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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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PIANO & CLAVIERS
Piano seul
151
Piano Trio: piano, violon, violoncelle
95
Piano, Voix
27
Orgue
13
Piano Facile
11
Piano Quatuor: piano, violon, alto, violoncelle
6
1 Piano, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Accompagnement Piano
1
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GUITARES
Guitare
13
2 Guitares (duo)
6
Guitare, Flûte, Clarinette
2
Ukulele
1
2 Mandolines (duo)
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
27
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12
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10
Chorale 2 parties
8
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3
Chorale TTBB
3
Chorale SSAA
2
Voix Tenor, Piano
1
Voix basse, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
96
3 Clarinettes (trio)
72
3 Saxophones (trio)
65
Quintette de Saxophone: 5 saxophones
52
Trio de Flûtes: 3 flûtes
46
Flûte, Hautbois, Clarinette (trio)
39
Flûte, Clarinette et Basson
29
2 Flûtes traversières, Piano
26
3 Flûtes à bec (trio)
22
Hautbois, Piano (duo)
20
Hautbois, Clarinette, Basson (trio d'anches)
20
Quatuor de Saxophones: 4 saxophones
16
Flûte, Hautbois, Clarinette, Basson
15
Flûte traversière et Piano
14
Saxophone Soprano et Piano
14
Flûte, Hautbois, Basson
12
Clarinette et Piano
12
2 Flûtes traversières (duo)
12
Flûte, Clarinette, Piano (trio)
11
Saxophone Tenor et Piano
9
2 Saxophones (duo)
9
Ensemble de Clarinettes
8
Quatuor de Flûtes : 4 flûtes
8
Clarinette, Violoncelle, Piano (trio)
8
2 Clarinettes (duo)
8
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Alto et Piano
7
Quintette de Flûte : 5 flûtes
6
Clarinette
6
Flûte traversière
6
Quintette de Clarinettes: 5 clarinettes
5
3 Hautbois
5
Clarinette Basse, Piano
5
Flûte, Violoncelle, Piano (trio)
5
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4
Hautbois, Basson (duo)
4
Flûte, Clarinette (duo)
4
Flûte, Violon et Violoncelle
4
2 Clarinettes, Basson
3
Ensemble de saxophones
3
Clarinette, Basson (duo)
2
Hautbois
2
Flûte, Basson et Piano
2
Ensemble de Flûtes
2
2 Flûte à bec (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette, Violon (trio)
1
Clarinette, Harpe (duo)
1
Cor anglais, Piano
1
Hautbois, Harpe
1
Flûte et Trio à cordes
1
Flûte, Saxophone (duo)
1
Clarinette, Guitare (duo)
1
2 Hautbois (duo)
1
Saxophone Baryton, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Basson et Piano
1
Clarinette, Alto et Piano (trio)
1
2 Clarinettes, Piano
1
Flûte et Guitare
1
Flûte, Violon, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
3 Trombones (trio)
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trombone et Piano
21
Trompette, Piano
11
Trompette
9
3 Trompettes (trio)
9
Ensemble de Trompettes
8
Trio de Cuivres
8
3 Tubas (trio)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor
5
Cor et Piano
5
3 Cors (trio)
4
Quatuor de Cuivres
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Tuba et Piano
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Trompette, Cor (duo)
3
2 Trombones (duo)
2
Trombone
2
2 Cors (duo)
2
3 Euphoniums
2
Trombone, Cor (duo)
2
Ensemble de Cors
2
Tuba
2
Euphonium, Tuba (duo)
2
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Piano
1
4 Tubas
1
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CORDES
Trio à Cordes: violon, alto, violoncelle
194
Quatuor à cordes: 2 violons, alto, violoncelle
138
Trio à Cordes: 2 violons, violoncelle
56
Trio à cordes: 3 violins
37
Violon et Piano
36
Harpe
28
Trio à Cordes: 3 violoncelles
27
Trio à cordes: 3 altos
26
Trio à Cordes: 2 violons, alto
16
Piano Trio: Violon, Alto, Piano
16
Violoncelle, Piano
15
Violon
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Alto, Piano
12
Violon, Alto (duo)
10
Violon, Violoncelle (duo)
9
2 Violons, Piano
9
Violoncelle
7
2 Violoncelles, Piano
6
2 Violons (duo)
6
2 Altos (duo)
5
Contre Basse
5
Alto seul
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Altos, Piano
4
Harpe, Flûte (duo)
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
4
Violon, Clarinette, Piano (trio)
3
Trio à cordes
3
3 Contrebasses
2
Violon, Violoncelle, Clarinette
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Violon, Violoncelle
1
Alto (partie séparée)
1
4 Violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre
120
Ensemble de cuivres
39
Orchestre à Cordes
25
Orchestre d'harmonie
13
Orchestre de chambre
10
Ensemble de Percussions
2
Jazz combo
1
Marimba
1
Vibraphone (partie séparée)
1
Piano et Orchestre
1
Cloches
1
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AUTRES
Vous avez sélectionné:
Trio Movement
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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176
It's Beginning To Look Like Christmas - String Trio (optional vln2 or vla)
Trio à Cordes: violon, alto, violoncelle
String Trio - Advanced Intermediate - Digital Download By Meredith Willson. Arranged by…
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String Trio - Advanced Intermediate - Digital Download By Meredith Willson. Arranged by Alison Gillies. Score, Set of Parts. 8 pages. Published by quartetpad.com
It's Beginning To Look A Lot Like Christmas by Meredith Wilson, arranged for string trio (with optional violin 2 or viola) by Alison Gillies. Watch: https://youtu.be/SBac0i0WBlE and#65279; Written in 1951, this song has been a hit for Perry Como, Harry Connick Jnr. and Michael Bublé, among others. This arrangement for string quartet has plenty of interest for all players, with lots of light running triplet movement throughout.
