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Vous avez sélectionné:
Ascend
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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Ascendance (Conundrum)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.951130 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.951130 Composed by Bob Good. Concert,Contemporary,Instructional,Standards. Score and parts. 7 pages. Surrey Dance Music #3679577. Published by Surrey Dance Music (A0.951130). You know when you just want something new to play through, something to sight read together as a quartet? This is one of those pieces. I've marked it as Intermediate, it's in G minor and the first violin needs a good range.http://www.surreydancemusic.co.uk
$7.95
7.14 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Bob Good
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Ascendance
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Surrey Dance Music
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SheetMusicPlus
Oogway Ascends
Quatuor à cordes: 2 violons, alto, violoncelle
Composed by Hans Zimmer (1957-) and John Powell. Arranged by Kyle Steindler. Childre…
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Composed by Hans Zimmer (1957-) and John Powell. Arranged by Kyle Steindler. Children, Film/TV, Pop. Score and parts. 7 pages. Kyle Steindler #407377. Published by Kyle Steindler
$12.99
11.66 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Hans Zimmer (1957-) and John Powell
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Kyle Steindler
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Oogway Ascends
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SheetMusicPlus
Something
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.742568 By The Beatles. By George Harrison. Arranged by Javier MartÃnez. Rock. Score and parts. 15 pages. Arte Nova Music Lab #6274193. Published by Arte Nova Music Lab (A0.742568). Something is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison, the band's lead guitarist, and is widely viewed by music historians as having marked his ascendancy as a composer to the level of the Beatles' principal songwriters, John Lennon and Paul McCartney. Two weeks after the album's release, the song was issued on a double A-side single, coupled with Come Together, making it the first Harrison composition to become a Beatles A-side. The pairing was also the first time in the United Kingdom that the Beatles issued a single containing tracks already available on an album. While the single's commercial performance was lessened by this, it topped the Billboard Hot 100 in the United States as well as charts in Australia, Canada, New Zealand and West Germany, and peaked at number 4 in the UK.Taken from https://en.wikipedia.org/wiki/Something_(Beatles_song)
$20.00
17.95 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Beatles
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Javier MartÃnez
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Something
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Arte Nova Music Lab
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SheetMusicPlus
God Rest Ye Merry Gentlemen - - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.498022 …
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.498022 Composed by Traditional English Christmas Carol. Arranged by Pietro Prugna. Celtic,Christmas,Irish,Praise & Worship,Traditional. Score and parts. 16 pages. Published by Pietro Prugna (A0.498022). This is a popular Christmas song arranged for string quartet. It is arranged in a OST-like (original soundtrack) style. It starts with a mysterious mood, reminiscent of OSTs of spy-movies. It then builds up to more action. In the middle, it slows down and ascends in pitch with a crescendo decrescendo sense of anticipation. It then reaches a climax where there is release of the anticipation and goes into a celebratory mood. Towards the end, it returns to the mysterious mood of the start, somewhat signalling that despite what appears happy, there is more to come.
$1.99
1.79 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional English Christmas Carol
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Pietro Prugna
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God Rest Ye Merry Gentlemen - - String Quartet
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Pietro Prugna
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SheetMusicPlus
Guthrie: Ding Dong! Merrily on High for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1490683 Composed by French Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 15 pages. Jmsgu3 #1067489. Published by jmsgu3 (A0.1490683). Ding Dong! Merrily on High is a well-loved Christmas carol with a rich history that connects secular and sacred traditions. Here are the key points to know about this festive song:Origins and CompositionMelody: The tune of Ding Dong! Merrily on High derives from a secular French dance song titled Branle de l’Official, published in 1588 by Thoinot Arbeau, a French cleric and composer. The original piece was part of a collection that included dance instructions and melodies from the Renaissance period.Lyrics: The English lyrics were written by George Ratcliffe Woodward in the early 20th century. An Anglican priest, Woodward published the carol in 1924 as part of The Cambridge Carol Book. His text celebrates the joy of Christmas, echoing the angelic announcement of Jesus' birth as described in Luke 2:13-14.Themes and SignificanceJoyful Celebration: The lyrics express a jubilant celebration of the Christmas season, invoking imagery of bells ringing and angels singing. The refrain Gloria, hosannah in excelsis! reflects the joyous proclamation of peace and goodwill associated with the birth of Christ.Cultural Impact: Over the years, Ding Dong! Merrily on High has become a staple in Christmas caroling and church services, appreciated for its lively and dance-like rhythm. Its playful nature makes it a favorite among singers and listeners, contributing to its enduring popularity during the holiday season.Musical CharacteristicsStructure: The carol features a catchy refrain and a structure that invites participation, making it suitable for group singing. The melody's ascending lines mimic the sound of ringing bells, enhancing its festive spirit.Public Domain Status: As of January 1, 2020, the song entered the public domain in the United States, allowing for broader access and use in various musical arrangements and performances.Ding Dong! Merrily on High stands as a joyful reminder of the Christmas story, blending historical melodies with contemporary celebration, making it a cherished part of holiday traditions.
