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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two Of Us
Non classifié
29
Piano & claviers
Piano seul
14
2 Pianos, 4 mains
5
Orgue
2
Guitares
Guitare notes et tablatures
2
Basse electrique
1
Guitare
1
Voix
Chorale SATB
2
Chorale SSAATTBB
1
Voix Tenor
1
Voix Soprano, Piano
1
Vents
2 Flûtes traversières (duo)
13
Hautbois (partie séparée)
12
Clarinette
11
Quatuor de Saxophones: 4 saxophones
10
Saxophone
3
2 Saxophones (duo)
2
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2
Flûte traversière
2
Cor Anglais
1
Piccolo
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Alto et Piano
1
+ 7 instrumentations
Retracter
Cuivres
Cor
4
Trompette
2
Trombone et Piano
2
Trompette (partie séparée)
2
Trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba
1
Trombone (partie séparée)
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 5 instrumentations
Retracter
Cordes
2 Violons (duo)
6
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violoncelle
3
Violon
3
Alto seul
3
Harpe
2
2 Violoncelles (duo)
2
Violon, Violoncelle (duo)
1
Violoncelle, Piano
1
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Piano
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre
7
Orchestre d'harmonie
4
Ensemble de Percussions
3
Ensemble Jazz
2
Piano et Orchestre
1
Orchestre à Cordes
1
Ensemble de cuivres
1
+ 2 instrumentations
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DOBRO - GUI…
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EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Two Of Us
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Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
4 partitions trouvées
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
3.4/20/34 Angstrom - Full Set
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Nick Raspa
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3.4/20/34 Angstrom - Full Set
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NJR Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.754150 Composed by Nick Raspa. 20th Century. Score and parts. 46 pages. NJR Music #2069333. Published ...
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String Quartet String Quartet - Level 5 - SKU: A0.754150 Composed by Nick Raspa. 20th Century. Score and parts. 46 pages. NJR Music #2069333. Published by NJR Music (A0.754150). The title of this piece is the spacial configuration of the DNA molecule. The physical representation of the molecule, in this work, is from that of the outside observer. The DNA molecule, as we know, is represented as a curved ladder. The rungs of the ladder contain all the vital information necessary for us to be individuals. The rungs are held in place by vertical structures much like that of the standard ladder. This ladder is often depicted as swiveling and, as such, the rungs of the ladder are quite visible at times and disappear at other times. The outsider observer will see those rungs for a period of time and, as the ladder swivels, the rungs disappear and all that is visible, to the observer, are the vertical structures. The physical representation of the swiveling DNA molecule is represented musically with the quartet moving back and forth between a monophonic and polyphonic. There are also variations in tempo which relate to the movement between the monophonic and polyphonic states (a speeding up during the approach to viewing only the vertical braces). The philosophical perspective relates to the fact that this molecule is common to all of humanity at the same time that it separates each and every one of us. It is ironic that something that keeps all of us separate, at the same time unifies us. There is no doubt that we are all unified, yet intrinsically different. Being cut from the same (high grade) cloth, we are all the same, and yet, we may have different colors and patterns. The piece ends with an oscillation between two pitches ultimately resolving to one pitch.
$65.00
String Quartet No. 9
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Joerg Widmann
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String Quartet No. 9
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778629 (Beethoven-Study IV). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 35 minutes....
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String quartet - difficult - SKU: S9.Q778629 (Beethoven-Study IV). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 35 minutes. Schott Music - Digital #Q778629. Published by Schott Music - Digital (S9.Q778629). The 9th String Quartet forms the penultimate work in my Beethoven Study quartet cycle. Chronologically, however, it was composed after the 10th Quartet Cavatina. And indeed, when composing it, it felt like the conclusion of the cycle. While the 6th Quartet Studie über Beethoven, which opened the cycle, was still in one movement, the 7th in two and the 8th in three, this 9th Quartet is a four-movement work. The sacred musical number 9 inspired me to create an especially substantial and intense composition. The second movement, a Scherzo, and the fourth movement Allegro alla marcia have become simply gigantic in their dimensions and in the density of information and impulses in comparison to their historical models. This 9th quartet has a particular focus on Beethoven’s still unattainable Quartet in C# minor op. 131. The radical nature and modernity of this work are still burning issues for us today. As in the other quartets in the cycle, I have been amazed at the new forms which have evolved during my preoccupation with their historical models and the extent of previously unknown spiritual depths in my own music during the process of composition. While my study of Beethoven's symphonies in the orchestral piece Con brio led to the discovery of new tonal possibilities for the orchestra (the timpani treatment!) and the juxtaposition of Beethoven's choral fantasy with the Latin Dies irae in my ARCHE oratorio made it possible to develop new theological and thematic points of focus, in the string quartet cycle it is above all the development and discovery of new forms that could only emerge through the study of Beethoven's quartets. Jörg Widmann.
$132.99
Please Please Please
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Sabrina Carpenter
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Alison Gillies
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Please Please Please
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quartetpad.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1476305 By Sabrina Carpenter. By Amy Allen, Jack Antonoff, and Sabrina Carpenter. A...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1476305 By Sabrina Carpenter. By Amy Allen, Jack Antonoff, and Sabrina Carpenter. Arranged by Alison Gillies. Contemporary,Disco,Pop,Wedding. 15 pages. Quartetpad.com #1053819. Published by quartetpad.com (A0.1476305). Please Please Please by Sabrina Carpenter arranged for string quartet by Alison Gillies.The follow-up single to Espresso, which allowed Carpenter to become the first female artist to hold the top two positions of the UK Top 40 chart for four weeks in a row. It was also her first chart-topper in the US.This arrangement is in the same key and has all the same rhythmic virtuosity of the original single!See more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
$16.99
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Two Of Us