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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Circle Dance
Non classifié
26
Piano & claviers
Piano seul
32
Piano, Voix et Guitare
5
2 Pianos, 4 mains
2
Piano Facile
2
Instruments en Do
1
Piano, Voix
1
1 Piano, 4 mains
1
Orgue
1
+ 3 instrumentations
Retracter
Guitares
Guitare
5
Voix
Chorale SATB
3
Voix basse
2
Chorale 3 parties
2
Voix duo, Piano
1
Chorale Unison
1
Voix Tenor, Piano
1
Chorale 2 parties
1
+ 2 instrumentations
Retracter
Vents
Clarinette
3
Saxophone (partie séparée)
2
2 Flûtes traversières (duo)
1
Flûte traversière et Piano
1
Hautbois (partie séparée)
1
Saxophone Alto
1
Flûte à bec Alto, Piano
1
Hautbois, Piano (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Tenor
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto
1
+ 8 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone
3
Trompette
2
Tuba
2
Cor
1
Cordes
Harpe
4
Violon (partie séparée)
3
Violoncelle
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
Violoncelle (partie séparée)
1
Violon
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
9
Orchestre à Cordes
6
Orchestre
4
Ensemble de Percussions
1
Percussion
1
Orchestre de chambre
1
+ 1 instrumentations
Retracter
Autres
Instruments
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AUTRES INST…
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CHANT - CHO…
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COR ANGLAIS
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
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PARTITIONS …
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AMERICANA
ASIE
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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Crtitères actifs :
Circle Dance
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
3 partitions trouvées
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Hora
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Alex Tinlin
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Alex Tinlin
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Hora
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Alex Tinlin
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296665 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. Chamber,Jewish,Mul...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296665 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. Chamber,Jewish,Multicultural,Traditional,Wedding,World. 6 pages. Alex Tinlin #886843. Published by Alex Tinlin (A0.1296665). My arrangement for String Quartet of the 'Hora', a traditional circle dance, which has its origins in Romania and Moldova.
$4.99
Gaúcho - Corta Jaca (Brazilian Music)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chiquinha Gonzaga
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Renato Esteves
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Gaúcho - Corta Jaca
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Renato Esteves
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages...
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String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00
Mozart: Sonata K. 284 “Durnitz” for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95
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