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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A DIVE for Cello
Non classifié
79
Piano & claviers
Piano Trio: piano, violon, violoncelle
16
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Facile
2
Piano seul
2
Piano, Voix et Guitare
1
+ 1 instrumentations
Retracter
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Voix
Chorale SATB
2
Vents
Flûte, Violoncelle
10
Hautbois, Violoncelle
10
Clarinette, Violoncelle (duo)
9
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Violoncelle et Piano
2
Flûte et Trio à cordes
1
Flûte traversière et Piano
1
Flûte, Violon et Violoncelle
1
3 Clarinettes (trio)
1
Clarinette et Piano
1
Ensemble de saxophones
1
Saxophone Soprano et Piano
1
+ 8 instrumentations
Retracter
Cuivres
Trompette, Violoncelle (duo)
3
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
158
Violoncelle
95
Violoncelle, Piano
94
2 Violoncelles (duo)
59
Quintette à cordes: 2 violons, alto, violoncelle, basse
52
Violon, Violoncelle (duo)
33
Quintette à cordes : 2 violons, alto et 2 violoncelles
14
Trio à Cordes: 2 violons, violoncelle
13
Trio à Cordes: violon, alto, violoncelle
11
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
4
4 Violoncelles
4
Violon et Piano
2
Violon, Violoncelle, Clarinette
2
Alto, Piano
1
Violoncelle (partie séparée)
1
Harpe, Violon, Violoncelle
1
2 Violons (duo)
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre de chambre
3
Piano et Orchestre
1
Ensemble Jazz
1
Cloches
1
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Vous avez sélectionné:
A DIVE for Cello
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
158 partitions trouvées
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151
Wabi-Sabi (for string quartet) [Cello]
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800444 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357751. P...
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String Quartet String Quartet - Level 5 - SKU: A0.800444 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357751. Published by Novel Soundtrax (A0.800444). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$3.50
Wabi-Sabi (for string quartet) [VLN 2]
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Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800441 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 11 pages. Novel Soundtrax #6357745. P...
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String Quartet String Quartet - Level 5 - SKU: A0.800441 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 11 pages. Novel Soundtrax #6357745. Published by Novel Soundtrax (A0.800441). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$3.50
Wabi-Sabi (for string quartet) [Viola]
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Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800443 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357749. P...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.800443 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357749. Published by Novel Soundtrax (A0.800443). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$3.50
Wabi-Sabi (for string quartet) [VLN 1]
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Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800440 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357743. P...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.800440 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357743. Published by Novel Soundtrax (A0.800440). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$3.50
Wabi-Sabi (for string quartet) [SCORE]
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Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800439 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 24 pages. Novel Soundtrax #6332761. P...
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String Quartet String Quartet - Level 5 - SKU: A0.800439 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 24 pages. Novel Soundtrax #6332761. Published by Novel Soundtrax (A0.800439). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$13.25
Sweelinck: Echo Fantasia No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
#
Sweelinck: Echo Fantasia No. 2
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 20 pages. Jmsgu3 #886461. Published by jmsgu3 (A0.1296216). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 1
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 29 pages. Jmsgu3 #885988. Published by jmsgu3 (A0.1295690). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 4 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 4
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 31 pages. Jmsgu3 #887551. Published by jmsgu3 (A0.1297509). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Six Echo Fantasias Complete for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Six Echo Fantasias
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 131 pages. Jmsgu3 #887920. Published by jmsgu3 (A0.1298019). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$86.85
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck was
#
James M
#
Sweelinck: Echo Fantasia No. 2
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early...
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String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 8 pages. Jmsgu3 #887726. Published by jmsgu3 (A0.1297751). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 3 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886848. Published by jmsgu3 (A0.1296695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 4 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #887319. Published by jmsgu3 (A0.1297245). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 9 pages. Jmsgu3 #887626. Published by jmsgu3 (A0.1297625). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 3 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #886850. Published by jmsgu3 (A0.1296687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Six Echo Fantasias Complete for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Instructional. 60 pages. Jmsgu3 #887918. Published by jmsgu3 (A0.1298017). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$74.95
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
$24.95
The Swan for String Quartet by Saint-Saens, Ratner 125
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Camille Saint-Saens
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れある やすけ
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The Swan for String Quartet by
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Simple Chamber「単純な室内楽」
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1503585 Composed by Camille Saint-Saens. Arranged by れある やすけ. 19th Century,Chamber,Romanti...
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String Quartet String Quartet - Level 3 - SKU: A0.1503585 Composed by Camille Saint-Saens. Arranged by れある やすけ. 19th Century,Chamber,Romantic Period,Wedding. 10 pages. Simple Chamber「単純な室内楽」 #1079046. Published by Simple Chamber「単純な室内楽」 (A0.1503585). Discover this arrangement of The Swan by Camille Saint-Saens, Ratner 125 in a version for String Quartet, accompanied by chord symbols, ideal for beginner-level musicians. This arrangement has been simplified while preserving the essence and beauty of the original composition, making it suitable for both professionals and students. Music teachers will find in this sheet music a valuable educational tool, facilitating the introduction of students to chamber music with an arrangement that, although simplified, maintains the harmonic charm and emotional depth of the piece. Additionally, this version is perfect for parents who wish to encourage their children to dive into the world of string quartets, offering a piece that is both accessible and captivating for young musicians. With this sheet music, you will have the opportunity to create a unique musical experience, combining learning and the emotional richness of Saint-Saens. Don’t miss the chance to acquire it, as it will not only enrich your repertoire but also serve as an excellent resource for teaching chamber music and inspiring future generations of musicians.
