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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tonic
Non classifié
432
Piano & claviers
Piano seul
189
Piano Facile
40
Orgue
22
Accordéon
17
Piano, Voix
14
Accompagnement Piano
10
Piano, Voix et Guitare
7
Piano Trio: piano, violon, violoncelle
5
Clavecin
3
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
2 Accordéons
1
Instruments en Do
1
Orgue, Trompette (duo)
1
Concertina
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
971
Guitare
33
Dulcimer
7
Ukulele
7
Basse electrique
5
Paroles et Accords
4
Ligne De Mélodie, (Paroles) et Accords
2
+ 2 instrumentations
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Voix
Chorale SATB
64
Chorale Unison
11
Chorale 3 parties
9
Chorale SSAA
7
Voix duo, Piano
5
Chorale 2 parties
5
Chorale TTBB
5
Chorale SSAATTBB
2
Voix seule
1
Voix Baryton, Piano
1
Chorale SSAB a cappella
1
Voix Soprano, Piano
1
Male Voice
1
Voix haute
1
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Vents
Harmonica
62
Clarinette et Piano
11
Flûte traversière et Piano
10
Clarinette
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Saxophones: 4 saxophones
6
Flûte traversière
6
Ensemble de Clarinettes
5
Saxophone Tenor et Piano
3
Saxophone
3
Saxophone Alto
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Piano (duo)
3
Saxophone Alto et Piano
3
3 Clarinettes (trio)
2
Saxophone Tenor
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de saxophones
1
Saxophone Soprano
1
2 Clarinettes (duo)
1
Flûte, Clarinette (duo)
1
Piccolo
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Flûte à bec Soprano
1
Saxophone et Guitare
1
Saxophone et Harpe
1
Flûte, Basson et Piano
1
2 Flûtes traversières (duo)
1
Ensemble de Flûtes
1
Instruments en Mib
1
Flûte, Violon
1
Flûte de Pan
1
Saxophone Soprano et Piano
1
Trio de Flûtes: 3 flûtes
1
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Cuivres
Trompette
15
Quatuor de Cuivres
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor
4
Trombone et Piano
3
Cor et Piano
3
Trompette, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba
2
Bass Clef Instruments
2
Trombone
2
2 Trompettes (duo)
2
Instruments en Sib
1
Tuba et Piano
1
Euphonium
1
Ensemble de Trompettes
1
2 Euphoniums (duo)
1
Trompette, Harpe
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
8
Violon
8
Violoncelle
7
Violoncelle, Piano
7
Alto, Piano
6
Harpe
6
2 Harpes (duo)
6
Violon, Violoncelle (duo)
5
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
1
Violon, Alto (duo)
1
Violoncelle, Orgue
1
2 Violons (duo)
1
Harpe, Voix
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Autoharp
1
Alto et Harpe
1
Alto seul
1
Violon (partie séparée)
1
+ 16 instrumentations
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Orchestre & Percussions
Ensemble de Percussions
31
Orchestre d'harmonie
21
Orchestre
17
Ensemble de cuivres
16
Orchestre à Cordes
10
Ensemble Jazz
6
Cloches
5
3 Marimbas
4
Orchestre de chambre
4
Jazz combo
4
Percussion
2
Vibraphone
1
Fanfare
1
Marimba
1
Piano et Orchestre
1
+ 10 instrumentations
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Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
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AUTRES INST…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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XYLOPHONE
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Vous avez sélectionné:
Tonic
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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Scherzetto
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Robert A
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Scherzetto
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Robert A. Howard
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.998834 Composed by Robert A. Howard. 20th Century,Folk,Standards. 4 pages. Robert A. Howard #6134577....
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.998834 Composed by Robert A. Howard. 20th Century,Folk,Standards. 4 pages. Robert A. Howard #6134577. Published by Robert A. Howard (A0.998834). This miniature for string trio is a study in line and unison writing, across the three string parts. Its title comes from the character and form of the piece. Scherzetto explores the use of the octatonic scale in the manner of Bela Bartok, developing small motifs based on the semitone-tone scale. The piece is highly accessible and is appropriate for most standards of string player, including students and the more advanced. Duration: 1 minute 15 secondsRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$3.49
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Minimally Fantastic Suite for Clarinet and String Trio
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Trio à Cordes: violon, alto, violoncelle
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Steven Kudlo
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Minimally Fantastic Suite for
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Steven Mark Kudlo
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SheetMusicPlus
B-Flat Clarinet,Cello,Viola,Violin - SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo ...
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B-Flat Clarinet,Cello,Viola,Violin - SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo #718499. Published by Steven Mark Kudlo (A0.1116845). About 13 1/2 minutes long of intermediate difficulty, this composition smiles. It's in six movements, each movement dipping into three general styles: pandiatonic, expressionistic, and common practice tonality (regular music). Its overall tone is neoclassic, using minimal techniques to provide a satisfying experience. The clarinet is for a B-flat model; it gets at least adequate time to breathe. The string parts are fairly easy, though on one occasion the cello bounces around a bit. There are some varied time signatures that might be too challenging for very young people. There are a variety of key signatures. The composition is tonal.
$5.99
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