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--INSTRUMENTS--
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Was It All Worth It
Non classifié
81
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47
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9
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5
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5
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2
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2
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1
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1
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1
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Guitare
14
Guitare notes et tablatures
5
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3
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2
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2
Basse electrique
1
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27
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5
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3
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2
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1
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1
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5
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3
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3
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3
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1
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1
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1
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1
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1
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1
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1
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7
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2
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1
Trombone et Piano
1
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10
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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Vous avez sélectionné:
Was It All Worth It
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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Ocean Eyes
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Billie Eilish
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Sarah Cellobat Chaffee
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Ocean Eyes
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1402346 By Billie Eilish. By Finneas O'Connell. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1402346 By Billie Eilish. By Finneas O'Connell. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #985555. Published by Sarah Cellobat Chaffee (A0.1402346). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO* Billie Eilish released Ocean Eyes as her second-ever single in 2016. Originally written by Eilish's older brother for his own band, he soon realized that the ethereal ballad was actually the perfect vehicle to showcase his sister's vocal range and style; her recording ultimately achieved commercial success and positive critical reviews, and helped put her on the map as a major pop artist. Originally written for a wedding ceremony, this arrangement for your violin/viola/cello trio maintains the soaring melodies, beautiful layered harmonies, and dreamy pop beat of the original for a chart that's sure to pull on your audience's heartstrings! Rated advanced-intermediate for some tricky syncopated rhythms and high notes (up to 4th position in the violin parts), this one might merit a run-through before performing, but it will definitely be worth it! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Fuga a tre (3 part fugue) for string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #36...
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String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
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Was It All Worth It