$12.99
11.78 €
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Trio à Cordes: violon, alto, violoncelle
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Meredith Willson
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It's Beginning To Look Like Christmas - String Trio
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SheetMusicPlus
Concerto in F - ALL MOVEMENTS - Reutter - String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515967 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515967 Composed by Georg Reutter. Arranged by Eve C. Mailly. Baroque,Holiday,Wedding. Score and parts. 62 pages. Zene Strings #6472199. Published by Zene Strings (A0.515967). Concerto in F by Georg Reutter was originally composed for cembalo, two violins and basso continuo, with this arrangement for string trio. As with all of our arrangements, the middle part in included in both treble and alto clef giving you the flexibility of playing it with either two violins and cello, or violin, viola and cello.ALL THREE MOVEMENTS are included in this arrangement: -- 1st Movement - Allegro -- 2nd Movement - Andante -- 3rd Movement - AllegroEach of the three movements is available for separate purchase as well.From your friends at Zene Strings - enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$24.99
22.66 €
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Trio à Cordes: violon, alto, violoncelle
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Georg Reutter
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Eve C
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Concerto in F - ALL MOVEMENTS - Reutter - String Trio
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Zene Strings
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95
38.94 €
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Trio à Cordes: violon, alto, violoncelle
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Trio
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jmsgu3
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SheetMusicPlus
Concerto in F - 3rd movement - Reutter - String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515966 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515966 Composed by Georg Reutter. Arranged by Eve C. Mailly. Baroque,Holiday,Multicultural,Wedding,World. Score and parts. 21 pages. Zene Strings #6472193. Published by Zene Strings (A0.515966). Concerto in F by Georg Reutter was originally composed for cembalo, two violins and basso continuo.This is the 3rd movement of the Concerto with the two upper voices alternating the joyful melodic line.  The other movements may be purchased separately, or the complete Concerto (all three movements) can also be purchased at a discounted price.This arrangement is for string trio. As with all of our arrangements, the middle part in included in both treble and alto clef giving you the flexibility of playing it with either two violins and cello, or violin, viola and cello.From your friends at Zene Strings - enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$10.00
9.07 €
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Trio à Cordes: violon, alto, violoncelle
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Georg Reutter
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Eve C
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Concerto in F - 3rd movement - Reutter - String Trio
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Zene Strings
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SheetMusicPlus
Concerto in F - 2nd movement - Reutter - String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515965 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515965 Composed by Georg Reutter. Arranged by Eve C. Mailly. Baroque,Holiday,Wedding. Score and parts. 18 pages. Zene Strings #6466269. Published by Zene Strings (A0.515965). Concerto in F by Georg Reutter was originally composed for cembalo, two violins and basso continuo. This is the 2nd movement of the Concerto, with the other movements also available for purchase. The complete Concerto (all three movements) can also be purchased at a discounted price.This arrangement is for string trio. As with all of our arrangements, the middle part in included in both treble and alto clef giving you the flexibility of playing it with either two violins and cello, or violin, viola and cello.From your friends at Zene Strings - enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$10.00
9.07 €
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Trio à Cordes: violon, alto, violoncelle
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Georg Reutter
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Eve C
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Concerto in F - 2nd movement - Reutter - String Trio
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Zene Strings
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SheetMusicPlus
Symphony No. 5 by Beethoven for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1179372 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1179372 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 11 pages. Woods Only, Arrangements #779347. Published by Woods Only, Arrangements (A0.1179372). This adaptation was intended for a small group of string trio, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests.The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$5.99
