, with the gentle piano lines expanded for the other two players.
$15.99
14.56 €
#
Trio à Cordes: violon, alto, violoncelle
#
James Widden
#
James Widden
#
The Swan
#
James Widden
#
SheetMusicPlus
Be Thou My Vision (String Trio): Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1365424 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1365424 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 18 pages. John A. Dempsey #949749. Published by John A. Dempsey (A0.1365424). Arranged as a prayerful, serene string trio for violin, viola and cello, this beautiful Christian hymn of Irish origin is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Also suitable for wedding music as a prelude, recessional, bridesmaid processional and unity candle accompaniment.  Key: C major.  14 pages of music (that includes separate two-page parts for each instrument)                                 Be Thou my vision, O Lord of my heart;           Naught be all else to me, save that Thou art:       Thou my best thought, by day or by night          Waking or sleeping, Thy presence my light.
$9.99
9.1 €
#
Trio à Cordes: violon, alto, violoncelle
#
Traditional Irish Melody
#
John A
#
Be Thou My Vision
#
John A. Dempsey
#
SheetMusicPlus
He Arose (String Trio): Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1357784 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1357784 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Holiday,Sacred,Traditional. 16 pages. John A. Dempsey #942286. Published by John A. Dempsey (A0.1357784). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this string trio for violin, viola and cello celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season. Â This hymn arrangement, complete with mood and tempo changes, is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving. Â The serene incidental music is from a Paderewski nocturne. Â Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. Â 12 pages of music (that includes separate two-page parts for each instrument). Â Key: C major.
$9.99
9.1 €
#
Trio à Cordes: violon, alto, violoncelle
#
Robert Lowry, Ignaz Jan Paderewski
#
John A
#
He Arose
#
John A. Dempsey
#
SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
(+)
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.28 €
#
Trio à Cordes: violon, alto, violoncelle
#
David Warin Solomons
#
Mysterious Moment for alto flute and string trio
#
David Warin Solomons
#
SheetMusicPlus
Suo Gân
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.732112 Composed by…
(+)
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.732112 Composed by Traditional Welsh. Arranged by Thomas Quigley. Children,Concert,Folk. Score and parts. 6 pages. Thomas Quigley #4981175. Published by Thomas Quigley (A0.732112). Simple, serene and sublime! This exquisite Welsh lullaby, arranged with great sensitivity, is perfect for student or amateur trios. The charming melody is beautifully harmonized, producing a very effective and enjoyable arrangement. Rewarding to play, it is a highly recommended version.
$7.99
7.28 €
#
Trio à Cordes: violon, alto, violoncelle
#
Traditional Welsh
#
Thomas Quigley
#
Suo Gân
#
Thomas Quigley
#
SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
(+)
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.82 €
#
Trio à Cordes: violon, alto, violoncelle
#
Matthew Scott Phillips
#
The Sundials: II; Pereunt et Imputantur
#
Matthew Scott Phillips
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale