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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
edit - AJ Tan
Non classifié
4 090
Piano & claviers
Piano seul
2 229
Orgue
1 647
Piano Facile
1 304
Piano, Voix et Guitare
1 149
Piano grosses notes
1 015
Piano, Voix
872
Instruments en Do
778
Accordéon
106
Clavier
62
1 Piano, 4 mains
58
Accompagnement Piano
39
Piano Trio: piano, violon, violoncelle
21
2 Pianos, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavecin
5
2 Accordéons
4
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano (partie séparée)
3
Accordéon, Voix
2
Instrument seul et Orgue
2
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 20 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 956
Ukulele
534
Guitare notes et tablatures
478
Guitare
436
2 Guitares (duo)
78
Basse electrique
64
Banjo
57
Paroles et Accords
46
Mandoline
29
Dobro
26
Ukulele Baryton
19
4 Guitares (Quatuor)
18
Piano, Guitare (duo)
9
3 Guitares (trio)
9
Dulcimer
3
Ensemble de guitares
3
Guitare Pedal Steel
2
Guitare, Violon, Violoncelle (trio)
2
Guitare Tab, Voix, Basse, Batterie
2
Guitare, Flûte, Clarinette
1
Guitare (partie séparée)
1
Mandoline, Piano (duo)
1
Guitare, Quatuor à cordes
1
+ 18 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
922
Chorale SATB
367
Chorale 3 parties
188
Chorale TTBB
116
Voix haute
85
Voix seule
69
Chorale 2 parties
67
Chorale SSAA
44
Voix Tenor, Piano
22
Voix basse, Piano
18
Voix Soprano, Piano
18
Chorale Unison
16
Chorale
12
Voix duo, Piano
12
Chorale SSAATTBB
11
Voix Baryton, Piano
10
Voix moyenne, Piano
8
Voix Mezzo-Soprano, Piano
6
Voix basse
6
Voix Alto, Piano
5
Chorale SSATB
5
Chorale SSATTB
3
Voix Moyenne
2
Chorale SSAATB
2
Voix duo
2
Chorale SATBB
1
Voix Tenor
1
Voix haute, Piano
1
Voix Soprano, Orchestre
1
Voix Soprano
1
Voix, Guitare
1
Voix et basse continue
1
+ 27 instrumentations
Retracter
Vents
Saxophone (partie séparée)
507
Clarinette
351
Flûte traversière
346
Saxophone Tenor
286
Saxophone Alto
261
Flûte traversière et Piano
196
Clarinette et Piano
173
2 Saxophones (duo)
157
Quatuor de Saxophones: 4 saxophones
121
Clarinette (partie séparée)
114
Hautbois, Piano (duo)
95
2 Flûtes traversières (duo)
79
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
76
2 Clarinettes (duo)
70
Hautbois (partie séparée)
69
Saxophone Alto et Piano
62
Flute (partie séparée)
60
Flûte, Hautbois, Clarinette, Basson
58
Saxophone Tenor et Piano
54
Flûte à Bec
46
Quatuor de Flûtes : 4 flûtes
40
Quatuor de Clarinettes: 4 clarinettes
37
Saxophone Soprano et Piano
37
Ocarina
37
Harmonica
26
Cor anglais, Piano
24
Hautbois, Basson (duo)
21
Flûte à bec Soprano
21
Hautbois
18
2 Flûte à bec (duo)
14
Quintette de Saxophone: 5 saxophones
14
Flûte à bec Alto
13
Flûte, Hautbois, Clarinette (trio)
13
Saxophone
13
2 Hautbois (duo)
13
Flûte et Guitare
12
Saxophone Baryton, Piano
12
Ensemble de saxophones
11
Flûte, Violon
10
3 Clarinettes (trio)
10
Saxophone Soprano
9
Flûte, Clarinette (duo)
9
Saxophone, Clarinette (duo)
8
Clarinette, Guitare (duo)
8
Trio de Flûtes: 3 flûtes
8
Flûte à bec Alto, Piano
8
Hautbois, Guitare (duo)
8
Clarinette, Violon (duo)
7
Flûte, Violoncelle, Piano (trio)
7
Saxophone et Guitare
7
Clarinette Basse, Piano
7
Saxophone Baryton
6
Ensemble de Flûtes
6
Flûte traversière, Basse continue
6
Piccolo, Piano
6
Flûte, Hautbois, Basson
6
Hautbois, Clarinette (duo)
5
Flûte, Violon, Piano
5
Ensemble de Clarinettes
5
3 Saxophones (trio)
5
Flûte, Hautbois (duo)
5
Cor Anglais
5
Quatuor de Flûtes à bec
5
Saxophone, Violon (duo)
4
Hautbois, violon (duo)
4
3 Flûtes à bec (trio)
4
Hautbois, Flûte
4
Flûte à bec Soprano, Piano
3
Flûte, Trompette (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Trompette (duo)
3
Instruments en Mib
3
Flûte à bec Alto, Basse continue
2
Flûte à bec, Guitare (duo)
2
Flûte traversière, Orgue (duo)
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette et Alto
2
2 Flûtes traversières, Piano
2
2 Clarinettes, Basson
2
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Flûte, Trombone (duo)
1
Hautbois, Trompette (duo)
1
Flûte, Clarinette et Basson
1
