YourFavorite Christmas Hymns and Carols for Strings, Book 1

Arrangedfor strings by Colin Kirkpatrick

Here?sa brand new collection of best-loved Christmas hymns and carols arranged for strings,to brighten up your next Christmas event. They are presented in a set of twobooks and include full four-part instrumental scores plus parts for first violin,second violin, viola, cello and optional double bass. Both cello and bass partsappear on a single staff. The arrangements can be used with string quartet, stringquintet or string ensemble. There?s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The left handplays only the bass part most of the time, with the right hand part kept assimple as possible. It could be used as the basis of an accompaniment whichmeans that you can use the arrangements as solos, duets or trios.

Thearrangements are intended either as stand-alone pieces that could be used asinterludes in a concert or service, or they could be used to accompany solo,choral or congregational singing. The arrangements been written in string-friendlykeys as often as possible. While the hymns mostly use the traditionalharmonies, the carols have been treated more freely.
Book 1 includes thefollowing 19 titles: Angels from the Realms of Glory (Melody: Gloria); Awayin a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: PuerNobis); Christians Awake! (Melody: Yorkshire); Deck the Halls withBoughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; GoodChristian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas(Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; ItCame Upon the Midnight Clear (Melody: Carol); Little Jesus, SweetlySleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); OCome all ye Faithful (Melody: Adeste Fidelis); O Little Town ofBethlehem (Melody: Saint Louis); O Holy Night (Melody: CantiqueNoël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy;We Wish You a Merry Christmas and What Child is This? (Melody:Greensleeves)

Theaudio samples include Go Tell it on the Mountain; O Christmas Tree; O Holy Night and SilentNight. Please note that the arrangements are usually not usually compatiblewith the brass collection of the same name

Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.

Origins
The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning ?Christmas.? Therefore ?the First Noel? translates as ?the First Christmas.? First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the ?Carols Ancient and Modern? songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: String Quartet Version comes with new harmony in final verse for more energy and drive.

Stainer
Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870?s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.

Diatonic Function
The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling ? like maybe it never really ends.

Political Context
The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.