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Vous avez sélectionné:
Air Variation
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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Air Variation
Quatuor à cordes: 2 violons, alto, violoncelle
Composed by Charles Dancla (1817-1907). Arranged by Yulian Heroim. Classical, Opera,…
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Composed by Charles Dancla (1817-1907). Arranged by Yulian Heroim. Classical, Opera, Romantic Period. Score and parts. 19 pages. Yulian Heroim #682735. Published by Yulian Heroim
$16.99
15.39 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Charles Dancla (1817-1907)
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Yulian Heroim
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Air Variation
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Yulian Heroim
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.63 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
The Pied Piper of Hamelin
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1152335 By Fiona Alice Hickie. By Amadeus Mozart, Neidhart von Reuental and George Frederic Handel, Camille Saint-Saens, Fiona Alice Hickie, Claude Debussy,. Arranged by Fiona Alice Hickie. Chamber,Children,Classical,Early Music,Medieval. 36 pages. Fiona Alice Hickie #752556. Published by Fiona Alice Hickie (A0.1152335). A narration of the story of the Pied Piper with musical interludes. If performed each narrated section happens before the accompanying musical section. Note the youtube goes through without pauses for the narration. • Country Dance No. 1. KV 609: Amadeus Mozart • The Rats: Fiona Hickie • The Cats: Fiona Hickie • Sommerlied von Neidhart: Neidhart von Reuental • La Rejouissance: George Frederic Handel: o Variation: Fiona Hickie • The Streets of Cairo: James Thornton • Syrinx: Claude Debussy • Poules et Coqs (Hens and Roosters): Camille Saint-Saëns.
$26.99
24.44 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Fiona Alice Hickie
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Fiona Alice Hickie
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The Pied Piper of Hamelin
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Fiona Alice Hickie
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SheetMusicPlus
Rhapsody on a Sugar Plum
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1315716 Composed by David Moser McKay and Peter Ilyich Tchaikovsky. Arranged by David Moser McKay. Chamber,Christian,Christmas,Holiday,Pop. 10 pages. Two Davids Music #904463. Published by Two Davids Music (A0.1315716). Rhapsody on a Sugar Plum is a playful variation on a theme of Tchaikovsky’s Dance of the Sugar Plum Fairy mashed up with God Rest Ye Merry Gentlemen. (Note: The String Quartet Score is 8.5 X 11 Landscape Mode, individual parts are normal 8.5 X 11 Portrait Mode)Thank you for purchasing this arrangement! Feel free to drop me a line if you have any questions or comments at david@twodavidsmusic.com
$17.99
16.29 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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David Moser McKay and Peter Ilyich Tchaikovsky
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David Moser McKay
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Rhapsody on a Sugar Plum
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Two Davids Music
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SheetMusicPlus
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