5.43 €
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Trio à Cordes: violon, alto, violoncelle
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven for String Trio
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Woods Only, Arrangements
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SheetMusicPlus
Brandenburg Concerto No. 3 - Bach - String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.1029204 C…
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String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.1029204 Composed by Johann Sebastian Bach. Arranged by Amy Greenhalgh. Contemporary. Score and parts. 28 pages. Amy Greenhalgh #6687603. Published by Amy Greenhalgh (A0.1029204). This score and parts contains all three movements of the Brandenburg Concerto No. 3. The First Movement is a reduction of the original (just over 2 minutes). The Second Movement includes an original ad lib. solo for viola, and the Third Movement is complete. The parts are 2 pages per movement for easy page turns. Custom arrangements always welcome! www.amygreenhalgh.com
$9.99
9.06 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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Amy Greenhalgh
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Brandenburg Concerto No. 3 - Bach - String Trio
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Amy Greenhalgh
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SheetMusicPlus
Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
25.34 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
Baroque Wedding Music for String Trio, vol. 2
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.782…
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.782834 Arranged by Nicholas Palmer. Concert,Standards,Wedding. Score and parts. 75 pages. Nicholas D Palmer #6130093. Published by Nicholas D Palmer (A0.782834). This second volume contains works from the Baroque era suitable for weddings and other occasions, that are less likely to be in standard collections, with a couple of exceptions. The contents are:1. Wachet auf, ruft uns die Stimme (J.S. Bach)2. Liebster Jesu, wir sind hier (J.S. Bach) - this is a beautiful organ chorale prelude that translated well into a trio.3. Pastorale (J.S. Bach) - An arrangement of a particularly lovely movement of the organ piece Pastorale in F).4. Bouree (G.F. Handel) - a lively piece from Watermusic.5. The Peace (G.F. Handel) - a lovely movement from the Fireworks suite.6. Concerto in G for Violin (Antonio Vivaldi) - a flashy violin part across three movements makes for a festive set.7. Fughetta (Dietrich Buxtehude) - originally for organ, a lively gigue fugue.8. Trio (Francois Dandrieu) - a disciplined, lively imitative piece from the organ repertoire of this French master.9. Aria in F (Henry Purcell) - a short, vigorous piece by this early English Baroque composer.10. Saraband with Division (Henry Purcell) - a slower piece, reminiscent of Byrd's Pavan, that can be paired with #9.
$20.00
18.13 €
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Trio à Cordes: violon, alto, violoncelle
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Nicholas Palmer
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The contents are:
1
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Baroque Wedding Music for String Trio, vol. 2
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Nicholas D Palmer
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SheetMusicPlus
Trio à la Haydn (String Trio - Violin, Viola/Violin, Cello)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.878…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.878833 Composed by David Banney. Classical,Contemporary,Standards. Score and parts. 56 pages. David Banney #6236001. Published by David Banney (A0.878833). The Trio à la Haydn is a four movement string trio, composed in the style of 18th-century chamber music. It is specifically designed to fill the void of approachable string trio repertoire for young players - the great string trios of Mozart, Beethoven and Schubert being particularly demanding. The download consists of score and parts, including a violin transcription of the viola part.
$9.99
9.06 €
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Trio à Cordes: violon, alto, violoncelle
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David Banney
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Trio à la Haydn
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David Banney
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SheetMusicPlus
Brandenburg Concerto No.2 BWV1047 Movement II for String Quartet
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.777…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.777772 Composed by Johann Sebastian Bach. Arranged by Mikio Kamada. Baroque. Score and parts. 6 pages. ACORDO Sheet Music #2017715. Published by ACORDO Sheet Music (A0.777772). Brandenburg Concerto No.2 in F major, BWV1047, composed by Johann Sebastian Bach (1685-1750) , is a concerto for Trumpet, Flute, Oboe, and Violin as solo instruments. It consists of the following three movements, I. Allegro moderato, II. Andante, III. Allegro assai. Movement II is a very beautiful chamber music without Trumpet, for Flute, Oboe, Violin, and continuo. This movement is worth to be played as a four voices chamber music piece. Every part players would enjoy this music.
