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I See Red
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I See Red
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Quatuor à cordes: 2 violons, alto, violoncelle
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Study on Beethoven
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Methodes Etudes
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes....
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String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
String Quartet No. 3
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Patrick Prejean
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String Quartet No. 3
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Patrick Prejean
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1179068 Composed by Patrick Prejean. 20th Century,Chamber,Classical,Contemporary. 7...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1179068 Composed by Patrick Prejean. 20th Century,Chamber,Classical,Contemporary. 75 pages. Patrick Prejean #779041. Published by Patrick Prejean (A0.1179068). This is a massive undertaking. Written in six movements, this quartet has much to say.I - Church Bells are heard throughout in many keys. No matter where I go I can always hear them in the distanceII - This movement is untitled seeing as I didn't come up with a clever name for it. I wrote it on very cloudy day and that is all I can remember about it.III - Happy Times is a reduction of the same piece in my Piano Sonata: Blue. IV - Dance - This movement is a dance of death. It is very obvious that something has gone wrong and there is no chance of fixing it.V - Taking Turns - The title is self -explanatory. Originally this was going to be the beginning of a mini quartet but I decided against it. VI - Death March - This is a feeling I know all to well. It is held together by the canonical wandering melody that attempts to shine through the dark.
$40.00
String Quartet - William and Mary
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand
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String Quartet - William and M
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Michael M. Strand
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand ...
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String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
$7.00
Texas Hold 'em
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Beyonce
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Alison Gillies
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Texas Hold 'em
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quartetpad.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1390968 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1390968 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Alison Gillies. Country,Folk,Pop,Soul,Wedding. 19 pages. Quartetpad.com #974502. Published by quartetpad.com (A0.1390968). Texas Hold 'Em by Beyoncé arranged for string quartet by Alison Gillies.Beyoncé's chart-topping foray into country music makes for a really fun string quartet arrangement. No need to transpose this one - the orginal key of D major works perfectly for stringed instruments. Come take it to the floor now!Other quartetpad arrangements of Beyonce songs include:- Halo (from Bridgerton)- Love On Top- When I First Saw You (from Dreamgirls)*NB - Each part for this arrangement has been reduced in size to fit onto 2 pages. If you will be reading from ipads or similar and would prefer a larger font 3-page version, please send me a message through quartetpad.com !See more arrangements by Alison Gillies at quartetpad.com InstagramFacebookTikTok
$16.99
Someone Like You
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Van Morrison
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Alison Gillies
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Someone Like You
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quartetpad.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1352512 By Van Morrison. By Van Morrison. Arranged by Alison Gillies. Film/TV,Pop,S...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1352512 By Van Morrison. By Van Morrison. Arranged by Alison Gillies. Film/TV,Pop,Soul,Wedding. 14 pages. Quartetpad.com #937327. Published by quartetpad.com (A0.1352512). Someone Like You by Van Morrison arranged for string quartet by Alison Gillies.A wedding and movie classic. This song subsequently became the framework for one of Morrison's most popular classics and love ballads, Have I Told You Lately, released in 1989 and was featured on the soundtrack to the movie One Fine Day.This arrangement is based on the Dina Carroll cover version.See more arrangements by Alison Gillies at quartetpad.com InstagramFacebookTikTok
$16.99
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I See Red