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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sour
Non classifié
1 629
Piano & claviers
Piano seul
430
Piano, Voix et Guitare
386
Instruments en Do
251
Piano Facile
181
Piano, Voix
174
Accompagnement Piano
69
Orgue
64
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
15
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
6
Clavecin
2
Piano grosses notes
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
972
Guitare
72
Ukulele
26
Ligne De Mélodie, (Paroles) et Accords
20
Mandoline
10
2 Guitares (duo)
7
Dulcimer
6
Basse electrique
6
Paroles et Accords
5
Banjo
3
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
1
2 Mandolines (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
824
Chorale 3 parties
346
Chorale 2 parties
242
Chorale Unison
121
Chorale TTBB
37
Chorale
31
Voix duo, Piano
31
Chorale SSAA
14
Voix seule
6
Voix duo
5
Voix Baryton, Piano
4
Voix haute
4
Voix moyenne, Piano
4
Voix basse, Piano
4
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix Soprano, Piano
2
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
100
Flûte traversière
89
Flûte, Hautbois, Clarinette, Basson
82
2 Saxophones (duo)
77
Flûte traversière et Piano
77
Saxophone Alto et Piano
70
Clarinette et Piano
66
Saxophone Tenor et Piano
60
Clarinette
59
Quintette de Saxophone: 5 saxophones
56
Saxophone Soprano et Piano
55
3 Saxophones (trio)
50
Hautbois, Piano (duo)
48
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Saxophone Alto
38
Saxophone Baryton, Piano
30
2 Flûtes traversières (duo)
30
Saxophone Tenor
28
2 Flûtes traversières, Piano
26
Hautbois
26
Saxophone Soprano
24
Saxophone Baryton
24
Quatuor de Flûtes : 4 flûtes
24
2 Flûte à bec (duo)
24
Quatuor de Clarinettes: 4 clarinettes
23
2 Clarinettes (duo)
20
Flûte, Clarinette (duo)
18
Hautbois (partie séparée)
16
Ensemble de Clarinettes
16
2 Hautbois (duo)
15
Flûte à Bec
14
Flûte, Hautbois, Clarinette (trio)
14
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte à bec Soprano
13
Quatuor de Flûtes à bec
11
Cor anglais, Piano
11
Clarinette, Basson (duo)
9
Trio de Flûtes: 3 flûtes
9
3 Clarinettes (trio)
9
Flûte à bec Alto
8
Flûte, Clarinette et Basson
7
3 Flûtes à bec (trio)
7
Saxophone (partie séparée)
7
Piccolo, Piano
6
Saxophone et Orgue
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
6
Ensemble de Flûtes
6
Flûte, Hautbois (duo)
5
Piccolo
5
Quintette de Flûte : 5 flûtes
5
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
4
Flûte à bec Tenor
4
Flûte, Violon, Piano
4
Ensemble De Flûte à bec
4
Flûte à bec Alto, Piano
4
Instruments en Mib
4
Clarinette Basse, Piano
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
Clarinette, Violon (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois, Basson
2
Cor Anglais
2
Flûte à bec Soprano, Piano
2
Clarinette, Trompette (duo)
2
Ocarina
2
4 Hautbois
2
Flûte irlandaise
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
Harmonica
1
Flûte, Saxophone (duo)
1
5 Flûtes à bec
1
Flûte, Alto et Piano
1
Clarinette et Alto
1
Flûte, Violon
1
Saxophone
1
Clarinette, Orgue
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Hautbois, Flûte
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
154
Trompette
65
Trombone et Piano
61
Trompette, Piano
59
Cor et Piano
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Tuba et Piano
40
Trombone
39
Tuba
37
Cor
36
2 Trombones (duo)
25
2 Trompettes (duo)
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
2 Cors (duo)
17
Trompette, Cor (duo)
14
Euphonium, Piano (duo)
11
Cor anglais, Piano
11
Trompette, Trombone (duo)
11
Quatuor de cuivres: 4 trombones
8
Trombone, Tuba (duo)
6
2 Tubas (duo)
6
3 Trombones (trio)
6
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
5
Ensemble de Trombones
5
Ensemble de Trompettes
4
Instruments en Sib
3
Quatuor de Cuivres
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Orgue
3
Trombone, Cor (duo)
3
Trompette, Tuba (duo)
2
3 Trompettes (trio)
2
Euphonium, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Trombone basse
2
Trombone basse et Piano
2
Cor Anglais
2
Ensemble de Cors
2
Cor et Orgue
2
Bass Clef Instruments
2
3 Tubas (trio)
2
3 Cors (trio)
2
Cor, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Euphonium
1
4 Tubas
1
2 Euphoniums (duo)
1
Trio de Cuivres
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
146
Violon et Piano
109
Violon
80
Violoncelle, Piano
76
Alto, Piano
58
Violoncelle
57
Trio à Cordes: violon, alto, violoncelle
48
Alto seul
45
2 Violons (duo)
37
Contre Basse
36
Contrebasse, Piano (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violoncelles (duo)
