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Ars Musica Band 3
Quatuor à cordes: 2 violons, alto, violoncelle
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BACH: French Suite No. 3 BWV 814 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.500858 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.500858 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 36 pages. Jmsgu3 #113966. Published by jmsgu3 (A0.500858). J. S. Bach: French Suite No. 3 BWV 814 for String Quartet Duration: 12:21 Score: 15 pages. Contents: Allemande, Courante, Sarabande, Menuet-Trio, Gavotte, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$39.95
36.6 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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BACH: French Suite No. 3 BWV 814 for String Quartet
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jmsgu3
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SheetMusicPlus
String Quartet No. 3: Among Friends
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
32.98 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert M
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String Quartet No. 3: Among Friends
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Robert M. Greenberg
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SheetMusicPlus
BACH: French Suite No. 1 BWV 812 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.500388 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.500388 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 30 pages. Jmsgu3 #113579. Published by jmsgu3 (A0.500388). J. S. Bach: French Suite No. 1 BWV 812 for String Quartet Duration: 12:00 Score: 14 pages. Contents: Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue.Johann Sebastian Bach is widely considered one of the greatest composers of all time. He was born in Eisenach, Thuringia, Germany in 1685 and is best known for his mastery of the Baroque era of musical composition. One of Bach's most beloved works is the set of French Suites, which he composed in the years between 1722 and 1725. These suites consist of six movements, usually in the forms of allemandes, courantes, sarabandes, gigues, and minuets, which Bach filled with intricate ornamentation.The French Suites were highly influential to later composers, particularly those of the Classical and Romantic periods. Bach's inventiveness in the suites marked a new level of finesse and virtuosity in composition. He also demonstrated his ability to work with preexisting forms and conventions to create a unified and well-crafted whole. The French Suites continue to be performed around the world today, and they remain some of the best-known and most appreciated works.
$39.95
36.6 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Johann Sebastian Bach
#
James M
#
BACH: French Suite No. 1 BWV 812 for String Quartet
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jmsgu3
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SheetMusicPlus
Who You Say I Am
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.8…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.845992 Composed by Ben Fielding and Reuben Morgan. Arranged by Kyle Pudenz. Contemporary,Easter,Praise & Worship,Sacred. Score and parts. 19 pages. ViolinVagabond Music #6696601. Published by ViolinVagabond Music (A0.845992). This is a gig or church service-ready arrangement of Hillsong's Who You Say I Am for string quartet. A great addition to your gig book for weddings or your musical catalog for worship/church bands that feature strings. Included with the quartet score & parts is a slash/chord lead sheet if you wish to perform this with along with guitar, piano or full band.The form follows Hillsong's live version all the way through Chorus 3. It does not include the recap/vamp of the bridge and 4th chorus, but you can loop back on the chart from letter G to letter E if your performance requires a longer rendition. I have also taken the liberty of transposing this from the original key of F# (...oof) into the much more string & band-friendly key of G (and your purchase is all the thanks I need). I've added a few small flourishes, dynamic drops, and general instrumental interest throughout this arrangement, but would still describe this chart as sight-readable for professional players with experience playing pop/rock tunes. It's also well within the technical capability of high school or recreational ensembles with just a bit of practice, but if your violist hasn't ever seen a ghost note printed on a chart before, I would highly recommend taking 10 minutes to look it up...Performance time - approximately 3:20 straight through, longer if you loop back to the bridge like Hillsong Worship's live version. Lots of other exit/entry points can be easily incorporated at most of the rehearsal marks.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$14.99
13.73 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ben Fielding and Reuben Morgan
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Kyle Pudenz
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Who You Say I Am
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ViolinVagabond Music
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SheetMusicPlus
Supercollider
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1013056 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00
32.07 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Christine Southworth
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Gamelan Elektrika
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
Every Breath You Take
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet,Viola - Level 3 - Digital Download SKU: A0.798079 By …
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String Quartet String Quartet,Viola - Level 3 - Digital Download SKU: A0.798079 By The Police. By Sting. Arranged by Inacio Saldanha. Pop,Rock. Score and parts. 17 pages. Inacio Saldanha #4846357. Published by Inacio Saldanha (A0.798079). Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and UK hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the UK Singles Chart for four weeks. It also topped the Billboard Top Tracks chart for nine weeks.At the 26th Annual Grammy Awards the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.The song is considered to be both the Police's and Sting's signature song, and in 2010 was estimated to generate between a quarter and a third of Sting's music publishing income. In the 1983 Rolling Stone critics' and readers' poll, it was voted Song of the Year. In the US, it was the best-selling single of 1983 and fifth-best-selling single of the decade. Billboard ranked it as the No. 1 song for 1983.In May 2019, Every Breath You Take was recognized by BMI as being the most played song in radio history. With nearly 15 million radio plays, Sting received a BMI Award at a ceremony held at the Beverly Wilshire Hotel in Beverly Hills to mark it being the Most Performed Song in BMI’s catalogue, a distinction previously held since 1999 by Mann and Weill’s You've Lost That Lovin' Feelin'. BMI President and CEO Mike O’Neill stated: For the first time in 22 years, BMI has a new top song in our repertoire with Sting’s timeless hit ‘Every Breath You Take,’ a remarkable achievement that solidifies its place in songwriting history.The song ranked No. 84 on the Rolling Stone list of the 500 Greatest Songs of All Time and is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It also ranked number 25 on Billboard's Hot 100 All-Time Top Songs. In 2008, Q magazine named it among the top 10 British Songs of the 1980s. In 2015, the song was voted by the British public as the nation's favourite 1980s number one in a UK-wide poll for ITV.Arranged for Viola Quartet. Key of A major. Intermediate. Audio file made from midi engine.