Clarinette, Basson (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violoncelle
1
Flûte, Basson et Piano
1
Clarinette, Trombone (duo)
1
2 Clarinettes, Piano
1
Flûte, Violon, Guitare
1
Flute, harpe et violon
1
Saxophone et Piano
1
Ensemble De Flûte à bec
1
Flûte à bec Tenor
1
+ 91 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
539
Trombone (partie séparée)
392
Cor
295
Trompette
289
Trombone
288
Quatuor de Cuivres
164
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
111
Trompette, Piano
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trombone et Piano
65
Tuba
61
Cor et Piano
54
Cor (partie séparée)
53
2 Trombones (duo)
49
2 Trompettes (duo)
45
Tuba et Piano
41
Cor anglais, Piano
24
Tuba (partie séparée)
21
Trombone, Tuba (duo)
17
Trompette, Tuba (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Euphonium, Piano (duo)
13
2 Cors (duo)
13
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trombones
10
Trompette, Saxophone (duo)
9
Trompette, Trombone (duo)
8
2 Tubas (duo)
7
Ensemble de Cors
6
Trombone basse et Piano
6
Cor, Tuba (duo)
5
Quatuor de cuivres: 4 trompettes
5
Cor Anglais
5
Tuba et Orgue
4
Trompette, Cor (duo)
3
Trompette, violon (duo)
3
Trombone, violoncelle (duo)
3
Euphonium
3
Ensemble de Trompettes
3
Instruments en Sib
3
Bass Clef Instruments
3
Euphonium (partie séparée)
2
3 Trombones (trio)
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
Trompette, Basson (duo)
2
Trompette et Guitare
2
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle (duo)
1
Cornet et Piano
1
Trombone basse
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
+ 49 instrumentations
Retracter
Cordes
Violon
384
Quatuor à cordes: 2 violons, alto, violoncelle
341
Violoncelle
311
Alto seul
268
Violon et Piano
265
Violoncelle, Piano
229
2 Violons (duo)
136
Alto, Piano
113
Violon (partie séparée)
92
Violon, Violoncelle (duo)
74
2 Violoncelles (duo)
69
Trio à Cordes: violon, alto, violoncelle
51
Harpe
39
Contrebasse, Piano (duo)
36
Alto (partie séparée)
29
Contre Basse
28
Alto, Violoncelle (duo)
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Altos (duo)
20
Violon, Alto (duo)
18
Violoncelle (partie séparée)
15
Violon, Guitare (duo)
13
Contrebasse (partie séparée)
13
Violoncelle, Contrebasse (duo)
11
Violoncelle , Guitare (duo)
10
Quatuor à cordes : 4 altos
8
2 Contrebasses (duo)
6
2 Harpes (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
Harpe, Violon (duo)
5
4 Violoncelles
5
Piano Trio: Violon, Alto, Piano
4
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle, Basse continue
3
Alto, Orgue
2
Quatuor à cordes: 4 violons
2
Alto, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Orgue
2
Trio à cordes
2
Trio à cordes: 3 altos
2
Violoncelle, Orgue
2
Violon, Basse continue
2
Violoncelle, Orchestre
2
2 Altos, Piano
1
Harpe, Violon, Violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et orchestre
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Harpe et Piano
1
Alto et Basson
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
812
Orchestre d'harmonie
593
Fanfare
226
Orchestre
124
Batterie (partie séparée)
100
Orchestre à Cordes
96
Percussion (partie séparée)
75
Orchestre de chambre
46
Cloches
45
Ensemble de cuivres
36
Jazz combo
20
Marimba
20
Vibraphone
17
Timbales (partie séparée)
15
Batterie
7
Ensemble de Percussions
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Instrumentation Flexible
3
Piano et Orchestre
3
Percussion
2
2 Xylophones
2
Xylophone
2
Vibraphone (partie séparée)
1
3 Percussions
1
Orchestre Symphonique
1
Caisse Claire
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
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Matériel de Musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Crtitères actifs :
edit - AJ Tan
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
51 partitions trouvées
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1
26
51
String Trio in E-flat (Benton 401)
#
Trio à Cordes: violon, alto, violoncelle
#
Classique
#
Ignaz Josef Pleyel
#
Artaria Editions
#
String Trio in E-flat
#
Artaria Editions
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts...