$9.99
Intermezzo from Cavalleria Rusticana for String Quartet in F Major
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pietro Mascagni
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Valdir Maia
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Intermezzo from Cavalleria Rus
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Valdir Maia
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1438230 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,We...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1438230 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. 9 pages. Valdir Maia #1018285. Published by Valdir Maia (A0.1438230). Intermezzo from Cavalleria Rusticana for String Quartet in F MajorEmbark on a musical journey with our arrangement of Intermezzo from Cavalleria Rusticana for string quartet in F major. Perfect for quartets seeking a captivating ensemble piece, this high-quality PDF offers a simplified yet expressive rendition of Pietro Mascagni's timeless opera intermezzo. Dive into the graceful melodies and masterful harmonies effortlessly, whether you're playing the violin, viola, or cello.- Arranged for string quartet (violin I, violin II, viola, cello)- Simplified yet expressive arrangement of the iconic Intermezzo sinfonico- Score and individual parts available- Key of F major- High-quality PDF format for optimal readabilityUnlock the magic of this classical gem and elevate your quartet's repertoire. Purchase now and embark on a harmonious journey filled with elegance and charm!
$19.99
Intermezzo from Cavalleria Rusticana for String Quartet in D Major
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pietro Mascagni
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Valdir Maia
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Intermezzo from Cavalleria Rus
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Valdir Maia
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1438227 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,We...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1438227 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. 8 pages. Valdir Maia #1018281. Published by Valdir Maia (A0.1438227). Intermezzo from Cavalleria Rusticana for String Quartet in D MajorEmbark on a musical journey with our arrangement of Intermezzo from Cavalleria Rusticana for string quartet in D major. Perfect for quartets seeking a captivating ensemble piece, this high-quality PDF offers a simplified yet expressive rendition of Pietro Mascagni's timeless opera intermezzo. Dive into the graceful melodies and masterful harmonies effortlessly, whether you're playing the violin, viola, or cello.- Arranged for string quartet (violin I, violin II, viola, cello)- Simplified yet expressive arrangement of the iconic Intermezzo sinfonico- Score and individual parts available- Key of D major- High-quality PDF format for optimal readabilityUnlock the magic of this classical gem and elevate your quartet's repertoire. Purchase now and embark on a harmonious journey filled with elegance and charm!
$19.99
CARLOTA AND THE MUSICAL OWL (Didactic concert for narrator and string quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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B
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Jose Peñarroja Pérez
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CARLOTA AND THE MUSICAL OWL
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Jose Peñarroja Pérez
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.1004972 Composed by B. Bartôk and A. Vivaldi, C. Saint Säens, Fra...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.1004972 Composed by B. Bartôk and A. Vivaldi, C. Saint Säens, Franz Joseph Haydn, Johann Sebastian Bach, Richard Wagner, and Wolfgang Amadeus Mozart. Arranged by Jose Peñarroja Pérez. Baroque,Children,Classical,Contemporary,Instructional. Score and parts. 134 pages. Jose Peñarroja Pérez #4821955. Published by Jose Peñarroja Pérez (A0.1004972). Carlota and the Musical Owl is a tale for narrator and string quartet specially designed for children between 5 and 14 years old. Actually it is a didactic concert to which we have added a peculiar story. In this case, the fantastic story about a girl and an owl with magical powers. The tale traces a route between Europe and Asia, showing through the different places a great diversity of styles and musical expressions.
$18.75
In a Tizzy (for string quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Aaron Lee
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In a Tizzy
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J. Aaron Lee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1133669 Composed by Aaron Lee. 20th Century,Broadway,Chamber,Contemporary,Musical/S...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1133669 Composed by Aaron Lee. 20th Century,Broadway,Chamber,Contemporary,Musical/Show. 28 pages. J. Aaron Lee #733785. Published by J. Aaron Lee (A0.1133669). This short, energetic work for string quartet is heavily inspired by mid-20th century Broadway musicals and is reminiscent of the upbeat vocal numbers you'd find in shows from the 1940s and '50s. While not based on any musical in particular, In a Tizzy would fit in well in any musical theatre inspired program, or could be a fun, light diversion in other concerts. This piece is somewhat challenging, but would be suitable for university-level students as well as professionals. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$14.99
Dive
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Steven Curtis Chapman
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Jeff Tincher
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Dive
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Jeff Tincher
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.583013 By Steven Curtis Chapman. By Steven Curtis Chapman. Arranged by Jeff Tincher. Christian,Gospel....
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String Quartet String Quartet - Level 2 - SKU: A0.583013 By Steven Curtis Chapman. By Steven Curtis Chapman. Arranged by Jeff Tincher. Christian,Gospel. Score and parts. 27 pages. Jeff Tincher #3545117. Published by Jeff Tincher (A0.583013). This is a String Quartet (Violins 1 & 2, Viola, Cello) arrangement of one of Steven Curtis Chapman's hits from his Speechless project. In the original key, this rocker is fun for the performer and listener!! Duration=3:52. This is a 2018 New ArrangeMe Song Contest Entry. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, http://www.facebook.com/jefftincherpublishing
$12.99
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A DIVE for Cello