$34.95
31.38 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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French Traditional
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James M
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Guthrie: Ding Dong! Merrily on High for String Quartet
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jmsgu3
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.43 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
"Die Zauberflöte" for String Quartet, Nr.2 "Der Vogelfänger bin ich ja"
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1218595 Composed by Wolfgang Amadeus Mozart. Arranged by Kamada, Mikio. Classical. 6 pages. ACORDO Sheet Music #815085. Published by ACORDO Sheet Music (A0.1218595). First, let us describe a scene from the opera in which the aria is sung. In this scene, a character named Papageno appears, who is half man and half bird. He sings a song describing himself. Papageno works as a bird-catcher, catching birds to exchange them for food with the queen and her ladies. His appearance and song reflect his cheerful and carefree character. Papageno is portrayed as a contrasting character to the young prince Tamino, who he later teams up with. In the opera's premiere, the librettist Emanuel Schikaneder played the role of Papageno, which shows his importance.This aria is lively and cheerful, perfectly matching Papageno's character. There is a short ascending scale of 32nd notes in the middle, which is played by a pan flute that Papageno carries and makes sounds like chirping birds.In this arrangement, all players can enjoy playing. The melody is played not only by the first violin but also by the viola and cello. The second violin plays parts of the pan flute melody, among others.
$7.20
6.46 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Wolfgang Amadeus Mozart
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Kamada, Mikio
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"Die Zauberflöte" for String Quartet, Nr.2 "Der Vogelfänger bin ich ja"
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ACORDO Sheet Music
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SheetMusicPlus
The Somnambulist - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1050907 Composed by W.Brent Sawyer. 20th Century,Classical,Contemporary. Score and parts. 19 pages. Diamond S Music #655255. Published by Diamond S Music (A0.1050907). The Somnambulist for String Quartet by W. Brent Sawyer This piece is based on a scale with the lowered 3rd and raised 6th & 7th - like the Melodic Minor scale however, the natural 6th and 7th are never used at all in the piece - so it is the same as the Ascending Melodic Minor. The 1st and last sections are in Am (raised 6 & 7th) and the middle section is in Ebm (raised 6th & 7th). The piece is completely diatonic except for one 3 note motif that adds the chromatic passing tone (measure 31-32.) Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940.
$9.99
8.97 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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W
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The Somnambulist - String Quartet
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Diamond S Music
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
11.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Slide Ride
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SheetMusicPlus
In the Bleak Midwinter - String Quartet by Hugh Levey
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1313969 By Hugh …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1313969 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Christmas,Holiday,Religious. 14 pages. Woodwindly.com #902696. Published by woodwindly.com (A0.1313969). String Quartet In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This string quartet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's own counter-melodies and intricate part writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with the first violin playing the melodic line. In verse 2, the viola presents the tune in a lower register while the 'cello plays a Baroque style ‘walking bass’. The violins weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50
11.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Hugh Levey
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Hugh Levey
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In the Bleak Midwinter - String Quartet by Hugh Levey
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woodwindly.com
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SheetMusicPlus
Bach: Prelude & Fugue in G Minor BWV 558 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1126013 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 14 pages. Jmsgu3 #726732. Published by jmsgu3 (A0.1126013). Score: 6 pages. Duration: ca. 3:00.Bach's Prelude and Fugue in G Minor BWV 558 is a work for organ composed by Johann Sebastian Bach in the early 18th century. It is part of his collection of preludes and fugues for organ, the Great Eighteen Chorale Preludes, and is one of the most beloved and often performed of all his works. The prelude is marked by its dramatic and intense character, with an ascending and descending chromatic scale providing a powerful climax. The fugue is marked by its intricate contrapuntal writing and shifts in tonality, as Bach builds up a complex texture of musical lines. Together, the prelude and fugue form a powerful and emotionally charged work, with the prelude providing a stark contrast to the more complex fugue. This work is a testament to Bach's mastery of the organ and the contrapuntal techniques he employed. It is a beloved and timeless masterpiece of the Baroque era.
$32.95
29.58 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in G Minor BWV 558 for String Quartet
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jmsgu3
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SheetMusicPlus
La Caleta
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - intermediate to advanced - Digital Download SKU: S9.Q7149 Strin…
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String quartet - intermediate to advanced - Digital Download SKU: S9.Q7149 String Quartet No. 2. Composed by Barbara Heller. This edition: score and parts. Downloadable, Score and parts. Duration 13 minutes. Schott Music - Digital #Q7149. Published by Schott Music - Digital (S9.Q7149). 'A coming and going...' - this is how Barbara Heller describes the essence of her second string quartet La Caleta ('small bay'). Barbara Heller got the inspiration to write this work from the calm, gentle and constant movements of the waves at the beach of a small bay on the isle of La Gomera. The quiet, hot day is reflected in the music: The slow, calm, almost quiet music with its open form should be played and heard inwardly. The music comes from nowhere and disappears into nothingness like a big wave. The tonal material, consisting of wholetone and semitone steps in short descending and ascending movements produces cluster-like, floating sounds. An intense musical experience, requiring concentration and peace of mind.
$35.99
32.31 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Barbara Heller
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La Caleta
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Schott Music - Digital
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SheetMusicPlus
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