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--INSTRUMENTS--
ACCORDEON
ALTO
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Non classifié
110
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158
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22
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21
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10
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5
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4
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4
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3
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2
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1
+ 5 instrumentations
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14
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7
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6
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4
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2
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1
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1
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1
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1
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50
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13
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9
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8
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8
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4
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2
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1
Voix seule
1
Chorale TTBB
1
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12
Clarinette (partie séparée)
11
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9
Flûte traversière et Piano
7
2 Saxophones (duo)
7
Hautbois (partie séparée)
5
Flute (partie séparée)
5
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4
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4
Clarinette
4
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3
Clarinette et Piano
3
2 Flûtes traversières (duo)
2
Clarinette, Guitare (duo)
2
Clarinette, Violon (duo)
2
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2
Ensemble de Clarinettes
2
Flûte et Guitare
2
Ensemble de saxophones
2
Clarinette, Trompette (duo)
2
2 Clarinettes (duo)
2
Hautbois
2
Clarinette et Alto
1
Trio de Flûtes: 3 flûtes
1
2 Hautbois (duo)
1
Saxophone Tenor et Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Clarinette Basse
1
Flûte à bec Alto
1
Flûte à Bec
1
3 Saxophones (trio)
1
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1
Flûte traversière
1
Flûte, Clarinette (duo)
1
Piccolo
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
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Trombone (partie séparée)
10
Trompette (partie séparée)
7
Tuba (partie séparée)
5
Trompette, Piano
5
Cor
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor (partie séparée)
4
Trompette, Trombone (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
Tuba ou Euphonium ou Saxhorn
1
Tuba et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Tuba
1
Ensemble de Trombones
1
+ 14 instrumentations
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Cordes
Violon et Piano
16
Violoncelle, Piano
8
2 Harpes (duo)
6
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violoncelle
6
2 Violons (duo)
3
Contre Basse
3
Violon
3
Harpe
2
Trio à Cordes: violon, alto, violoncelle
2
Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
1
2 Altos (duo)
1
Alto et orchestre
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Alto (duo)
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Violoncelle (duo)
1
+ 16 instrumentations
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Orchestre d'harmonie
132
Marimba
18
Orchestre
17
Percussion (partie séparée)
8
Orchestre de chambre
7
Cloches
3
Batterie
3
Timbales (partie séparée)
2
Orchestre à Cordes
2
Ensemble Jazz
2
Percussion
2
Ensemble de Percussions
2
Piano et Orchestre
1
Timbales
1
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Distant
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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Distant Fire
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Cameron Duncan
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Distant Fire
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Cameron Duncan
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1457289 Composed by Cameron Duncan. 21st Century,Chamber,Contest,Festival,Rock,Thri...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1457289 Composed by Cameron Duncan. 21st Century,Chamber,Contest,Festival,Rock,Thriller. 33 pages. Cameron Duncan #1036337. Published by Cameron Duncan (A0.1457289). Distant Fire is written for string quartet. It captures the sense of urgency, raw power, and overwhelming nature of a fire making its way across a landscape. The expectant, undulating groove is punctuated with modal melodic figures, and unison rhythmic statements highlight the drama of the destruction. Length: 4'30.
$18.99
Paul Wehage: Distant Strophes for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Paul Wehage
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Paul Wehage: Distant Strophes
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 12...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 122 pages. Musik Fabrik Music Publishing #3396151. Published by Musik Fabrik Music Publishing (A0.534374). 1. Remembering the sounding bellsII. Interrupted RicacaresIII. En croisant le diable boiteuxIV. ...L'inflexion des voix chères qui se sont tues. (Paul Verlaine)V. Appels et Invocations Distant Strophes for String Quartet is dedicated to the American Cellist Stephen Evans. The work is written in five movements and is based on a series of poetic images.The first movement, Remembering the Sounding Bells..., uses bell-like sonorities and tonal fragments whichare developed between the four instruments of the quartet The second movement Interrupted Ricacares beginswith a compact, accelerating atonal motif which alternates with contrapuntal passages which evoke motet and ricacare forms.En Croisant le Diable Boîteux (Upon meeting the limping Devil) takes its inspiration from the novel by Lesage. This movement is a lively bi-tonal scherzo in classical ABA form which exploits off-the-string bowings and doublestops. The fourth movement, ...L'inflexion des voix chères qui se sont tues (the sounding of dear voices which have been silence) is a line from Paul Verlaine’s : Mon rêve familier (Poèmes saturniens/ melancholia VI 1866). A slowly unfolding dirge-like theme is passed through the four instruments in an expressive lament. The final movement, Appels et invocations, is inspired by a strophe in Charles Baudelaire’s le Serpent qui Danse in Les Fleurs du Mal which speaks of preparing for a voyage, real orimagined, which is expressed here in the angular, robust theme in unison which opens the work.
