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Quatuor à cordes: 2 violons, alto, violoncelle
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6 partitions trouvées
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
Blue Danube Waltz for String Quartet, A4 print and iPad layout
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Johann Strauss Jr
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Kovats Istvan
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Blue Danube Waltz for String Q
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Kovats Istvan
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1126144 Composed by Johann Strauss Jr. Arranged by Kovats Istvan. 19th Century,Classical,Holiday,Roman...
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String Quartet String Quartet - Level 5 - SKU: A0.1126144 Composed by Johann Strauss Jr. Arranged by Kovats Istvan. 19th Century,Classical,Holiday,Romantic Period,Wedding. 46 pages. Kovats Istvan #726852. Published by Kovats Istvan (A0.1126144). -There are two sets of parts, one for A4 print, and one for iPad 12.9 -Printing: Violin 1 - 1st page right, Violin 2 (needs explanation) - 1st page right, 2nd left, 3rd middle, 4th right, 5th left, Viola - 1st page left, Cello - 1st page left -The iPad 12.9 layout has bigger music fonts, but You'll have more page turns. I recommend to use pedal for page turning. -Ready to play arrangement, it has bowings, dynamics and articulations. -No jumps, no repeats except one in Waltz 4. -You can save a lot of time: just respect the bowings, dynamics, articulations and You're done. -I recommend to advanced musicians. TIP: Enjoy it :) Visit my Facebook page for more info, contact, etc.: https://www.facebook.com/kovatsmusic Give it a thumbs up, thanks :).
$7.99
Elgar, E. - Chanson De Matin for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Edward Elgar
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Linda M
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Elgar, E. - Chanson De Matin f
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Linda M Scott
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.540464 Composed by Edward Elgar. Arranged by Linda M. Scott. 20th Century,Romantic ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.540464 Composed by Edward Elgar. Arranged by Linda M. Scott. 20th Century,Romantic Period. Score and parts. 13 pages. Linda M Scott #4288985. Published by Linda M Scott (A0.540464). Sir Edward Elgar (1857-1934) was a well-respected English composer. His Enigma Variations written in 1899, was one of his first works that established him as noteworthy composer of his time. Another work that remains popular is the Pomp and Circumstance March. This piece, Chanson De Matin, was written originally for violin and piano, and later orchestrated for chamber orchestra.
$5.99
Drama - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Silo String Quartet
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Drama - Score Only
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Haydn Brett Reeder
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1156628 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 13 pages. Haydn Brett Reeder #7...
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String Quartet String Quartet - Level 5 - SKU: A0.1156628 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 13 pages. Haydn Brett Reeder #756950. Published by Haydn Brett Reeder (A0.1156628). This is the third of three pieces for string quartet and therefore acts as a finale. Numbers I and II are titled 'Moving Between' and 'Breathing' respectively and all three are available on this site. Any one of these may be performed separately or the three movements can be played as a set. On occasions the textures of 'Drama' hark back to those heard in 'Moving Between', however in the latter there is transitional material between textures, be they melodic or chordal. Here, transitions are absent andcontrasts are starker, being produced by opposites such as slow and fast speeds, symmetrical and asymmetrical harmonies, porous and thick textures and sound and noise.
$4.00
Moving Between
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Haydn Reeder
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Moving Between
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Haydn Brett Reeder
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1156088 Composed by Haydn Reeder. Chamber,Contemporary. 16 pages. Haydn Brett Reede...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1156088 Composed by Haydn Reeder. Chamber,Contemporary. 16 pages. Haydn Brett Reeder #756401. Published by Haydn Brett Reeder (A0.1156088). Parts only. See description of score. This movement may be played separately or along with movements II and III titled 'Breathing' and 'Drama' respectively. All three movements are available on this site.
$4.00
In Conversation (String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Dominic McGonigal
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In Conversation
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C8 Music
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SheetMusicPlus
String Quartet - Advanced - Composed by Dominic McGonigal. 21st Century, Contemporary Classical. 58 pages. Published by C8 Music ...
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String Quartet - Advanced - Composed by Dominic McGonigal. 21st Century, Contemporary Classical. 58 pages. Published by C8 Music
Three movements of beautiful polymodal writing, with rich counterpoint and soaring melodies. The opening movement has a dance-like theme, yet with dark overtones. The central slow movement has a haunting tune played in turn by the first violin, viola and cello. The final movement is fast and jolly. Throughout the piece, the four instruments are in conversation, passing thematic material between them, with exciting rhythmic interplay. Lasting about 17', Quartet In Conversation is a contemporary work, respecting the legacy of the great quartets of Beethoven, Ravel, Bartok, Shostakovich and John Adams. There's more at www.dominicmcgonigal.com
$10.00
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