26
Harpe
25
Violon, Violoncelle (duo)
21
2 Altos (duo)
16
Violon, Alto (duo)
13
Piano Trio: Violon, Alto, Piano
12
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 violins
8
Quatuor à cordes : 4 altos
6
2 Contrebasses (duo)
6
Trio à cordes: 3 altos
6
Alto, Violoncelle (duo)
6
4 Violoncelles
6
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
5
Violon (partie séparée)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Orgue
3
Ensemble de Violons
3
Violoncelle (partie séparée)
2
Alto (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle , Guitare (duo)
2
2 Violoncelles, Piano
1
Violon, Basse continue
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
2 Harpes (duo)
1
Harpe, Trombone (duo)
1
Violon, Orgue
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
192
Orchestre
57
Orchestre à Cordes
57
Orchestre de chambre
54
Cloches
50
Ensemble de cuivres
26
Fanfare
14
Jazz combo
13
Ensemble de Percussions
11
Batterie
11
Ensemble Jazz
11
Marimba
10
Instrumentation Flexible
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble d'École
4
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Piano et Orchestre
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
10
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Sour
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
48 partitions trouvées
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1
26
Happier
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Pop musique
#
Olivia Rodrigo
#
Happier
#
Niamh and Aisling Gallagher
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1263619 By Olivia Rodrigo. By Olivia Rodrigo. Arranged by Aisling Gallagher and Niamh Gallagher. Pop,...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1263619 By Olivia Rodrigo. By Olivia Rodrigo. Arranged by Aisling Gallagher and Niamh Gallagher. Pop,Singer/Songwriter,Wedding. 9 pages. Niamh and Aisling Gallagher #856582. Published by Niamh and Aisling Gallagher (A0.1263619). String trio arrangement of Olivia Rodrigo's happier from her multi-award winning 2021 album Sour. If you have enjoyed our arrangement please check out our Publisher page for more arrangements.
$20.00
Good 4 U
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Olivia Rodrigo
#
Niamh Gallagher
#
Good 4 U
#
Niamh and Aisling Gallagher
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1270909 By Olivia Rodrigo. By Daniel Nigro, Hayley Williams, Josh Farro, and Olivia Rodrigo. Arranged...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1270909 By Olivia Rodrigo. By Daniel Nigro, Hayley Williams, Josh Farro, and Olivia Rodrigo. Arranged by Niamh Gallagher. Grunge,Pop,Rock,Singer/Songwriter,Wedding. 6 pages. Niamh and Aisling Gallagher #863290. Published by Niamh and Aisling Gallagher (A0.1270909). String trio arrangement of Olivia Rodrigo's good 4 u from her multi-award winning 2021 album Sour.If you enjoyed this arrangement please check out my publisher page for more like this.
$20.00
Deja Vu
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Pop musique
#
Olivia Rodrigo
#
Aisling Gallagher
#
Deja Vu
#
Niamh and Aisling Gallagher
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1263691 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Sw...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1263691 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Aisling Gallagher. Pop,Singer/Songwriter,Wedding. 8 pages. Niamh and Aisling Gallagher #856634. Published by Niamh and Aisling Gallagher (A0.1263691). String trio arrangement of Olivia Rodrigo's deja vu from her multi-award winning 2021 album Sour. If you have enjoyed our arrangement please check out our Publisher page for more arrangements.
$20.00
String Trio No. 3 in A major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 9 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 7 in G major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 8 in F major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
SCALES FOR VIOLIN
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Trio à Cordes: violon, alto, violoncelle
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DÉBUTANT
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Wohlfart, Campagnoli, Mazas, B
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Violin Friends
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SCALES FOR VIOLIN
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Suomi Music
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 1 - SKU: A0.1435938 Composed by Wohlfart, Campagnoli, Mazas, Beriot, Cherubini, Dancla, Küchler. Arranged by...
