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Christmas in Many Lands
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Vous avez sélectionné:
Christmas in Many Lands
Quatuor à cordes: 2 violons, alto, violoncelle
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Guthrie: In the Bleak Midwinter for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Traditional
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James M
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Guthrie: In the Bleak Midwinte
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1496962 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Hi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1496962 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 9 pages. Jmsgu3 #1073376. Published by jmsgu3 (A0.1496962). In the Bleak Midwinter is an essential and beloved Christmas carol with several notable aspects.Origins and AuthorshipThe carol originated as a poem titled A Christmas Carol, written by Christina Rossetti, a prominent English poet, in 1872. Rossetti was known for combining deep Christian faith with rich artistic sensibility in her works. Musical SettingsThe poem was set to music multiple times, with two versions becoming particularly popular: Gustav Holst's hymn tune Cranham in 1906, which is more straightforward and suitable for congregational singing. Harold Darke's more complex choral setting from 1911 was named the best Christmas carol in a 2008 poll of choirmasters and choral experts.Poetic and Theological SignificanceThe carol is notable for its stark imagery, contrasting the harsh winter landscape with the divine incarnation—the paradoxical juxtaposition of earthly elements with the ineffable nature of Christ's birth. Profound theological insights are conveyed through simple language—reflection on the meaning of gift-giving about Christ's birth.Cultural ImpactIn the Bleak Midwinter has become a beloved part of Christmas traditions. Choirs perform it widely, and various artists record it.Many music experts consider The carol one of the greatest Christmas songs. Its imagery and themes have inspired reflection on rest, renewal, and the deeper meaning of the winter season. The enduring popularity of In the Bleak Midwinter stems from its beautiful blend of evocative poetry, rich theological content, and dynamic musical settings, making it a cherished part of Christmas celebrations for many.
$32.95
Merry Xmas Everybody
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Slade
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HELEN MARPLE-HORVAT
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Merry Xmas Everybody
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contempor...
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String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #6134105. Published by Helen Marple-Horvat (A0.749235). youtube.com/watch?v=b74tCHtcmFM‘Merry Christmas Everybody' is a major hit in the UK, and the familiar song heralds the festive season with all the ‘feel good’ emotions that come with it. We hear it in shops, supermarkets, and radio stations all over the country for the weeks in the run up to the celebrations, as it is part of a popular compilation of hits. It was a Christmas number one in 1973 and stayed there for nine weeks. Although it was recorded in New York it is not so well known in the USA which is a surprise to me. I have always loved it because of the unusual chord progressions at the end of the Chorus, and because Noddy Holder is from the West Midlands where I was born and bred. We don’t have too many famous people from around there!It is important to keep a steady tempo but it doesn’t need to be as fast as the original (120 bpm) However It *is* in the same key as the original and follows the structure exactly, so it may be possible to play along with it before coming to rehearsal, which is always helpful. It is useful to feel the syncopation that way. We planned to record this last March but that was before Lockdown!The tune is shared between first violin, viola and cello. The second violinist needs to keep a rock steady pulse. Although it is suitable for a professional quartet to play, and the first violinist often plays the tune up an octave, I feel that it is easy enough for a quartet of Grade 5 ABRSM to play with a few modifications such as playing open strings. The cellist will need to be able to play in fourth position and to stretch for the F sharps on the C string, but feel free to change the octaves or use pizzicato in the bass part if it makes things easier.The bowing is a guide only, based on the rehearsal with Capriccio Quartet, so all players should take as many bows as they need in order to feel comfortable. Enjoy playing the piece and send me any recordings on Facebook. I love to hear from people who have played my arrangements.You can hear Capriccio Quartet play my other arrangements at the Youtube Channel, Helen Marple-Horvat Songwriter, Arranger, Composer, Capriccio Quartet. All but two are available from Sheet Music Plus.
$15.00
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