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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chamber music No. 3
Non classifié
78
Piano & claviers
Piano seul
9
Piano Facile
7
Guitares
Guitare notes et tablatures
2
2 Guitares (duo)
1
Voix
Chorale 3 parties
10
Chorale SATB
1
Vents
3 Saxophones (trio)
34
Clarinette et Piano
31
Flûte traversière et Piano
16
Hautbois, Piano (duo)
11
Saxophone Alto et Piano
10
Saxophone Baryton, Piano
9
Saxophone Tenor et Piano
9
Cor anglais, Piano
8
Saxophone Soprano et Piano
8
3 Clarinettes (trio)
8
Trio de Flûtes: 3 flûtes
6
Flûte à bec Soprano
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte à bec Alto
4
Flûte à Bec
4
Piccolo, Piano
4
2 Flûtes traversières (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Quatuor de Flûtes : 4 flûtes
3
Flûte à Bec, Piano
2
Hautbois
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière
1
Ensemble de Flûtes
1
+ 24 instrumentations
Retracter
Cuivres
Trompette, Piano
28
Trombone et Piano
16
Tuba et Piano
10
Cor et Piano
9
Cor anglais, Piano
8
3 Trombones (trio)
7
Trombone basse et Piano
6
3 Tubas (trio)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Cors (duo)
2
3 Trompettes (trio)
2
Trompette et Guitare
1
3 Cors (trio)
1
Tuba
1
2 Tubas (duo)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 12 instrumentations
Retracter
Cordes
Violoncelle, Piano
14
Alto, Piano
13
Violon et Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
10
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
Contrebasse, Piano (duo)
4
2 Violons (duo)
4
Trio à cordes: 3 altos
2
Violoncelle, Basse continue
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
Contre Basse
1
4 Violoncelles
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
4
Orchestre
1
Autres
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AUTRES INST…
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CONTREBASSE
COR
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EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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Vous avez sélectionné:
Chamber music No. 3
facile
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
10 partitions trouvées
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Tantum Ergo WAB. 41 No. 3
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Anton Bruckner
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Eric Vireton
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Tantum Ergo WAB. 41 No. 3
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music, Quartet String Quartet: 2 Violins, Alto, Cello - Grade 2 - SKU: FX.FX073649 Composed by Anton Bruckner. Arranged by Eric Vireton. Arrange...
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Chamber Music, Quartet String Quartet: 2 Violins, Alto, Cello - Grade 2 - SKU: FX.FX073649 Composed by Anton Bruckner. Arranged by Eric Vireton. Arrangement. Classical. Score and Set of Parts. Duration 2 minutes, 5 seconds. FLEX Editions - Digital Sheet Music #FX073649. Published by FLEX Editions - Digital Sheet Music (FX.FX073649). Instruments:String Quartet: 2 Violins 1 Alto 1 Cello.
$7.95
Pomp and Circumstance No.1 - String Quartet (Full Score) - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Edward Elgar
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César Madeira
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Pomp and Circumstance No.1 - S
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Sheet Music To Play Editions
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1223057 Composed by Edward Elgar. Arranged by César Madeira. Classical,Film/TV,March,Multicultural,...
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String Quartet String Quartet - Level 2 - SKU: A0.1223057 Composed by Edward Elgar. Arranged by César Madeira. Classical,Film/TV,March,Multicultural,Romantic Period,World. 3 pages. Sheet Music To Play Editions #819261. Published by Sheet Music To Play Editions (A0.1223057). Pomp and Circumstance (Military March No.1 in D major). Arrangement for String Quartet - Violin 1, 2, Viola and Violoncello. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Sir Edward William Elgar (1857 - 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Beethoven: Bagatelle Op. 119 No. 6 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 119 N
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1231050 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Cl...
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String Quartet String Quartet - Level 2 - SKU: A0.1231050 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 13 pages. Jmsgu3 #826732. Published by jmsgu3 (A0.1231050). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle. No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
$24.95
Beethoven: Bagatelle: Op. 119 No. 4 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle: Op. 119
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1231011 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Cl...
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String Quartet String Quartet - Level 2 - SKU: A0.1231011 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 7 pages. Jmsgu3 #826692. Published by jmsgu3 (A0.1231011). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle. No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
$24.95
Beethoven: Bagatelle Op. 119 No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
#
Classique
#
Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 119 N
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1230870 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1230870 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 9 pages. Jmsgu3 #826552. Published by jmsgu3 (A0.1230870). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle. No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
$24.95
Beethoven: Bagatelle Op. 119 No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 119 N
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1231022 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Cl...
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String Quartet String Quartet - Level 2 - SKU: A0.1231022 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 7 pages. Jmsgu3 #826704. Published by jmsgu3 (A0.1231022). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle. No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
$24.95
J.S. Bach - Bourrée from Violin Partita No.1 in B minor - Easy
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Johann Sebastian Bach
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Piacere Music Sheets
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2, Viola and Cello
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J.S. Bach - Bourrée fro
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Piacere Music Sheets
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1161052 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroqu...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1161052 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. 17 pages. Piacere Music Sheets #761375. Published by Piacere Music Sheets (A0.1161052). Opus/Catalog Number: BWV 1002, Movement 7Key/Tone: B minorMovements/Sections: LivelyYear/Date of Composition: 1720 in 6 Violin Sonatas and Partitas (No.2)Difficulty: Grade 3/12 (Easy Intermediate)Obs.: This piece is the seventh of eight movements in Bach's Violin Partita No. 1.It is originally arranged for Violin Solo. This is an arrangement for String Quartet (Violins 1 & 2, Viola and Cello.Included: Full score and individual parts.
$7.95
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Ave Maris Stella arr. for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Anonymous
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Ruth Raubertas
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Ave Maris Stella arr. for stri
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White Bird Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1404870 Composed by Anonymous. Arranged by Ruth Raubertas. Chamber,Classical,Mediev...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1404870 Composed by Anonymous. Arranged by Ruth Raubertas. Chamber,Classical,Medieval,Renaissance,Sacred. 3 pages. White Bird Music #987895. Published by White Bird Music (A0.1404870). This is a short string quartet featuring a Gregorian melody on violin with harmony provided in the lower voices by violin, viola and cello. It is meant to be played in a free chant style with rubato; however, mixed meters are provided to give an approximate idea of the counting. This piece would be suitable for a school or church setting and is derived from ancient sacred music written for the Catholic Church. It is quite an easy piece in D Dorian mode, thus no sharps or flats. The quiet beauty of this piece is suitable for meditative or concert use. An interlude of gentle improvisation could be added with a repeat of the theme at the end if a longer piece is desired (permission to do that hereby granted). Students, teachers and church music directors as well as professional musicians looking for a short easy work may find this a useful addition to their repertoire. (Please note: the audio recording is a guide and does not necessarily reflect the proper phrasing as indicated in the score.).
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Chamber music No. 3