$8.00
7.25 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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Mikio Kamada
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Brandenburg Concerto No.2 BWV1047 Movement II for String Quartet
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ACORDO Sheet Music
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SheetMusicPlus
String Trio in E-flat (Benton 401)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.961407 Co…
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String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts. 18 pages. Artaria Editions #4365296. Published by Artaria Editions (A0.961407). ScoreArtaria Editions AE439Edited by Allan Badley 14 pagesIgnaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Pleyel's three Trios Concertants, as they are styled in the earliest extant editions, appeared in 1787. Unlike the composer's quartets and quintets, which are generally in three movements, the string trios are cast in two movements - an opening Allegro and a Rondo - a practice unusual in Vienna but popular in France. The use of the term 'concertant' in the title signifies an equality of parts; that is, each of the instruments in the ensemble plays an important role in presenting thematic material. Pleyel's trios share many stylistic qualities with his quartets and quintets. His feel for the medium is at once apparent in his impressive exploitation of contrasting musical textures which range from bold, homophonic writing in a quasi-orchestral style to brief sections of canonic writing. The beauty and sophistication of these small-scale works can only make one regret that he did not write more works in the medium. Allan Badley.
$28.00
25.39 €
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Trio à Cordes: violon, alto, violoncelle
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Ignaz Josef Pleyel
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Artaria Editions
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String Trio in E-flat
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Artaria Editions
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SheetMusicPlus
Berens - 3 String Trios, Op.85
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1292174 Composed by Herma…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1292174 Composed by Hermann Berens. Arranged by J.G. Cucó Barber. 19th Century,Chamber,Classical,Romantic Period. 193 pages. J.G. Cuco Barber #882761. Published by J.G. Cuco Barber (A0.1292174). Work Title 3 String TriosAlternative Title Drei Trios für Violine, Bratsche u. Violoncell, op. 85, von Hermann Berens.Composer Berens, HermannOpus/Catalogue Number Op.85Key D major, C minor, F majorMovements/Sections 3 trios Trio No.1 in D major Allegro vivace (D major) Andante maestoso (B-flat major) Menuett. Allegro non troppo (D major) Rondo-Finale. Allegro non troppo (D major) Trio No.2 in C minor Allegro agitato (C minor) Andante con moto (A-flat major) Allegro patetico (C minor Trio in C major) Finale. Allegro vivace (C minor) Trio No.3 in F major Allegro (F major) Andante (D minor) Allegro scherzando (A minor) Allegro vivace e con brio (F major) Year/Date of Composition 1871 (ca.)First Publication 1873Dedication Adolph BerensAverage Duration 26 minutes, 23 minutes, 32 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation violin, viola, cello.
$35.00
31.73 €
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Trio à Cordes: violon, alto, violoncelle
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Hermann Berens
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J
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Berens - 3 String Trios, Op.85
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J.G. Cuco Barber
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SheetMusicPlus
BACH: Trio Sonata No. 1 BWV 525 for Violin Duo & Cello
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552648 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6491581. Published by jmsgu3 (A0.552648). Sonata No. 1 BWV 525, originally for organ, arranged for violin duo & cello.Duration: 14:15, Score: 19 pages In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
29.88 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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cello
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BACH: Trio Sonata No. 1 BWV 525 for Violin Duo & Cello
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jmsgu3
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SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.43 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.43 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.43 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat major
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Artaria Editions
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SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.43 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.43 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
GALLO: TRIO SONATA IN G FOR VIOLIN, VIOLA & CELLO
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.811…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.811801 Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Concert,Standards,Wedding. Score and parts. 24 pages. Piper Publications #6358133. Published by Piper Publications (A0.811801). The first of twelve trio sonatas by Domenico Gallo previously attributed to Pergolesi and made famous by Igor Stravinski in his Pulcinella Suite, this three movement gem has been edited and arranged for violin, viola and cello. Players of intermediate standard and above will enjoy the well contrasted movements, Moderato, Andante and Presto.
$12.00
10.88 €
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Trio à Cordes: violon, alto, violoncelle
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Domenico Gallo
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Pat Spence
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GALLO: TRIO SONATA IN G FOR VIOLIN, VIOLA & CELLO
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Piper Publications
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SheetMusicPlus
In Extremis (for string trio) - instrumental parts
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.971…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.971711 Composed by WAGSTAFF, Julian. 20th Century,Contemporary. Score and parts. 47 pages. Julian Wagstaff #3011867. Published by Julian Wagstaff (A0.971711). This string trio was commissioned by the music society of King's Buildings, the science campus Edinburgh University, in 2011. It was premiered by members of the Edinburgh Quartet in April of that year. The work is in three movements, each inspired by the work of a different researcher at the Centre for Science at Extreme Conditions in Edinburgh. The first movement is a musical journey through the high-pressure phases of the element sulphur, the second envisages a journey to Saturn's moon Titan, while the third is an expressionistic representation of the structure of the substance CL20, the most explosive substance known to man. For more information visit www.julianwagstaff.com. Note that the score for this work is available separately from SheetMusicPlus.
