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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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361
PIANO & CLAVIERS
Piano seul
118
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64
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63
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21
Orgue
18
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3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Clavecin
1
1 Piano, 4 mains
1
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GUITARES
Guitare
7
Guitare notes et tablatures
7
Ukulele
2
Paroles et Accords
2
3 Guitares (trio)
1
2 Guitares (duo)
1
Basse electrique
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
74
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53
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18
Chorale 2 parties
16
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8
Voix Alto, Piano
6
Voix duo, Piano
5
Chorale TTBB
5
Voix seule
4
Voix Baryton, Piano
2
Chorale Unison
2
Voix Tenor
1
Chorale SSATTB
1
Voix Soprano
1
Voix haute
1
Chorale SSAA
1
Voix duo
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Ensemble de saxophones
17
2 Saxophones (duo)
16
2 Flûtes traversières (duo)
13
Quintette de Saxophone: 5 saxophones
12
2 Clarinettes (duo)
12
Quatuor de Saxophones: 4 saxophones
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone, Clarinette (duo)
9
Quatuor de Clarinettes: 4 clarinettes
8
Flûte traversière et Piano
8
Ensemble de Clarinettes
7
Clarinette, Violon (duo)
7
Flûte, Clarinette (duo)
6
Hautbois, Piano (duo)
6
Ensemble de Flûtes
6
Clarinette
5
Clarinette et Piano
5
Clarinette, Trompette (duo)
5
Clarinette et Alto
5
Flûte, Hautbois, Clarinette, Basson
4
2 Hautbois (duo)
4
Flûte traversière
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Alto (duo)
4
Saxophone Alto et Piano
3
Quintette de Flûte : 5 flûtes
3
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3
Saxophone Soprano et Piano
3
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3
Hautbois, Basson (duo)
3
Hautbois, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Flûte, Saxophone (duo)
3
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2
Hautbois (partie séparée)
2
Hautbois, Flûte
2
Saxophone Alto
2
3 Clarinettes (trio)
2
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1
Hautbois, violon (duo)
1
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Flûte à bec Soprano, Piano
1
Saxophone Tenor
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois et alto (duo)
1
Hautbois, Violoncelle
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto, Piano
1
Saxophone (partie séparée)
1
Clarinette Basse, Piano
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette
8
Tuba et Piano
6
Trompette, Saxophone (duo)
6
Ensemble de Trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone et Piano
5
Trompette, Trombone (duo)
4
3 Trompettes (trio)
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 cors
3
Cor anglais, Piano
3
Euphonium, Piano (duo)
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 trombones
3
2 Trombones (duo)
3
4 Tubas
2
Trompette, Piano
2
2 Trompettes (duo)
2
Trombone
1
Cor et Piano
1
2 Cors (duo)
1
Trompette (partie séparée)
1
Cor
1
2 Tubas (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
15
Harpe
10
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
8
Violon
8
Violon, Violoncelle (duo)
6
Violoncelle, Piano
5
Alto, Piano
5
4 Violoncelles
4
Violoncelle
4
Violon, Alto (duo)
4
Ensemble de Violons
3
2 Violoncelles (duo)
3
Ensemble d'Altos
3
Quatuor à cordes : 4 altos
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Alto seul
2
4 Contrebasses
1
Violon, Basson (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre
23
Orchestre d'harmonie
17
Orchestre à Cordes
16
Ensemble de cuivres
10
Cloches
5
Ensemble Jazz
4
Jazz combo
4
Orchestre de chambre
3
Ensemble de Percussions
2
Marimba
1
2 Marimbas
1
Piano et Orchestre
1
Batterie
1
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AUTRES
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They were there
Trio à Cordes: violon, alto, violoncelle
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Peace on Earth (Christmas song) violin solo with strings quintet
Trio à Cordes: violon, alto, violoncelle
Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1299579 Composed by Connie …
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Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1299579 Composed by Connie Boss. Christian,Christmas. Full Performance. Duration 165. Connie Boss #889431. Published by Connie Boss (A0.1299579). This is an mp3 to a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all.  It has 6 strings parts as violin 1 has a solo part. The rest play throughout the piece. So many moving parts. The refrain part is played throughout the verses while the solo plays the lead. Purchase the sheet music on here. cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace  on EarthPeace  on EarthPeace  on EarthPeace  one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$1.99
1.8 €
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Trio à Cordes: violon, alto, violoncelle
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Connie Boss
#
Peace on Earth
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Connie Boss
#
SheetMusicPlus
Concerto a Cinque No 2 in F Major op. 5 No 2
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.742…
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.742380 Composed by Tomaso Giovanni Albinoni. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 36 pages. Arte Nova Music Lab #2991009. Published by Arte Nova Music Lab (A0.742380). 12 Concerti a cinque (op. 9) is a collection of concertos by the Italian composer Tomaso Albinoni, published in 1722.The most famous piece from Albinoni's Opus 9 is the Concerto in D minor for oboe (Opus 9, Number 2). It is known for its slow movement. This concerto is probably the second best-known work of Albinoni after the Adagio in G minor (which was once believed to be a reconstruction based on a fragment by Albinoni). The concertos were dedicated toMaximilian II Emanuel, Elector of Bavaria, and were first published in Amsterdam.[1] It is possible, but not certain, that they were written in the Elector's court during a 1722 visit there by Albinoni during performances of his theatrical compositions.[1]. Taken from https://en.wikipedia.org/wiki/12_Concerti_a_cinque_(Albinoni)
$25.00
22.56 €
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Trio à Cordes: violon, alto, violoncelle
#
Tomaso Giovanni Albinoni
#
Arte Nova Music Lab
#
Concerto a Cinque No 2 in F Major op. 5 No 2
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Arte Nova Music Lab
#
SheetMusicPlus
Elegy
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.997514 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.997514 Composed by Nick Elliott. Contemporary. Score and parts. 8 pages. Nick Elliott #5733053. Published by Nick Elliott (A0.997514). A somber piece that explores the theme of life and death, mortality and the unknown. A piece that often varies in texture. Each instrument is its own character, as if they were a character in a novel or film. They have their own personalities and eccentricities. This means that each line in the music is different, interesting and of equal importance yet they complement each other and the tone blends together in unity. The whole piece is filled with little motifs yet there is one motif that unifies the entire piece.
$7.28
6.57 €
#
Trio à Cordes: violon, alto, violoncelle
#
Nick Elliott
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Elegy
#
Nick Elliott
#
SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.21 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.21 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.21 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat major
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.21 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.21 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.22 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Fugue in G minor (BWV 1001) (3 Sonatas and 3 Partitas for Solo Violin) - String Trio arrangement
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.497951 Co…
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String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.497951 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score and parts. 19 pages. Published by Pietro Prugna (A0.497951). This piece was originally written for Solo Violin. For beginners, it may be difficult to hear the different parts for the piece and technically difficult to play the piece. In this arrangement for String Trio, the piece is split into 3 voices. This enables musicians to play this piece together and appreciate the various parts both separately and together in the Fugue. While doing the arrangement, reference was made with JS Bach's own transcription of this piece for Organ (BWV 539). With the expanded musical palette of the Organ transcription, much insight can be gained into Bach's ideas on this Fugue. Portions of the Organ version were incorporated to this arrangement, especially where there is only 1 melody line. In addition, the theme is also repeated over some single melody lines. The pdf contains the Full Score for String Trio and Set of Parts (Violin, Viola and Cello). They are formatted for easy page turning and reading.
$1.99
1.8 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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Pietro Prugna
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Fugue in G minor
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Pietro Prugna
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SheetMusicPlus
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