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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Cor
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4 Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
70
Violon et Piano
56
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47
Alto, Piano
42
Violoncelle, Piano
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2 Violons (duo)
35
Violon
29
Violon, Alto (duo)
28
2 Violoncelles (duo)
22
Piano Trio: Violon, Alto, Piano
20
Violoncelle
19
2 Altos (duo)
18
Ensemble de Violons
17
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15
Alto seul
15
Harpe
13
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7
4 Violoncelles
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Alto (partie séparée)
4
Alto, Violoncelle (duo)
4
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3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Quatuor à cordes: 4 violons
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Violon, Clarinette, Piano (trio)
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4 Harpes
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1
Harpe, Voix
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3 Harpes
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1
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Alto et Harpe
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
197
Orchestre
52
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35
Orchestre à Cordes
29
Fanfare
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13
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10
Ensemble Jazz
10
Cloches
10
Percussion (partie séparée)
5
Jazz combo
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Batterie
1
Orchestre, Violon
1
Vibraphone
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Marimba
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AUTRES
Vous avez sélectionné:
That Time of Year - Bass
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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Too Ra Loo Ra Loo Ral (That's an Irish Lullaby) - String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515737 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515737 Composed by J. R. Shannon. Arranged by Eve C. Mailly. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. Score and parts. 8 pages. Zene Strings #4361923. Published by Zene Strings (A0.515737). Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) was a popular Irish song from 1913, and has been sung by Bing Crosby and many other artists over the years. A favorite for St. Patrick's day or anytime time you want to enjoy a classic folk song. This arrangement begins with the cello playing the introduction, scored to sound like a tenor solo. The viola/violin 2 picks up the melody, in harmony with the first violin.  The first violin get the melody for the refrain - the most well-known part of the song. All Zene Strings trio arrangements include the middle part in alto clef (if played by viola) and in treble clef (if played by violin 2), giving you greater performance flexibility. Enjoy! From your friends at Zene Strings!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$12.99
11.9 €
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Trio à Cordes: violon, alto, violoncelle
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J
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Eve C
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Too Ra Loo Ra Loo Ral
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Zene Strings
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SheetMusicPlus
In The Summertime (cello part - vln, vla, cel)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203889. Published by Mark O'Connor Musik International (A0.861852). In The Summertime (cello – vln, vla, cel) MO167DCello Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167DCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.12 €
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Trio à Cordes: violon, alto, violoncelle
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
13.28 €
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Trio à Cordes: violon, alto, violoncelle
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
We Gather Together, for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.763330 Composed…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.763330 Composed by Eduard Kremser. Arranged by Nigel Williams. Holiday,Instructional,Multicultural,Sacred,World. 4 pages. Nigel Williams #4796851. Published by Nigel Williams (A0.763330). This hymn is especially popular during the season of Thanksgiving but able to be used at any time during the year in a service of worship. This particular arrangement is also ideal for college string trio ensembles and is flexible in that either a viola or 2nd violin can play the middle part. The melody is shared between all three players and the counter melodies provide an interesting musical counterpoint. It is two minutes in performance duration and the flexi-score downloads as a set of four individual parts. Enjoy browsing my many string trios and quartets on SMP.
$7.99
7.32 €
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Trio à Cordes: violon, alto, violoncelle
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Eduard Kremser
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Nigel Williams
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We Gather Together, for String Trio
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Nigel Williams
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SheetMusicPlus
Till We Meet Again - String Trio (Violin, Viola, Violoncello)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.107…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1079970 Composed by Lyrics by Raymond B. Egan and Music by Richard A. Whiting. Arranged by Cathy Stamegna. Blues,Jazz,Standards. Score and parts. 9 pages. Cathy Stamegna #684191. Published by Cathy Stamegna (A0.1079970). This World War I song of parting may be adapted to other farewell occasions as well. Originally discarded by the composer, it won a Detroit theater contest and worked its way to number one (1919), having three separate recordings in the top 40 that year. Set of Parts. Performance Time (with repeat): approx. 3:35.
$6.99
6.4 €
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Trio à Cordes: violon, alto, violoncelle
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Lyrics by Raymond B
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Cathy Stamegna
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Till We Meet Again - String Trio
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Cathy Stamegna
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SheetMusicPlus
String Trio in E-flat (Benton 401)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.961407 Co…
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String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts. 18 pages. Artaria Editions #4365296. Published by Artaria Editions (A0.961407). ScoreArtaria Editions AE439Edited by Allan Badley 14 pagesIgnaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Pleyel's three Trios Concertants, as they are styled in the earliest extant editions, appeared in 1787. Unlike the composer's quartets and quintets, which are generally in three movements, the string trios are cast in two movements - an opening Allegro and a Rondo - a practice unusual in Vienna but popular in France. The use of the term 'concertant' in the title signifies an equality of parts; that is, each of the instruments in the ensemble plays an important role in presenting thematic material. Pleyel's trios share many stylistic qualities with his quartets and quintets. His feel for the medium is at once apparent in his impressive exploitation of contrasting musical textures which range from bold, homophonic writing in a quasi-orchestral style to brief sections of canonic writing. The beauty and sophistication of these small-scale works can only make one regret that he did not write more works in the medium. Allan Badley.
$28.00
25.65 €
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Trio à Cordes: violon, alto, violoncelle
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Ignaz Josef Pleyel
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Artaria Editions
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String Trio in E-flat
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Artaria Editions
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SheetMusicPlus
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