$14.99
13.73 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Police
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Inacio Saldanha
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Every Breath You Take
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Inacio Saldanha
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SheetMusicPlus
Seventy Six Trombones
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.528148 Composed by Meredith Willson. Arranged by Diego Marani. 20th Century,Broadway,Film/TV,Instructional,Musical/Show,Standards. Score and parts. 18 pages. Diego Marani #4894543. Published by Diego Marani (A0.528148). Seventy-Six Trombones is the signature song from the 1957 musical play The Music Man (1957), written by Meredith Willson. The piece is also commonly played by marching and military bands.Leroy Anderson wrote a popular arrangement of the piece integrating other popular marches, including Stars and Stripes Forever and The Washington Post March by John Philip Sousa, the National Emblem march by Edwin Eugene Bagley, the Swedish march Under blågul fana (Under the Blue and Yellow Flag) by Viktor Widqvist, and the Second Regiment, Connecticut National Guard march by D. W. Reeves.This arrangement for string quartet includes the following parts: Violin I, Violin II, Viola, Cello. It is suitable for repertoire, classroom and recital.
$19.99
18.31 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Meredith Willson
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Diego Marani
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Seventy Six Trombones
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Diego Marani
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SheetMusicPlus
Red Wine Supernova
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1461725 By Chappell Roan. By Amy Cuney, Amy Kuney, Anna Rose Schindel, Annie Schindel, Daniel Nigro, Kayleigh Amstutz, Lisa Hickox, and Lixa. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 24 pages. Sarah Cellobat Chaffee #1040474. Published by Sarah Cellobat Chaffee (A0.1461725). Chappell Roan is a truly unique musical artist who, over the last few years, went from living in a Missouri trailer park to taking the world by storm! With influences ranging from synth-pop to Radiohead to drag queens, her infectiously catchy songs and larger-than-life stage persona have captured the hearts of people around the world, and her lyrics about life as a queer woman have also cemented her place in the LGBTQ+ community. Red Wine Supernova is one such anthem, describing the excitement of flirting with an attractive woman in a bar -- and its irreverent lyrics, catchy choruses, soaring vocals, and dance party beat have made it one of Roan's biggest hits! This Cellobat arrangement for your string quartet is truly a bop, maintaining all the lush harmonies and joyful vibes of the original -- you're sure to get your audience singing along! Rated intermediate, this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$16.99
15.57 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chappell Roan
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Sarah Cellobat Chaffee
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Red Wine Supernova
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Sarah Cellobat Chaffee
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SheetMusicPlus
The Blessing - String Quartet Lead Sheet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By Kari Jobe and Cody Carnes. Arranged …
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String Quartet - Intermediate - Digital Download By Kari Jobe and Cody Carnes. Arranged by Kyle Pudenz. Lead Sheet, Score, Set of Parts. 19 pages. Published by ViolinVagabond Music
This is a gig or church service-ready arrangement of Kari Jobe and Cody Carnes's "The Blessing" for string quartet. A great addition to your gig book for weddings or your musical catalog for worship/church bands that feature strings. Included with the quartet score and parts is a slash/chord lead sheet if you wish to perform this with along with guitar, piano or full band. The form follows pretty much exactly what is on the "Radio Version" of this tune, although you may cut and/or loop the repeated sections in order to tailor it to the performance time that you require. I have also taken the liberty of transposing this from the original key of B into the much more string and band-friendly key of C (you're welcome, cellists.) While I've added a couple fun harmonics and just a bit of "rhythmic interest" into some of the inner parts, I would describe this chart as 100% sight-readable for most professional players, and still well within the technical capability of high school or recreational ensembles with just a bit of practice. Performance time - approximately 4:30 with repeats taken, 3:30 if you skip the verse/chorus repeat. Lots of other exit/entry points can be easily incorporated at most of the rehearsal marks. Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.This is a gig or church service-ready arrangement of Kari Jobe and Cody Carnes's "The Blessing" for string quartet. A great addition to your gig book for weddings or your musical catalog for worship/church bands that feature strings. Included with the quartet score and parts is a slash/chord lead sheet if you wish to perform this with along with guitar, piano or full band.
The form follows pretty much exactly what is on the "Radio Version" of this tune, although you may cut and/or loop the repeated sections in order to tailor it to the performance time that you require. I have also taken the liberty of transposing this from the original key of B into the much more string and band-friendly key of C (you're welcome, cellists.) While I've added a couple fun harmonics and just a bit of "rhythmic interest" into some of the inner parts, I would describe this chart as 100% sight-readable for most professional players, and still well within the technical capability of high school or recreational ensembles with just a bit of practice.
Performance time - approximately 4:30 with repeats taken, 3:30 if you skip the verse/chorus repeat. Lots of other exit/entry points can be easily incorporated at most of the rehearsal marks.
Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$14.99
13.73 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Kari Jobe and Cody Carnes
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Kyle Pudenz
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The Blessing - String Quartet Lead Sheet
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ViolinVagabond Music
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SheetMusicPlus
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