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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
DEEJAY
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FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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TROMBONE
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VIBRAPHONE
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XYLOPHONE
Color of Fire
Non classifié
22
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22
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21
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12
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4
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1
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1
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5
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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LUTH
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Vous avez sélectionné:
Color of Fire
Quatuor à cordes: 2 violons, alto, violoncelle
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Fall's Calling
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Alexandros Pirillis
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Fall's Calling
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Songburd Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1411452 Composed by Alexandros Pirillis. Classical,Contemporary,Renaissance. 14 pages. Songburd Music ...
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String Quartet String Quartet - Level 3 - SKU: A0.1411452 Composed by Alexandros Pirillis. Classical,Contemporary,Renaissance. 14 pages. Songburd Music #993718. Published by Songburd Music (A0.1411452). “Fall’s Calling†takes us to a time when the music of the Renaissance crosses a threshold into the modern world.  With its sobering and thoughtful foundations and captivating folk-like melody we are brought to experience the coming of fall’s season, being touched in heart with feelings of soft-spoken melancholy as the gray and colder days replace the brightness and warmth of summer.  The temper of this lovely piece calls forth many thoughts and images of a time long gone, when kings and queens ruled and knights fought to prove their valor, and when tales of dragons were told around the unsteady flames of nightly campfires.  When listening to “Fall’s Calling†one may—perhaps—picture themselves on a lone walk along a wind-swept shore with bending blades of grass, where well-worn rocks are battered by chilling waves, and when looking to the horizon one sees a shadowy castle looming and silhouetted in the background, looking forlorn and lonely in the distance as it stands tall among the colors of autumn.
$19.99
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
Shavano Suite
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jim Bosse
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Shavano Suite
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Jim Bosse
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SheetMusicPlus
Drums,Guitar,Hand Percussion - SKU: A0.1070355 Composed by Jim Bosse. Contemporary,Folk. Full Performance. Duration 916. Jim Bosse #4595329. Published b...
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Drums,Guitar,Hand Percussion - SKU: A0.1070355 Composed by Jim Bosse. Contemporary,Folk. Full Performance. Duration 916. Jim Bosse #4595329. Published by Jim Bosse (A0.1070355). Shavano Suite is a set of four pieces inspired by folklore and campfire tales from the Mount Shavano/Maysville area in the Rocky Mountains of Colorado. Individual movement titles are: Angel of Shavano, Tie Hacks, Hanging Tree, and Grave of Charlie Reynolds. The suite was originally scored for classical guitar duet, but this version was expanded for classical guitar, strings and percussion. This recording has the composer on guitar and computer generated string and percussion parts. Jim's web site is www.facebook.com/jimbosseguitar .
$2.99
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