$24.99
22.66 €
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Trio à Cordes: violon, alto, violoncelle
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WAGSTAFF, Julian
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In Extremis
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Julian Wagstaff
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SheetMusicPlus
String Trio, op. 32
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.1004697 Composed b…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.1004697 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 64 pages. Adrian Gagiu #4298323. Published by Adrian Gagiu (A0.1004697). String Trio in E minor is a Neo-classical, cyclical, half serious, half tongue in cheek composition. The movements: Andante-Allegro (nostalgic and dramatic), Andante con moto (a slow fugue), and Allegro scherzoso (treated in humorous variations; note the Minore variation, a well fit fugato on Henry Mancini's famous Pink Panther theme). The mp3 audio clip is the first movement. Total duration: 18 min.
$20.99
19.03 €
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Trio à Cordes: violon, alto, violoncelle
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Adrian Gagiu
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String Trio, op. 32
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Adrian Gagiu
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SheetMusicPlus
Confucius Said...å”å說...String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.903776 Composed by Alan Edga…
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String Ensemble,String Trio - Digital Download SKU: A0.903776 Composed by Alan Edgar. 20th Century,Contemporary,Holiday,Multicultural,World. Score and parts. 14 pages. Alan Edgar Ted Moon #6561443. Published by Alan Edgar Ted Moon (A0.903776). CONFUCIUS SAID: STRING TRIO violin, viola, cello. An interpretation of some of the annual ceremonial music honouring the great Chinese philosopher. Quotations of his sayings about music are included, for a performer to speak. This piece is inspired by the Confucius Birthday Ceremony, probably dating from the Chou Dynasty, 1046-221BCE.  The music, called Shao Music, has been played in all its magnificence since then. The event is highly choreographed and controlled musically, aiming to reflect and celebrate Confucius' philosphies of peace. Traditional Chinese music is primarily melodic, and western ears may feel the lack of harmonic richness. A player should read out the Confucius quotation at the beginning of each movement.   How to play... The melody and some of the bass line consists of the rows of pitch-classes in verses 1 and 2 of Honouring Confucius (Ta Tsai Kung-Tzu)  I have introduced rhythmic variety, harmony and some phasing and use the traditional pentatonic scale as rendered by the Chinese classical music instruments-drums, bells, flutes, and strings. The flute symbolises balance.  A man without...is a very short saraband, a courtly dance using all the pitches of verse 2 in order, with the strings muted.   It was by music... uses major triad fanfares where possible, with an occasional portamento.  Music produces a special... is a sensuous waltz: as with most of the movements, I have shamelessly used a tonal harmony under the notes of verse 4 (illustrated).  When music and courtesy... plays the notes of Verse 6 in quintuple time over a drone.  If one should desire...is a barefoot parade (gymnopedie?) in Satie's style.    Duration 7 minutes. Â
$6.00
5.44 €
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Trio à Cordes: violon, alto, violoncelle
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Alan Edgar
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Confucius Said...å”å說...String Trio
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Alan Edgar Ted Moon
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SheetMusicPlus
String Trio No.1 in E flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.43 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No.1 in E flat major
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Artaria Editions
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SheetMusicPlus
Minimally Fantastic Suite for Clarinet and String Trio
Trio à Cordes: violon, alto, violoncelle
B-Flat Clarinet,Cello,Viola,Violin - Digital Download SKU: A0.1116845 Composed by S…
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B-Flat Clarinet,Cello,Viola,Violin - Digital Download SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo #718499. Published by Steven Mark Kudlo (A0.1116845). About 13 1/2 minutes long of intermediate difficulty, this composition smiles. It's in six movements, each movement dipping into three general styles: pandiatonic, expressionistic, and common practice tonality (regular music). Its overall tone is neoclassic, using minimal techniques to provide a satisfying experience. The clarinet is for a B-flat model; it gets at least adequate time to breathe. The string parts are fairly easy, though on one occasion the cello bounces around a bit. There are some varied time signatures that might be too challenging for very young people. There are a variety of key signatures. The composition is tonal.
$5.99
5.43 €
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Trio à Cordes: violon, alto, violoncelle
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Steven Kudlo
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Minimally Fantastic Suite for Clarinet and String Trio
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Steven Mark Kudlo
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SheetMusicPlus
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