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The Day is Coming
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152
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Piano seul
90
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39
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26
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18
Orgue
14
Instruments en Do
9
Piano grosses notes
6
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3
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
3
Piano (partie séparée)
1
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6
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5
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2
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92
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28
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20
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17
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7
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1
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19
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18
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15
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12
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11
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9
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9
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9
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8
Saxophone Tenor
7
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7
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7
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7
Clarinette
6
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6
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6
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5
2 Clarinettes (duo)
5
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5
Saxophone Baryton
4
Saxophone Baryton, Piano
4
2 Flûtes traversières (duo)
4
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4
3 Saxophones (trio)
3
Ensemble de Clarinettes
3
Clarinette (partie séparée)
3
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3
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3
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2
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2
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2
Hautbois, Flûte
2
Hautbois, violon (duo)
2
Hautbois, Clarinette (duo)
2
Saxophone et Harpe
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Harpe (duo)
1
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1
Saxophone et Orgue
1
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1
Flute (partie séparée)
1
3 Clarinettes (trio)
1
2 Hautbois (duo)
1
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14
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11
Trompette
11
Trombone et Piano
9
Trombone
9
Cor et Piano
9
Cor
6
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba
4
Quatuor de Cuivres
4
Trombone (partie séparée)
4
Cor (partie séparée)
2
2 Cors (duo)
2
2 Trombones (duo)
2
Trombone, violoncelle (duo)
2
Trompette (partie séparée)
2
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor et Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Trompettes (duo)
1
Trompette, Harpe
1
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
2 Euphoniums (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
14
Violoncelle
14
Violoncelle, Piano
13
Violon et Piano
12
Alto, Piano
9
Alto seul
9
2 Harpes (duo)
5
2 Violons (duo)
5
Contre Basse
4
Contrebasse, Piano (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Violon, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon (partie séparée)
2
Harpe, Violon (duo)
1
Violon, Alto (duo)
1
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
2 Violons, Piano
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Harpe
1
Alto et Harpe
1
2 Altos (duo)
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
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Orchestre d'harmonie
45
Orchestre
16
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9
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6
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6
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5
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4
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2
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2
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2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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The Day is Coming
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4 partitions trouvées
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Hark the Herald Angels Sing for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Hark the Herald Angels Sing fo
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324492 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Chamber,Christian,Chri...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324492 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 9 pages. Jmsgu3 #912690. Published by jmsgu3 (A0.1324492). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.
$24.95
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
O Little Town of Bethlehem for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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O Little Town of Bethlehem for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1325134 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,T...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1325134 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #913362. Published by jmsgu3 (A0.1325134). O Little Town of Bethlehem is a beloved Christmas carol with an exciting history. It was written by Phillips Brooks in 1868 for the Sunday school children at his Philadelphia parish, Holy Trinity Church, following a pilgrimage to Bethlehem in 1865. The hymn beautifully describes the little town asleep on the December night. It gracefully modulates from a description of Christmas into examining the meaning of Christmas, encouraging charity, faith, and the coming of Christ into the human heart. The hymn is generally sung to its original tune, St. Louis by Louis H. Redner in the United States, and to Forest Green by Ralph Vaughan Williams in the United Kingdom, Canada, and Ireland. The hymn has continued to be a favorite for many people as they celebrate Christmas.
$24.95
Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Easy String Trios: Easter Hymn
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Sharon Wilson
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SheetMusicPlus
By Sharon Wilson. By Various. Arranged by Sharon Wilson. Easter, Folk, Praise and Worship, Sacred, Traditional. Score and parts. 75 pages. Sharon Wilson #5...
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By Sharon Wilson. By Various. Arranged by Sharon Wilson. Easter, Folk, Praise and Worship, Sacred, Traditional. Score and parts. 75 pages. Sharon Wilson #5044607. Published by Sharon Wilson
This collection of "Easy String Trios" contains 10 hymns arranged for VIOLIN, VIOLA, and CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for recitals and worship services. The theme of each hymn centers around Jesus? love for us as witnessed in his coming to earth to die on the cross. These hymn arrangements are equally suited for the Easter and Lent season as well as other times of year to celebrate our resurrected Savior and King.
All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Christ the Lord Is Risen Today
Crown Him with Many Crowns
He Is Risen
Into the Woods My Master Went
Jesus Christ Is Risen Today
Jesus Paid It All
O Sacred Head, Now Wounded
Thine Is the Glory
What Wondrous Love Is This
When I Survey the Wondrous Cross
$20.00
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The Day is Coming
