Partitions Numériques de String Quartet No. 5 pour Quatuor à cordes: 2 violons, alto, violoncelle

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String Quartet No. 5

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Quatuor à cordes: 2 violons, alto, violoncelle

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201

String Quartet No. 5 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Peteris Vasks #String Quartet No. 5 #Schott Music - Digital #SheetMusicPlus

String quartet - difficult - SKU: S9.Q6235 Composed by Peteris Vasks. This edition: score and parts. Downloadable, Score and parts. Duration 25 minutes....(+)

$35.99

The Essence of Being (String Quartet No. 5) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Kevin Day #The Essence of Being #T.U.X. People's Music #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1253465 Composed by Kevin Day. 21st Century,Contemporary,Contest,Festival. 44 pages. T.U.X. People's M...(+)

$30.00

String Quartet No 5 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Malcolm D Robertson #String Quartet No 5 #Mr Malcolm D Robertson #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1322868 Composed by Malcolm D Robertson. 21st Century,Chamber,Classical,Contemporar...(+)

$12.99

String Quartet No. 5 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Christopher M #String Quartet No. 5 #Christopher M. Wicks #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.982878 Composed by Christopher M. Wicks. Contemporary. Score and parts. 20 pages. Christopher M. Wicks...(+)

$15.00

String Quartet No.5 in D minor #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Jordan Grigg #String Quartet No.5 in D minor #Jordan Grigg #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.863754 Composed by Jordan Grigg. Concert,Romantic Period,Standards. Score and parts...(+)

$23.95

String Quartet No. 5 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Volker David Kirchner #String Quartet No. 5 #Schott Music - Digital #SheetMusicPlus

String quartet - difficult - SKU: S9.Q5784 Composed by Volker David Kirchner. This edition: score and parts. Downloadable, Score and parts. Duration 15 ...(+)

$33.99

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor

#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 pages. Mark O'Connor Musik International #6201731. Published by Mark O'Connor Musik International (A0.861789). String Quartet No. 3 Old-Time (Score â€“ two vlns, vla, cel) MO169BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor30 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169BCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola â€“ two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part â€“ two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark Oâ€™Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part â€“ two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 6 (Lochrian) (score) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Colin Bayliss #String Quartet No. 6 #Colin Bayliss #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss ...(+)

String Quartet String Quartet - Level 5 - SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.

$8.00

String Quartet No. 6 (Lochrian) (parts) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Colin Bayliss #String Quartet No. 6 #Colin Bayliss #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss ...(+)

String Quartet String Quartet - Level 5 - SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.

$10.00

String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201709. Published by Mark O'Connor Musik International (A0.861782). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor35 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170BCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201713. Published by Mark O'Connor Musik International (A0.861784). String Quartet No. 2 Bluegrass (violin 2 part â€“ two vlns, vla, cel) MO170CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor36 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170CCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. Mark O'Connor Musik International #6201721. Published by Mark O'Connor Musik International (A0.861786). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170ECello Part (score and parts available)Music by Mark Oâ€™Connor33 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170ECopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (viola part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. Mark O'Connor Musik International #6201717. Published by Mark O'Connor Musik International (A0.861785). String Quartet No. 2 Bluegrass (viola â€“ two vlns, vla, cel) MO170DViola Part (score and parts available)Music by Mark Oâ€™Connor31 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170DCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

Ludwig Van Beethoven: Quartet Op.18 No.5 in A major (parts) for string quartet #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Ludwig Van Beethoven #Virtualsheetmusic

Instantly downloadable sheet music by Ludwig van Beethoven for string quartet of HIGH skill level. Contents: opus 18, op. 18, no. 5, number 5 / classical...(+)

Instantly downloadable sheet music by Ludwig van Beethoven for string quartet of HIGH skill level. Contents: opus 18, op. 18, no. 5, number 5 / classical

$7.99

Ludwig Van Beethoven: Quartet Op.18 No.5 in A major (f.score) for string quartet #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Ludwig Van Beethoven #Virtualsheetmusic

Instantly downloadable sheet music by Ludwig van Beethoven for string quartet of HIGH skill level. Contents: opus 18, op. 18, no. 5, number 5 / classical...(+)

Instantly downloadable sheet music by Ludwig van Beethoven for string quartet of HIGH skill level. Contents: opus 18, op. 18, no. 5, number 5 / classical

$5.99

Ludwig Van Beethoven: Quartet Op.18 No.5 in A major (COMPLETE) for string quartet #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Classique #Ludwig Van Beethoven #Virtualsheetmusic

Instantly downloadable sheet music by Ludwig van Beethoven for string quartet of HIGH skill level. Contents: opus 18, op. 18, no. 5, number 5 / classical...(+)

Instantly downloadable sheet music by Ludwig van Beethoven for string quartet of HIGH skill level. Contents: opus 18, op. 18, no. 5, number 5 / classical

$9.99

String Quartet No. 1 - Prelude and Metamorphosis (score and parts) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Alan Bullard #String Quartet No. 1 - Prelude #Colne Edition / BullardMusic #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.1162641 Composed by Alan Bullard. 20th Century,Classical. Score and parts. 36 pages. Colne Edition / B...(+)

String Quartet String Quartet - Level 5 - SKU: A0.1162641 Composed by Alan Bullard. 20th Century,Classical. Score and parts. 36 pages. Colne Edition / BullardMusic #763017. Published by Colne Edition / BullardMusic (A0.1162641). Alan Bullard's String Quartet No. 1 (Prelude and Metamorphosis), scored for two violins, viola, and cello, offers two ways of looking at the same musical shape: the Prelude presents it in a brisk and lively manner, and the reflective Metamorphosis transforms it into a lyrical and expressive slow movement.Designed for experienced players, this quartet has been performed by several string quartets, and this download contains the score and the individual parts in one file.For further details, please visit www.colneedition.co.uk.

