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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
When It\\\\\\\'s All Over
Non classifié
225
Piano & claviers
Piano seul
147
Piano, Voix et Guitare
35
Piano, Voix
34
Piano Facile
18
Instruments en Do
12
Orgue
8
Piano Trio: piano, violon, violoncelle
5
Piano grosses notes
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Accompagnement Piano
1
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
Ensemble d'Accordéons
1
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
16
Guitare
15
Basse electrique
4
Ukulele
4
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
2
Dulcimer
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
Mandoline
1
+ 6 instrumentations
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Voix
Chorale SATB
73
Chorale 3 parties
16
Voix Alto, Piano
11
Voix Soprano, Piano
8
Chorale 2 parties
6
Chorale TTBB
5
Chorale SSAA
5
Chorale Unison
3
Voix Baryton, Piano
2
Voix moyenne, Piano
2
Voix haute
2
Voix Tenor
1
Voix basse, Piano
1
+ 8 instrumentations
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Vents
2 Flûtes traversières (duo)
18
Flûte traversière et Piano
16
Hautbois (partie séparée)
16
2 Saxophones (duo)
14
Clarinette
14
Quatuor de Saxophones: 4 saxophones
13
Clarinette et Piano
12
Saxophone Tenor et Piano
11
Saxophone Alto et Piano
10
Saxophone, Clarinette (duo)
9
Harmonica
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quatuor de Clarinettes: 4 clarinettes
8
Hautbois, Piano (duo)
8
Saxophone (partie séparée)
8
Saxophone Soprano et Piano
7
Saxophone Alto
7
Ensemble de Flûtes
6
Saxophone Baryton, Piano
5
Flûte traversière
4
Quintette de Clarinettes: 5 clarinettes
4
Cor anglais, Piano
4
Clarinette, Violon (duo)
4
Saxophone Tenor
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Flûte, Violon
3
Clarinette Basse, Piano
3
Hautbois, Flûte
3
Hautbois, Basson (duo)
2
Flûte, Trompette (duo)
2
2 Clarinettes (duo)
2
Flûte, Alto (duo)
2
Ensemble de Clarinettes
2
Clarinette et Alto
2
Trio de Flûtes: 3 flûtes
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
3 Saxophones (trio)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
Flute (partie séparée)
1
Cor anglais et Harpe (duo)
1
Flûte à bec Soprano
1
Flûte et Guitare
1
+ 44 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trombone et Piano
9
Trompette
8
Cor et Piano
8
Trompette, Saxophone (duo)
6
Trompette, Piano
6
Cor
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
4
2 Trompettes (duo)
4
Tuba
4
Cor anglais, Piano
4
Trombone
4
Tuba et Piano
3
Trompette (partie séparée)
2
Ensemble de Tubas
1
2 Trombones (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Quatuor de Cuivres
1
2 Euphoniums et 2 Tubas
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Alto, Piano
13
Violon et Piano
12
2 Violons (duo)
12
Violon, Violoncelle (duo)
10
Violon
9
Harpe
8
Violoncelle
8
Violoncelle, Piano
7
2 Violoncelles (duo)
4
Contre Basse
4
Trio à Cordes: violon, alto, violoncelle
3
Harpe, Flûte (duo)
3
Alto (partie séparée)
3
Alto seul
3
Violon, Alto (duo)
3
2 Altos (duo)
3
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Harpes (duo)
1
Violon, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Voix
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
70
Orchestre
31
Orchestre à Cordes
21
Orchestre de chambre
12
Ensemble Jazz
7
Ensemble de cuivres
6
Jazz combo
5
Ensemble d'École
3
Cloches
3
Ensemble de Percussions
2
Fanfare
1
Batterie
1
+ 7 instrumentations
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EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARMONICA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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NOËL
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PATRIOTIQUE
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POP ROCK - POP MUSIC
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When It\\\\\\\'s All Over
Trio à Cordes: violon, alto, violoncelle
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Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
25.72 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.36 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Confucius Said...å”å說...String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.903776 Composed by Alan Edga…
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String Ensemble,String Trio - Digital Download SKU: A0.903776 Composed by Alan Edgar. 20th Century,Contemporary,Holiday,Multicultural,World. Score and parts. 14 pages. Alan Edgar Ted Moon #6561443. Published by Alan Edgar Ted Moon (A0.903776). CONFUCIUS SAID: STRING TRIO violin, viola, cello. An interpretation of some of the annual ceremonial music honouring the great Chinese philosopher. Quotations of his sayings about music are included, for a performer to speak. This piece is inspired by the Confucius Birthday Ceremony, probably dating from the Chou Dynasty, 1046-221BCE.  The music, called Shao Music, has been played in all its magnificence since then. The event is highly choreographed and controlled musically, aiming to reflect and celebrate Confucius' philosphies of peace. Traditional Chinese music is primarily melodic, and western ears may feel the lack of harmonic richness. A player should read out the Confucius quotation at the beginning of each movement.   How to play... The melody and some of the bass line consists of the rows of pitch-classes in verses 1 and 2 of Honouring Confucius (Ta Tsai Kung-Tzu)  I have introduced rhythmic variety, harmony and some phasing and use the traditional pentatonic scale as rendered by the Chinese classical music instruments-drums, bells, flutes, and strings. The flute symbolises balance.  A man without...is a very short saraband, a courtly dance using all the pitches of verse 2 in order, with the strings muted.   It was by music... uses major triad fanfares where possible, with an occasional portamento.  Music produces a special... is a sensuous waltz: as with most of the movements, I have shamelessly used a tonal harmony under the notes of verse 4 (illustrated).  When music and courtesy... plays the notes of Verse 6 in quintuple time over a drone.  If one should desire...is a barefoot parade (gymnopedie?) in Satie's style.    Duration 7 minutes. Â
$6.00
5.52 €
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Trio à Cordes: violon, alto, violoncelle
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Alan Edgar
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Confucius Said...å”å說...String Trio
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Alan Edgar Ted Moon
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SheetMusicPlus
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