(+)
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts. 18 pages. Artaria Editions #4365296. Published by Artaria Editions (A0.961407). ScoreArtaria Editions AE439Edited by Allan Badley 14 pagesIgnaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Pleyel's three Trios Concertants, as they are styled in the earliest extant editions, appeared in 1787. Unlike the composer's quartets and quintets, which are generally in three movements, the string trios are cast in two movements - an opening Allegro and a Rondo - a practice unusual in Vienna but popular in France. The use of the term 'concertant' in the title signifies an equality of parts; that is, each of the instruments in the ensemble plays an important role in presenting thematic material. Pleyel's trios share many stylistic qualities with his quartets and quintets. His feel for the medium is at once apparent in his impressive exploitation of contrasting musical textures which range from bold, homophonic writing in a quasi-orchestral style to brief sections of canonic writing. The beauty and sophistication of these small-scale works can only make one regret that he did not write more works in the medium. Allan Badley.
$28.00
String Trio No. 9 in A major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
String Trio No. 9 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 7 in G major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
String Trio No. 7 in G major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions...
(+)
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 8 in F major
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
String Trio No. 8 in F major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
La Vie En Rose
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Edith Piaf
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Wendy Loder, ASCAP
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La Vie En Rose
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LarkAngel Productions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1238638 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Wendy Loder, ASCAP. Pop,Standar...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1238638 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Wendy Loder, ASCAP. Pop,Standards,Wedding. 2 pages. LarkAngel Productions #834074. Published by LarkAngel Productions (A0.1238638). This beautiful song is arranged here for String Trio, complete with intro before that famous tune. Lush and romantic, this is a real crowd pleaser and perfect for parties and receptions. Presented in score form to expedite cues and sightreading, very enjoyable to play!
$12.99
Butterfly's Day Out (double bass part - mandolin/misc. instr., cel, bs)
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861880 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861880 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6205027. Published by Mark O'Connor Musik International (A0.861880). Butterfly’s Day Out (double bass part – mandolin/misc instr., cel, bs) MO110DDouble Bass Part (score and parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110DCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Butterfly's Day Out (cello part - mandolin/misc. instr., cel, bs)
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861876 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 5 - SKU: A0.861876 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205025. Published by Mark O'Connor Musik International (A0.861876). Butterfly’s Day Out (cello part – mandolin/misc instr., cel, bs) MO110CCello Part (score and parts available)Music by Mark O’Connor3 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110CCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Butterfly's Day Out (mandolin part - mandolin/misc. instr., vla, cel)
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861879 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 5 - SKU: A0.861879 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6205029. Published by Mark O'Connor Musik International (A0.861879). Butterfly’s Day Out (score – mandolin/misc instr., vla, cel) MO111AMandolin Part (score - cel/bs, parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Psalm 1
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Trio à Cordes: violon, alto, violoncelle
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Musique Sacrée
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Be'eri Moalem
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Psalm 1
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Be'eri Moalem
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.834445 Composed by Be'eri Moalem. 20th Century,Contemporary,Jewish,Sacred. Score and parts. 7 p...
