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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Verdi
Non classifié
23
Piano & claviers
Piano seul
18
Accordéon
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Guitares
Guitare notes et tablatures
2
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1
Basse electrique
1
Voix
Chorale SATB
3
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3
Chorale 2 parties
2
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2
Voix Baryton, Piano
1
Vents
Flûte traversière
8
Clarinette
7
Hautbois
6
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4
Flute (partie séparée)
3
Clarinette (partie séparée)
3
Quatuor de Saxophones: 4 saxophones
2
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2
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2
Clarinette et Piano
1
Hautbois, Piano (duo)
1
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1
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1
Saxophone Tenor
1
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1
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1
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1
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1
+ 13 instrumentations
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6
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5
Tuba
5
Ensemble de Trombones
4
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4
Cor (partie séparée)
4
Trombone (partie séparée)
3
Trombone et Piano
3
Cor
3
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3
Euphonium
2
Trompette, Piano
2
Euphonium, Piano (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
Tuba (partie séparée)
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon
2
Violon et Piano
2
Contrebasse (partie séparée)
1
2 Altos (duo)
1
Violoncelle
1
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Retracter
Orchestre & Percussions
Orchestre d'harmonie
13
Ensemble de cuivres
6
Orchestre
4
Percussion (partie séparée)
2
Orchestre à Cordes
2
Timbales (partie séparée)
1
Ensemble Jazz
1
+ 2 instrumentations
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EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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Verdi
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Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
6 partitions trouvées
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Il Balen Del Suo Sorriso (from Il Trovatore) Hard Version
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Giuseppe Verdi
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Il Balen Del Suo Sorriso
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SheetmusicLAB
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SheetMusicPlus
Voice, string quartet (Vocals, Violin, Violin, Viola, Cello) - Advanced - SKU: P5.CL-ROM-14235 Hard version. Composed by Giuseppe Verdi. Romantic...
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Voice, string quartet (Vocals, Violin, Violin, Viola, Cello) - Advanced - SKU: P5.CL-ROM-14235 Hard version. Composed by Giuseppe Verdi. Romantic Period. Score and Parts. 19 pages. SheetmusicLAB #CL-ROM-14235. Published by SheetmusicLAB (P5.CL-ROM-14235). 8.3 x 11.7 inches.
$41.67
Ella Giammai M'amo (from Don Carlo)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Giuseppe Verdi
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Ella Giammai M'amo
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SheetmusicLAB
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SheetMusicPlus
Voice, string quartet (Vocals, Violin, Violin, Viola, Cello) - Advanced - SKU: P5.CL-ROM-14233 Hard version. Composed by Giuseppe Verdi. Romantic...
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Voice, string quartet (Vocals, Violin, Violin, Viola, Cello) - Advanced - SKU: P5.CL-ROM-14233 Hard version. Composed by Giuseppe Verdi. Romantic Period. Score and Parts. 27 pages. SheetmusicLAB #CL-ROM-14233. Published by SheetmusicLAB (P5.CL-ROM-14233). 8.3 x 11.7 inches.
$50.00
Udiste? Mira, Di Acerbe Lagrime (from Il Trovatore)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Giuseppe Verdi
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Udiste? Mira, Di Acerbe Lagrim
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SheetmusicLAB
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SheetMusicPlus
Vocal duet, string quartet (Vocals, Vocals, Violin, Violin, Viola, Cello) - Advanced - SKU: P5.CL-ROM-14234 Hard version. Composed by Giuseppe Ve...
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Vocal duet, string quartet (Vocals, Vocals, Violin, Violin, Viola, Cello) - Advanced - SKU: P5.CL-ROM-14234 Hard version. Composed by Giuseppe Verdi. Romantic Period. Score and Parts. 55 pages. SheetmusicLAB #CL-ROM-14234. Published by SheetmusicLAB (P5.CL-ROM-14234). 8.3 x 11.7 inches.
$50.00
O Soave Fanciulla (from La Boheme)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Classique
#
Giuseppe Verdi
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O Soave Fanciulla
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SheetmusicLAB
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SheetMusicPlus
Voice, string quartet (Vocals, Violin, Violin, Viola, Cello) - Advanced - SKU: P5.CL-ROM-14237 Hard version. Composed by Giuseppe Verdi. Romantic...
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Voice, string quartet (Vocals, Violin, Violin, Viola, Cello) - Advanced - SKU: P5.CL-ROM-14237 Hard version. Composed by Giuseppe Verdi. Romantic Period. Score and Parts. 14 pages. SheetmusicLAB #CL-ROM-14237. Published by SheetmusicLAB (P5.CL-ROM-14237). 8.3 x 11.7 inches.
$50.00
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Contemporain
#
Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
String Quartet No. 2: Child's Play
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
#
Robert M
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String Quartet No. 2: Child's
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg #115423. Published by Robert M. Greenberg (A0.987857). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1988 Program Note: !. Games (fast) II. Intermezzo: Dreams of Gold (slow) III. Dances (very fast) Child's Play was completed in August, 1988. In no way does the title refer to the technical demands of the piece, which are considerable. Rather, it refers to the endlessly imaginative, energized, and constantly changing play that might be engaged in by four different, though like-minded children. Indeed, the inspiration for the quartet was my then two-year-old daughter Rachel, whose boundless energy and capacity for play I found (and still find) rather terrifying. Child's Play consists of three movements: Games (fast), Intermezzo: Sogni d'Oro (Dreams of Gold) (slow), and Dances (very fast). In Games, four energetic and well-rested players leap out of the starting blocks together and engage in sport of various kinds: running games, chasing games, teasing games, tag, echo games (Simon Says), races, and so forth, eventually returning to the unison from which they began. Intermezzo: Sogni d'Oro (Dreams of Gold) offers a quiet, episodic, dreamlike respite from the frenetic mood of Games. In Dances, the energized character of the first movement resumes, only faster. Dances is a perpetual motion movement in three parts, with a slower, more fragmented middle section sandwiched between a boisterous and frenzied dance of life. This movement ends much in the same way as the first movement began, bringing the circuit of the piece to a close. Child's Play was commissioned by, and is dedicated, with many thanks and great appreciation, to the Alexander String Quartet.
$36.00
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