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String Ensemble Cello,Viola,Violin - Level 1 - SKU: A0.1435938 Composed by Wohlfart, Campagnoli, Mazas, Beriot, Cherubini, Dancla, Küchler. Arranged by Violin Friends. Chamber,Children,Classical,Instructional,Traditional. Educational Exercises. 138 pages. Suomi Music #1016106. Published by Suomi Music (A0.1435938). Let's Play Scales for String Ensemble and School OrchestraLET’S PLAY SCALES AS DUETS is a fun collection of scales compiled from some of the most important Violin Method Books written by famous violinist and teachers in France,Germany, Italy and Belgium.Explore the time-honored tradition of violin instruction with this comprehensive assortment of scales, sourced from esteemed violin method books in European violin pedagogy. Let’s Play Scales as Duets offers a curated selection of scale exercises presented in a collaborative duet format.Derived from prominent violin method books of France, Germany, Italy, and Belgium, this book provides a valuable resource for students and educators alike. Each duet is thoughtfully designed to promote intonation, musical phrasing, and listening skills through the shared experience of making music together. Moreover, each scale can be practiced in the classroom but also suits performance, adding versatility to your repertoire.The scales have been carefully selected and arranged from the following publications: Easiest elementary Method for Beginners, Op. 38 by Franz Wohlfart (1875) Méthode de Violin by Jaques Féreol Mazas (1832) Méthode de Violon, Op. 102 by Charles de Bériot (1857) Metodo elementare e progressivo per Violino, Op. 55 di Carlo Dancla (1852) Méthode de Violon by Ferdinand Kuechler (1910) Violin School for Beginners, Op.6 by Otakar Sevcik (1903) Méthode de Violon by Baillot, Rode et Kreutzer (ca.1835) Nouvelle Méthode de la Mécanique progressive du Jeu de Violon by Bartolomeo Campagnoli (1827) SCALES AS DUETS by Violin Friends is available for 2 violins, 2 violas and 2 cellos.Total number of scales: 75Printable pages: 138.
$19.99
SCALES FOR CELLO
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Trio à Cordes: violon, alto, violoncelle
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DÉBUTANT
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Wohlfart, Campagnoli, Mazas, B
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Violin Friends
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SCALES FOR CELLO
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Suomi Music
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 1 - SKU: A0.1442070 Composed by Wohlfart, Campagnoli, Mazas, Beriot, Cherubini, Dancla, Küchler. Arranged by...
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String Ensemble Cello,Viola,Violin - Level 1 - SKU: A0.1442070 Composed by Wohlfart, Campagnoli, Mazas, Beriot, Cherubini, Dancla, Küchler. Arranged by Violin Friends. Chamber,Children,Classical,Instructional,Romantic Period. Educational Exercises. 137 pages. Suomi Music #1022066. Published by Suomi Music (A0.1442070). LET’S PLAY SCALES AS DUETS FOR CELLOLet’s Play Scales as Duets for Cello is a fun collection of scales compiled from some of the most important Violin Method Books written by famous violinist and teachers in France, Germany, Italy, Belgium and Czech Republic.Explore the time-honored tradition of violin instruction with this comprehensiveassortment of scales, sourced from esteemed violin method books in Europeanviolin pedagogy. Let’s Play Scales as Duets for Cello offers a curated selection of scale exercises presented in a collaborative duet format.Let’s Play Scales as Duets for Cello provides a valuable resource for students and educators alike. Each duet is thoughtfully designed to promote intonation, musical phrasing, and listening skills through the shared experience of making music together. Moreover, each scale can be practiced in the classroom but also suits performance, adding versatility to your repertoire.The scales have been carefully selected and arranged from the following publications: Easiest elementary Method for Beginners, Op. 38 by Franz Wohlfart (1875) Méthode de Violin by Jaques Féreol Mazas (1832) Méthode de Violon, Op. 102 by Charles de Bériot (1857) Metodo elementare e progressivo per Violino, Op. 55 di Carlo Dancla (1852) Méthode de Violon by Ferdinand Kuechler (1910) Violin School for Beginners, Op.6 by Otakar Sevcik (1903) Méthode de Violon by Baillot, Rode et Kreutzer (ca.1835) Nouvelle Méthode de la Mécanique progressive du Jeu de Violon by Bartolomeo Campagnoli (1827)Let’s Play Scales as Duets by Violin Friends is available for 2 violins, 2 violas and 2 cellos.Number of Scales: 75Printable pages: 138.
