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Attitude Dance - Conductor Score
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3
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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Vous avez sélectionné:
Attitude Dance - Conductor Score
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
2 partitions trouvées
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S&m
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Soul/R&B
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Rihanna
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Nat Brookes
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S&m
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Nat Brookes
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1044415 By Rihanna. By Esther Dean, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik Her...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1044415 By Rihanna. By Esther Dean, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik Hermansen. Arranged by Nat Brookes. Hip-Hop,Pop,R & B. Score and parts. 47 pages. Nat Brookes #649140. Published by Nat Brookes (A0.1044415). S&M - Rihanna Arranged by Nat Brookes for String QuartetPop Pad This is a total bop! A great song, playfully arranged for string quartet. Great for ensembles with attitude. Originally in Eâ™m, I have thoughtfully written the parts so that it can easily be played up one semitone in Em. There’s a lovely section featuring some jeté bowing in the second violin later on which could easily be simplified for less experienced players. This catchy, uptempo, Hi-NRG dance-pop anthem featured in the highly successful first Pitch Perfect film, with Ester Dean (who wrote it) nailing that iconic intro. S&M peaked at number one in ten countries in addition to the United States while peaking within the top five in the UK, France, Germany, Spain and Ireland. As one of Rihanna’s most memorable songs, it’s sure to be recognised by many. Important: Included: Score and set of parts in Eâ™m and Em. I try to keep parts to two pages long, but in this case it wasn’t possible. Each part is three pages long Rehearsal marks throughout. Parts in Eâ™m are pages 11-24 Parts in Em are pages 36-47 You can help me to continue arranging pop songs by reviewing my arrangements and liking Pop Pad on Facebook. Find more great arrangements here Thanks, Nat
$14.99
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
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Attitude Dance - Conductor Score
