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Vous avez sélectionné:
What Can I Do
Trio à Cordes: violon, alto, violoncelle
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Do You Hear What I Hear
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Rock
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Carrie Underwood
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Sherry Lewis Publishing
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https://www
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Do You Hear What I Hear
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.521207 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis Publishing. Ro...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.521207 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis Publishing. Rock. 16 pages. Sherry Lewis Publishing #3926939. Published by Sherry Lewis Publishing (A0.521207). DO YOU HEAR WHAT I HEARString Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: YesParts: 8 pagesTime: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Ukrainian Folk Tune Rondo УКРÐЇÐСЬКРÐÐРОДÐРМЕЛОДІЯ РОÐДО Viloin, Viola, Cello
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Folklorique/Traditionel
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Anon
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Alan Edgar
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Ukrainian Folk Tune Rondo У
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Alan Edgar Ted Moon
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1079813 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. Score and parts. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.1079813 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. Score and parts. 22 pages. Alan Edgar Ted Moon #684009. Published by Alan Edgar Ted Moon (A0.1079813). Rondo featuring Ukrainian folk tunes. One cannot often find the origin of a folk tune or a definitive form, and bewares of modern arrangements( mine too!) The REFRAIN is Kolomeike, кoлoмийкa, a very quick duple-time dance tune, with a variable scale, popular in Ukraine for weddings and other festive occasions, often led by the violin with many smears. EPISODES are mostly sad love-songs: A. Чом ти не прийшов: a girl (Viola) sings Why did you not come and meet me in the moonlight? Wouldn't your mother let you? Dorian mode. B. Slow Waltz: I have seen this with G major accompaniment, but I have used G mixolydian: a popular mode in Ukraine.The Cello has the melody. C. O, in the cherry orchard Ой, у Вишневому Саду. A girl (Viola) sings that she begged her boyfriend to take her home from the orchard, as it was late, but he took a different girl. Mother (Violin) knows what has been going on, but is sympathetic. G minor. And D Tanietz: a very fast dance tune led by the Violin: I do not know its name. Then E a reprise of the Cherry Orchard. F.Ти ж мене підманула You tricked me and let me down. The Violin has the melody. I have seen and heard this sung cheerfully and very fast, but its lyrics are really sad. Players will choose. The basic melody was attributed to Semen Klimovski. DURATION: 11 minutes. INSTRUMENTATION: Violin,Viola, Cello.
$20.00
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
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