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String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.834445 Composed by Be'eri Moalem. 20th Century,Contemporary,Jewish,Sacred. Score and parts. 7 pages. Be'eri Moalem #4364508. Published by Be'eri Moalem (A0.834445). String trio composed in 2011. A version also exists for voice and string ensemble. The text is Psalm 1, describing the righteous and the evil. The piece ends with a musical depiction off evil doers blown away like chaff in the wind.A recording exists by the Burgos Ensemble: https://youtu.be/H2WY9sIIMpcPsalms Chapter 1 תְּהִלִּי×× ×ַש×ְרֵי ×”Ö¸×ִיש×-- ×ֲש×ֶר ×œÖ¹× ×”Ö¸×œÖ·×šÖ°, בַּעֲצַת רְש×ָעִי×;וּבְדֶרֶךְ חַטָּ×Ö´×™×, ×œÖ¹× ×¢Ö¸×žÖ¸×“, וּבְמוֹש×ַב לֵצִי×, ×œÖ¹× ×™Ö¸×©×ָב.1 Happy is the man that hath not walked in the counsel of the wicked, {N}nor stood in the way of sinners, nor sat in the seat of the scornful.ב ×›Ö¼Ö´×™ ×Ö´× ×‘Ö¼Ö°×ª×•Ö¹×¨Ö·×ª יְהוָה, חֶפְצוֹ; וּבְתוֹרָתוֹ יֶהְגֶּה, ×™×•Ö¹×žÖ¸× ×•Ö¸×œÖ¸×™Ö°×œÖ¸×”.2 But his delight is in the law of the LORD; and in His law doth he meditate day and night.×’ וְהָיָה-- ×›Ö¼Ö°×¢Öµ×¥, ש×ָתוּל עַל-פַּלְגֵי-מָיִ×:×ֲש×ֶר פִּרְיוֹ, יִתֵּן בְּעִתּוֹ--וְעָלֵהוּ לֹ×-יִבּוֹל; וְכֹל ×ֲש×ֶר-יַעֲשֶׂה יַצְלִיחַ.3 And he shall be like a tree planted by streams of water, {N}that bringeth forth its fruit in its season, and whose leaf doth not wither; and in whatsoever he doeth he shall prosper.ד לֹ×-כֵן הָרְש×ָעִי×: ×›Ö¼Ö´×™ ×Ö´×-כַּמֹּץ, ×ֲש×ֶר-×ªÖ¼Ö´×“Ö¼Ö°×¤Ö¶× Ö¼×•Ö¼ רוּחַ.4 Not so the wicked; but they are like the chaff which the wind driveth away.×” עַל-כֵּן, לֹ×-יָקֻמוּ רְש×ָעִי×--בַּמִּש×ְפָּט; וְחַטָּ×Ö´×™×, בַּעֲדַת צַדִּיקִי×.5 Therefore the wicked shall not stand in the judgment, nor sinners in the congregation of the righteous.ו ×›Ö¼Ö´×™-יוֹדֵעַ יְהוָה, דֶּרֶךְ צַדִּיקִי×; וְדֶרֶךְ רְש×Ö¸×¢Ö´×™× ×ªÖ¼Ö¹×בֵד.6 For the LORD regardeth the way of the righteous; but the way of the wicked shall perish. {P}
$3.99
BACH: Trio Sonata No. 1 BWV 525 for Violin Duo & Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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cello
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Weddin...
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String Ensemble,String Trio - Level 4 - SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6491581. Published by jmsgu3 (A0.552648). Sonata No. 1 BWV 525, originally for organ, arranged for violin duo & cello.Duration: 14:15, Score: 19 pages In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
BACH: Trio Sonata No. 2 BWV 526 for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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cello
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BACH: Trio Sonata No. 2 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Weddin...
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String Ensemble,String Trio - Level 4 - SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 59 pages. Jmsgu3 #6494883. Published by jmsgu3 (A0.552653). Trio Sonata No. 2 BWV 526, originally for organ, arranged for string trio: violin, viola & cello. Duration: ca. 10:00, Score: 35 pages. J.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
GALLO: TRIO SONATA IN G FOR VIOLIN, VIOLA & CELLO
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Domenico Gallo
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Pat Spence
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GALLO: TRIO SONATA IN G FOR VI
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Piper Publications
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.811801 Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Conc...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.811801 Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Concert,Standards,Wedding. Score and parts. 24 pages. Piper Publications #6358133. Published by Piper Publications (A0.811801). The first of twelve trio sonatas by Domenico Gallo previously attributed to Pergolesi and made famous by Igor Stravinski in his Pulcinella Suite, this three movement gem has been edited and arranged for violin, viola and cello. Players of intermediate standard and above will enjoy the well contrasted movements, Moderato, Andante and Presto.
$12.00
Fantasy (Fantasie) in F Minor, D 940, for String Sextet
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Classique
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Hyperion Ensemble
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Firmian Lermer
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Fantasy
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Paladino Editions
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 5 - SKU: A0.1274049 By Hyperion Ensemble. By Franz Schubert. Arranged by Firmian Lermer. 19th Century,Classic...
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String Ensemble Cello,Viola,Violin - Level 5 - SKU: A0.1274049 By Hyperion Ensemble. By Franz Schubert. Arranged by Firmian Lermer. 19th Century,Classical,Romantic Period. 91 pages. Paladino Editions #866184. Published by Paladino Editions (A0.1274049). The immortal favourite, Schubert’s Fantasie in F Minor for four-hand piano receives inspired treatment by the pen of arranger Firmian Lermer and appears in this version for two violins, two violas and two violoncellos. The string sextet medium captures and intensifies at once the intimacy and power, the grace and complexity, the sweetness and seriousness of this masterpiece. Already thrilling live audiences in Europe, this arrangement is bound to make a strong entrance into the professional chamber music circuit internationally. This is the second, substantially revised edition.
