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--INSTRUMENTS--
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Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
3 partitions trouvées
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Vente Pa' Ca
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Ricky Martin Featuring Maluma
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Musikeo
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Vente Pa' Ca
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Musikeo
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1237599 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1237599 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, Juan Luis Londono Arias, Justin Stein, Lars Pedersen, Mauricio Reglero Rodriguez, Nermin Harambasic, Ricardo Andres Reglero, and Ronny Svendsen. Arranged by Musikeo. Contemporary,Disco,Latin,Multicultural,Pop,World. 8 pages. Musikeo #833115. Published by Musikeo (A0.1237599). Vente Pa' Ca (transl. Come Over Here) is a song recorded by Puerto Rican singer Ricky Martin, featuring a guest appearance from Colombian singer Maluma. It was written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen, while the production was handled by Alexander Castillo. The song was released for digital download and streaming as a single by Sony Music Latin on September 23, 2016. A Spanish language reggaeton and pop song, it contains various sexual innuendos. The song received widely positive reviews from music critics, who complimented its danceable rhythm and fusion of genres. It was ranked as one of the best Latin songs of the year by multiple publications, including The Guardian.The song was nominated for the awards of Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. Vente Pa' Ca was one of the most commercially successful Spanish-language songs of 2016, reaching number one in seven countries, including Argentina and Mexico, as well as the top five in Spain and on the Billboard Hot Latin Songs chart in the United States. It also reached the summit of the Billboard Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. Additionally, it was ranked among the top 10 best performing songs of 2017 in six Latin American countries. The song has received several certifications, including quadruple platinum in Spain.An accompanying music video, released simultaneously with the song, was directed by Jessy Terrero and filmed at the SLS South Beach Hotel in Miami Beach, Florida. It depicts several parties in different locations in the hotel and has received over 1.8 billion views on YouTube. To promote Vente Pa' Ca, Martin and Maluma performed it on several television programs and award shows, including both the Premio Lo Nuestro and the Premios Juventud in 2017. Multiple contestants on various music talent shows have covered the song, including Patricia Manterola and Mà xim Huerta. Several remixes and other versions have accompanied the song, such as English versions featuring Delta Goodrem, and Wendy of Red Velvet. The latter reached number one on Melon's international music chart.Musically, Vente Pa' Ca is a Spanish language upbeat reggaeton and pop song, written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen. Its production was handled by Alexander Castillo, and the song features elements of vallenato and Latin music. The track runs for a total of 4 minutes and 19 seconds, and Billboard described it as a party track set over a sultry reggaetón beat.Lyrically, Vente Pa' Ca which translates to Come Here in English, contains various sexual innuendos, with lyrics including, Si tú quieres nos bañamos / Si tú quieres nos soplamos / Pa secarnos lo mojao / Si tu boca quiere beso / Y tu cuerpo quiere de eso / Arreglamos (If you want we can swim / If you want we can dry ourselves / If your mouth wants a kiss / And your body wants that / Then we can manage).Vente Pa' Ca was one of the biggest Spanish-language songs of 2016. The song debuted at number four on the US Billboard Hot Latin Songs chart on October 15, 2016, with a first-week tally of 5,000 downloads sold, 1.1 million streams, and 14 million radio impressions.
$12.99
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
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Five-four