$19.90
Bull: Galliard for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Galliard for String Trio
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia upon a Plainsong for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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John Bull
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James M
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Bull: Fantasia upon a Plainson
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,R...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Christe Redemptor for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Christe Redemptor for St
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religio...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: In Nomine for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: In Nomine for String Tri
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia CXIII for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Dr
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James M
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Bull: Fantasia CXIII for Strin
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaiss...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Gloria tibi trinitas for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Dr
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James M
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Bull: Gloria tibi trinitas for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissa...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Germaine Tailleferre: Trois Petits Danses dans le style "Louis XV" for oboe, violin, viola, cello a
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Germaine Tailleferre
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Germaine Tailleferre: Trois Pe
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.533997 Composed by Germaine Tailleferre. 20th Century,Baroque. Score and parts. 18 pages. Musik Fabrik M...
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String Ensemble,String Trio - Level 3 - SKU: A0.533997 Composed by Germaine Tailleferre. 20th Century,Baroque. Score and parts. 18 pages. Musik Fabrik Music Publishing #3094439. Published by Musik Fabrik Music Publishing (A0.533997). In 1935, Germaine Tailleferre was asked to write the stage music for Jean Sarment's play Madame Quinze which was produced by the Comédie Française. The play was about Madame de Pompadour and Louis XV and also featured the Société de la Musique Ancienne (Henri Casadesus playing the viola d'amour, Marius Casadesus on the quinton, Régina Patorni-Casadesus playing the harpsichord, Lucette Casadesus at the viola de gamba, Maurice Devilliers at the bass viol). The production was reprised by the Comédie Française in 1950, this time at the Odéon theatre and Tailleferre revised her score at that time. These three pieces are not present in the 1935 mansucript score at the Paris Opera Libarary. They were apparently added to the score for the 1950 production and are sourced through materials at the Library of the Comédie Française
$12.95
Bull: Dr. Bull's Juell for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Dr
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James M
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Bull: Dr. Bull's Juell for Str
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaiss...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Spanish Romance (Romanza - Romance D'Amor) - Exclusive Arrangement
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Traditional
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Glauco Fernandes
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Spanish Romance
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Glauco Fernandes
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1455267 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Tradit...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1455267 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. 7 pages. Glauco Fernandes #1034340. Published by Glauco Fernandes (A0.1455267). Exclusive Sheet Music: Arrangement of Spanish RomanceAre you passionate about music? Then we have the perfect offer for you! We present the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Jeux Interdits, Romance d'Amour, and Romance de Amor.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Tags: How To Play Spanish Romance, Spanish Romance Sheet, Spanish Romance PDF, Wedding Song Sheet, Wedding Sheet Music Easy, Wedding Sheet Music PDF, Wedding Chamber Music Sheet, Piano Sheet, Buy Sheet Music.
$14.99
Spanish Romance (Romanza - Romance D'Amor) - Exclusive Arrangement
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Traditional
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Glauco Fernandes
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Spanish Romance
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Glauco Fernandes
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1455266 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Tradit...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1455266 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. 7 pages. Glauco Fernandes #1034339. Published by Glauco Fernandes (A0.1455266). Exclusive Sheet Music: Arrangement of Spanish RomanceAre you passionate about music? Then we have the perfect offer for you! We present the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Jeux Interdits, Romance d'Amour, and Romance de Amor.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Tags: How To Play Spanish Romance, Spanish Romance Sheet, Spanish Romance PDF, Wedding Song Sheet, Wedding Sheet Music Easy, Wedding Sheet Music PDF, Wedding Chamber Music Sheet, Piano Sheet, Buy Sheet Music.
$14.99
Spanish Romance (Romanza - Romance D'Amor) - Exclusive Arrangement
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Traditional
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Glauco Fernandes
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Spanish Romance
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Glauco Fernandes
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1455277 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Tradit...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1455277 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. 6 pages. Glauco Fernandes #1034341. Published by Glauco Fernandes (A0.1455277). Exclusive Sheet Music: Arrangement of Spanish RomanceAre you passionate about music? Then we have the perfect offer for you! We present the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Jeux Interdits, Romance d'Amour, and Romance de Amor.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Tags: How To Play Spanish Romance, Spanish Romance Sheet, Spanish Romance PDF, Wedding Song Sheet, Wedding Sheet Music Easy, Wedding Sheet Music PDF, Wedding Chamber Music Sheet, Piano Sheet, Buy Sheet Music.
$12.99
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