$20.00

String Quartet No. 3 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Julian Anderson #String Quartet No. 3 #Schott Music - Digital #SheetMusicPlus

String quartet - difficult - SKU: S9.Q771471 ‘hana no hanataba’. Composed by Julian Anderson. Downloadable. Duration 23 minutes. Schott Music...(+)

String quartet - difficult - SKU: S9.Q771471 ‘hana no hanataba’. Composed by Julian Anderson. Downloadable. Duration 23 minutes. Schott Music - Digital #Q771471. Published by Schott Music - Digital (S9.Q771471). My 3rd String Quartet is in six contrasted movements. Certain musical figures recur across the work, but there are few themes as such. The main emphasis is on contrast of mood, texture, harmony, pacing and timing. Unlike many of my works this quartet had no extra-musical inspiration, and in principle should have no subtitle. Certain features already present in my music became more prominent in this new work: modes (limited collections of pitches) have always helped me to focus musical character, but here a sense of key note for each mode became much more pronounced, as did the difference between modes for each section of the work. A sort of hybrid key-system emerged (even with equivalents of major and minor) which is not normal tonality, nor does it aim to imitate it. Unlike tonality this key-system includes noises, extended performance techniques and intervals outside Western tuning as available resources. What I hope it does is to focus the listening experience onto different musical areas, to encourage a sense of both modulation from one area to another and to give the music a sense of goal. No conscious knowledge of this is needed when listening: the music should communicate directly on its own.Here, then, is this collection of six musical colours, related and unrelated, different yet belonging together, variable yet in a set order. Hence the subtitle, chosen both for both its sound and its sense: ‘hana no hanataba’ meaning, in Japanese, ‘bouquet of flowers’.A brief description:1)Moderately fast. Short droplets of sounds gather increasing momentum. 2)Very fast. Canons and bells at different speeds.3)Very slow – fast – very slow – very fast – very slow. The main slow movement and its main scherzo. An emphasis on non-tempered tunings and on inhaling and exhaling waves of sound. The slow sections feature florid melodic writing. In the exuberant scherzo competing duos and trios create imaginary folk music.4)Extremely fast/extremely slow. Open strings and harmonics fuse into a single string instrument – like a sort of large resonating Medieval tromba marina.5)Very fast. A variation on movement 2). Variation, Schoenberg told Cage, is just a sort of repetition ‘with some things changed and others not.’6)Slow - Very Fast - Fast – Slow. The opening calm harmonies and florid melodies evoke movement 3) in different music. The fast part features one overt theme: a fanfare-like call to attention which is subject to extensive development. There is much use of non-Western tuning. At its climax the music freezes into a frieze – a wall of sound standing in front of the audience with increasing obstinacy and certainty as the work grinds towards its cadence.

$24.99

String Quartet No. 1 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Finale #String Quartet No. 1 #Michael Bleiweiss Music #SheetMusicPlus

Strings Cello,Viola,Violin - Level 5 - SKU: A0.1208695 By Finale. By Michael Bleiweiss. 20th Century,Chamber,Classical. Full Performance. Duration 843. ...(+)

Strings Cello,Viola,Violin - Level 5 - SKU: A0.1208695 By Finale. By Michael Bleiweiss. 20th Century,Chamber,Classical. Full Performance. Duration 843. Michael Bleiweiss Music #806792. Published by Michael Bleiweiss Music (A0.1208695). This is a string quartet in three movements:Mvt. 1 - a haunting A theme with energetic development and a lyrical B theme.Mvt. 2 - a mellow, languid section in loose 12-tone form.Mvt. 3 - an modernist, energetic A theme with a lyrical B theme.Running Time:Â 14:00The sheet music is available at:https://www.SheetMusicPlus.com/title/string-quartet-no-1-score-plus-parts-digital-sheet-music/21695549.

$14.00

String Quartet No.2 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Frederick Paul Naftel #String Quartet No.2 #Frederick Naftel #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...(+)

String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded celloâ€™s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel

$19.99

String Quartet No. 3: Among Friends #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Robert M #String Quartet No. 3: Among Fr #Robert M. Greenberg #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...(+)

String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.

$36.00

String Quartet No. 2 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Julian Harvey #String Quartet No. 2 #Julian Harvey #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1417371 Composed by Julian Harvey. 21st Century,Contemporary. 52 pages. Julian Harv...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1417371 Composed by Julian Harvey. 21st Century,Contemporary. 52 pages. Julian Harvey #998468. Published by Julian Harvey (A0.1417371). Due to the interest in my first string quartet I thought I would put together a String Quartet No. 2. However, the second quartet, especially in the first and last movements is quite different than the first. There are elements of pop music in the first movement which is entitled â€œHeartthrobâ€ and is marked quarter note equals 80. The second movement, entitled â€œI Remember, is marked quarter equals 76 and resembles somewhat the style of the earlier quartet. The third movement, entitled â€œComputer Game,â€ is marked quarter note equals 106 and contains elements of pop music as well as of minimalism. It ends with a fugue.

$15.00

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