$38.95
Distant Sky
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Nick Cave & The Bad Seeds
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Fernando Britto
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Distant Sky
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Minhas Partituras
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.685027 By Nick Cave & The Bad Seeds. By Nicholas Edward Cave and Warren Ellis. Arra...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.685027 By Nick Cave & The Bad Seeds. By Nicholas Edward Cave and Warren Ellis. Arranged by Fernando Britto. Contemporary,Film/TV,Wedding. Score and parts. 9 pages. Minhas Partituras #6331299. Published by Minhas Partituras (A0.685027). Music from the Justice League: Snyder Cut movie.This music if from the first scene with mrs. Lane on the coffee shop.Perfect for weddings, theatre and public events.
$12.99
Rustic Serenade
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Quatuor à cordes: 2 violons, alto, violoncelle
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Kenneth Piotrowski
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Rustic Serenade
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Imagine Music - Digital
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SheetMusicPlus
String quartet - SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music -...
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String quartet - SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music - Digital (IZ.CMF186). 9 x 12 in inches.The creation of Rustic Serenade was quite different from the majority of my other compositions; it happened quite by accident with absolutely no thought out plan. I always carry manuscript paper with me to jot down melodies and other musical thoughts that pop into my head but never an entire piece of music. The following is how that all changed.Being an avid hiker, I set out one early autumn day. It was one of those wonderfully crisp, clear days that only New England offers. As I rounded a bend of the forested mountain trail there was a stony promontory that offered an unparalleled view of the valley below with its rolling pastures and farmlands and, still more distant, a waterfall. I followed the narrow ribbon of water with my eye as it twisted and wove its way through the trees and periodic meadows until I found myself gazing down onto a small village. Actually, it was more like a tiny hamlet, a few homes, two or three stone buildings, a small white church, a commons complete with bandstand and gardens and a mill with its waterwheel slowly spinning from the water that was diverted through a sluice from the river. As I continued to observe the scene below I became cognizant that within my mind I was hearing the soft pizzicato of a cello. It was soon followed by a viola in imitation and then finally the violins joined in, first with melody and then harmony. The solution was to extract the manuscript paper and pen from my backpack and write down what I heard.
$28.00
String Quartet No. 5
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Peteris Vasks
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String Quartet No. 5
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q6235 Composed by Peteris Vasks. This edition: score and parts. Downloadable, Score and parts. Duration 25 minutes....
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String quartet - difficult - SKU: S9.Q6235 Composed by Peteris Vasks. This edition: score and parts. Downloadable, Score and parts. Duration 25 minutes. Schott Music - Digital #Q6235. Published by Schott Music - Digital (S9.Q6235). String Quartet No. 5 consists of two contrasting movements. The first movement, being present, immediately leads to an atmosphere of high emotional tension. The prevailing atmospheric elements of the music are dramatic and passionate, alternating with each other like a kaleidoscope. In contrast to that, a second theme is intoned three times – an invitation, a memory of the existence of another world, a light-house which illuminates the twilight in which we live so often. But this invitation remains unheard. The first movement concludes with dissonances in the upper register – a cry of utter desperation. The second movement, so distant ... yet so near, is the calm, unhurried vocal section of the quartet. A forgiving, loving look at a world tortured by grief and contradictions. Gradually, the singing becomes more personal, more emotional and more dramatic. The rhythmic figure of a funeral march in the recapitulation of the second movement is a gesture of loss. Eventually, the quartet loses itself in an atmosphere of light-filled grief. Pēteris Vask.
$35.99
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
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