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Vous avez sélectionné:
The Reason
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.85 €
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Trio à Cordes: violon, alto, violoncelle
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Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
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SheetMusicPlus
You Are The Reason
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1141379 By Calu…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1141379 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Sherry Lewis. Contemporary,Wedding. 17 pages. Sherry Lewis Publishing #741703. Published by Sherry Lewis Publishing (A0.1141379). You Are The Reason STRING TRIO Intermediate Level for 2 violins and cello or violin, viola and cello Score: Yes Parts: 8 pages Time: 3:00 ABOUT THE DEMO: I TOOK OFF A FEW MEASURES ON THE DEMO INTRO TO GET TO THE MAIN CHORUS AS WE’RE ALLOWED 30 SECONDS OF RECORDING MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
12 €
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Trio à Cordes: violon, alto, violoncelle
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Calum Scott
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Sherry Lewis
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You Are The Reason
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Sherry Lewis Publishing
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SheetMusicPlus
You Are The Reason
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1463178 By Calu…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1463178 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Veronica Joines. Pop,Standards,Wedding. 15 pages. Veronica Joines #1041891. Published by Veronica Joines (A0.1463178). Originally arranged for a Bridal procession, this arrangement captures all the sentimentality and feeling of the original and is perfect for Weddings, Parties, or any event needing a beautiful ballad! The melody is traded back and forth between Violin and Viola giving it a rich variety. Includes an optional Violin 2 part!
$14.99
13.85 €
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Trio à Cordes: violon, alto, violoncelle
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Calum Scott
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Veronica Joines
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You Are The Reason
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Veronica Joines
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SheetMusicPlus
You Are The Reason
Trio à Cordes: violon, alto, violoncelle
By Calum Scott. By Corey Sanders, Jon Maguire, and Calum Scott. Arranged by Alison G…
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By Calum Scott. By Corey Sanders, Jon Maguire, and Calum Scott. Arranged by Alison Gillies. 155, Folk, Pop, Wedding. 12 pages. Quartetpad.com #816366. Published by quartetpad.com
$16.99
15.7 €
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Trio à Cordes: violon, alto, violoncelle
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Calum Scott
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Alison Gillies
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You Are The Reason
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quartetpad.com
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SheetMusicPlus
You Are The Reason String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio - Intermediate - Digital Download By Calum Scott. Arranged by Jose Quinta…
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String Trio - Intermediate - Digital Download By Calum Scott. Arranged by Jose Quintana. Score, Set of Parts. 11 pages. Published by Jose Quintana
$19.99
18.47 €
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Trio à Cordes: violon, alto, violoncelle
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Calum Scott
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Jose Quintana
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You Are The Reason String Trio
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Jose Quintana
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SheetMusicPlus
Blow Winds, Blow (Wehe, Windgen, wehe)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.975…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.975915 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructional. Score and parts. 19 pages. Derrick Thom. Lewis #6719751. Published by Derrick Thom. Lewis (A0.975915). DON'T FEAR PRE-BACH MUSIC! The idea of 'Progress' in art is fallacious (within reason). Scheidt- Variations on Wehe, Windgen, wehe (Blow Little Winds, Blow) [1624, Halle] This gem of mid-Baroque German meister Sam Scheidt, who (for reference) was 23 yrs. younger than Shakespeare and 98 yrs. than Bach, sounds not-a-bit strange to today's ears. Donald J. (no, not him) Grout says that John Dowland's songs of 1590's sound entirely modern. Well, they do! STING recorded them, if that means anything to you. So then, what have composers been up to for the last 430 years?! I jest, but this piece is terrific. Be advised, the 'runs' are modal, in that the 7th degree is usually NOT just a semitone under the 8th/1st, but a whole tone. A bit like bagpipe music, in our day.
$50.00
46.19 €
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Trio à Cordes: violon, alto, violoncelle
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Samuel Scheidt
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Derrick Thom
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Blow Winds, Blow
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Derrick Thom. Lewis
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SheetMusicPlus
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
13.4 €
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Trio à Cordes: violon, alto, violoncelle
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
Rimsky-Korsakov: Fugue Op. 17 No. 1 for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1358785 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1358785 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 11 pages. Jmsgu3 #943246. Published by jmsgu3 (A0.1358785). Rimsky-Korsakov's Six Fugues, Op. 17, composed in 1875, is an essential set of works for several reasons: Six Fugues was written in 1875 while Rimsky-Korsakov was serving as a military bandmaster in the Russian navy. Rimsky-Korsakov was a prominent Russian composer and teacher of classical music, known for his delicate orchestration and contributions to developing a Russian national identity in music. His most famous composition is The Flight of the Bumblebee. Rimsky-Korsakov's Six Fugues, Op. 17, are essential for their historical context, genre, instrumentation, and the composer's influence on Russian music. They provide valuable insights into Rimsky-Korsakov's compositional style and are accessible through various formats for study and enjoyment.
$24.95
23.05 €
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Trio à Cordes: violon, alto, violoncelle
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Rimsky-Korsakov: Fugue Op. 17 No. 1 for String Trio
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jmsgu3
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SheetMusicPlus
Chopin: Prelude Op. 28 No. 4 for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1355764 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1355764 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 5 pages. Jmsgu3 #940482. Published by jmsgu3 (A0.1355764). Chopin's Prelude Op. 28 No. 4 is significant for several reasons. It is one of the 24 Chopin preludes known for its brevity, harmonic and melodic richness, and emotional depth. The piece is only a page long and uses a descending melody line. Chopin requested that this piece be played at his funeral, along with Mozart's Requiem, which adds to its significance. The Prelude is often described as heart-rending and emotionally powerful, and it continues to captivate audiences even long after the composer's death. The piece is in E minor and is characterized by a descending melody line, making it emotionally evocative and musically rich. The Prelude has been the subject of various analyses and tutorials, highlighting its emotional, philosophical, and technical complexity.
$24.95
23.05 €
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Trio à Cordes: violon, alto, violoncelle
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 4 for String Trio
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jmsgu3
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SheetMusicPlus
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