$39.99
God Rest Ye Merry Gentlemen for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Noël
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Traditional
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James M
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God Rest Ye Merry Gentlemen fo
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324384 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Tr...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324384 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #912582. Published by jmsgu3 (A0.1324384). God Rest Ye Merry, Gentlemen is one of the oldest and most popular Christmas carols from 16th-century England. The earliest known printed edition was published in 1760. The song has been known by different names throughout history, including God Bless You, Merry Gentlemen and God Rest Ye, Merry Christians. The lyrics convey the message of comfort and joy, celebrating the birth of Jesus Christ and the tidings of salvation from Satan's power. The song has been featured in various cultural works, including Charles Dickens's A Christmas Carol. Despite claims that the music originated in the 15th century, evidence supporting this is lacking, and the earliest known source documenting the existence of the carol dates to the mid-18th century. The song is widely misunderstood as being addressed to merry gentlemen, but the phrase God rest ye merry actually means God make you mighty or God keep you strong. The melody is more than just a Christmas song; it conveys a strong religious message and serves as a rallying song to show the world the true meaning of Christmas.
$24.95
La Vie En Rose
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Edith Piaf
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Valdir Maia
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La Vie En Rose
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Valdir Maia
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1211631 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Valdir Maia. Film/TV,Jazz,Pop,S...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1211631 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Valdir Maia. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. 5 pages. Valdir Maia #809243. Published by Valdir Maia (A0.1211631). La Vie En Rose, by Edith Piaf.You can find this arranngement for String Trio in the following versions:>String Trio as violin, viola and cello>String Trio as violin, viola and cello + CHORDSÂ (this one)>String Trio as violin, violin and cello>String Trio as violin, violin and cello + CHORDSTo see other arrangements, check out my selling page and follow me at www.youtube.com/@easysheetmusic.
$16.99
La Vie En Rose
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Trio à Cordes: violon, alto, violoncelle
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DÉBUTANT
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Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 1 - SKU: A0.1236390 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Song...
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String Trio Cello,Viola,Violin - Level 1 - SKU: A0.1236390 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 6 pages. Andre_Nusa #831904. Published by Andre_Nusa (A0.1236390). Experience the timeless romance of Edith Piaf's La Vie en Rose in a captivating arrangement for violin, viola, and cello. Immerse yourself in the tender and passionate melodies of this iconic French song as it unfolds through the enchanting interplay of these three exquisite string instruments. The violin takes the lead, weaving heartfelt melodies, while the viola and cello provide a lush and harmonious backdrop, adding depth and richness to the arrangement The interplay between the instruments creates a captivating musical dialogue, allowing you to fully embrace the tender sentiments of Piaf's composition. Whether you're performing for an audience or simply enjoying the music in the comfort of your own home, this arrangement is sure to create a mesmerizing and memorable experience.
$12.99
La Vie En Rose
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Edith Piaf
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Valdir Maia
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La Vie En Rose
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Valdir Maia
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1211632 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Valdir Maia. Film/TV,Jazz,Pop,S...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1211632 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Valdir Maia. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. 5 pages. Valdir Maia #809244. Published by Valdir Maia (A0.1211632). La Vie En Rose, by Edith Piaf.You can find this arranngement for String Trio in the following versions:>String Trio as violin, viola and cello (this one)>String Trio as violin, viola and cello + CHORDS>String Trio as violin, violin and cello>String Trio as violin, violin and cello + CHORDSTo see other arrangements, check out my selling page and follow me at www.youtube.com/@easysheetmusic.
$16.99
Ambrosia 7 for String Trio
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Celebrity Chamber Players
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Ambrosia 7 for String Trio
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.1082179 By Celebrity Chamber Players. By Marshall Thomas. This edition: Intera...
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Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.1082179 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 5 pages. Duration 54. Father Ambrose Press #5nY9JMs4BmKn6dGASk9ygi. Published by Father Ambrose Press (A0.1082179). Key: F major.Introduction to a brilliant, reluctant muse.
$19.99
La Vie En Rose
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Edith Piaf
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Marian Wilson
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La Vie En Rose
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Marian Wilson
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1336151 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Marian Wilson. 20th Century,Cha...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1336151 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Marian Wilson. 20th Century,Chamber,Standards,Traditional,Wedding. 5 pages. Marian Wilson #921999. Published by Marian Wilson (A0.1336151). A tender and lush arrangement of La Vie En Rose for string trio (violin, viola cello).
$12.99
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