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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Festival Procession
Non classifié
46
Piano & claviers
Orgue
18
Piano seul
18
Piano Facile
1
Piano, Voix
1
Guitares
Guitare
2
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
8
Chorale 2 parties
4
Chorale 3 parties
3
Vents
Clarinette (partie séparée)
9
Flute (partie séparée)
6
Saxophone (partie séparée)
4
Flûte traversière et Piano
3
Hautbois (partie séparée)
3
Clarinette et Piano
2
Quatuor de Saxophones: 4 saxophones
1
Flûte, Clarinette (duo)
1
Piccolo
1
Saxophone Alto et Piano
1
+ 5 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone (partie séparée)
9
Cor (partie séparée)
7
Trompette (partie séparée)
4
Tuba (partie séparée)
4
Trompette, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trompettes (duo)
1
Ensemble de Trompettes
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violon et Piano
4
Violon (partie séparée)
2
Violoncelle, Piano
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
68
Orchestre
12
Orchestre à Cordes
6
Orchestre de chambre
5
Cloches
5
Percussion (partie séparée)
3
Timbales (partie séparée)
2
Percussion
1
Marimba
1
Ensemble de cuivres
1
Fanfare
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Festival Procession
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
9 partitions trouvées
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1
CELEBRATION PROCESSIONAL for string Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Alan Edgar
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CELEBRATION PROCESSIONAL for s
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1117634 Composed by Alan Edgar. Baroque,Chamber,Contest,Early Music,Festival,Wedding. 10 pages. Alan E...
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String Quartet String Quartet - Level 2 - SKU: A0.1117634 Composed by Alan Edgar. Baroque,Chamber,Contest,Early Music,Festival,Wedding. 10 pages. Alan Edgar Ted Moon #719177. Published by Alan Edgar Ted Moon (A0.1117634). After Purcell: in canon and a passacaglia. About 3 minutes. Intermediate. Suitable for a wedding, prize-giving, uniformed organisation parade...
$9.99
Chopin: Prelude Op. 28 No. 15 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 15
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1356731 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1356731 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 14 pages. Jmsgu3 #941372. Published by jmsgu3 (A0.1356731). The Prelude Op. 28, No. 15, by Frédéric Chopin, also known as the Raindrop prelude, is one of his most famous works. It is in D♠major and was published in 1839. The prelude is noted for repeating notes reminiscent of raindrops to many listeners. It usually lasts five to seven minutes, making it the longest of the preludes. The piece has a serene opening theme and a middle section that evokes a sense of procession and lugubrious prayers. The B section contrasts the mood of the A section, and the piece is often described as melancholic and poetic. Despite being a major key, it is not a happy piece but somewhat nostalgic, thoughtful, and wistful. The prelude presents technical and interpretive challenges and is considered profound and musically tricky.
$32.95
Once in Royal David's City for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Cecil Frances Alexander
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James M
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Once in Royal David's City for
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1502478 Composed by Cecil Frances Alexander. Arranged by James M. Guthrie. 19th Cen...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1502478 Composed by Cecil Frances Alexander. Arranged by James M. Guthrie. 19th Century,Chamber,Christmas,Historic,Traditional. 16 pages. Jmsgu3 #1078262. Published by jmsgu3 (A0.1502478). Once in Royal David's City is an essential and beloved Christmas carol for several reasons:Historical significance: The hymn was written in 1848 by Cecil Frances Alexander as part of a collection called Hymns for Little Children. The traditional opening of a famous service: Since 1919, this carol has been prominent as the opening processional hymn for the Festival of Nine Lessons and Carols, held on Christmas Eve at King's College Chapel, Cambridge. The BBC World Service and American Public Media broadcast this service worldwide, giving the hymn global exposure.Unique performance tradition: At King's College, the first verse is traditionally sung as a solo by a boy chorister, chosen by the choirmaster just moments before the service begins. This adds an element of anticipation and showcases young talent.Theological content: The hymn tells the story of Christ's birth and childhood, emphasizing His divinity and humanity. It connects the nativity story to broader Christian theology, making it both a narrative and a teaching tool.Musical qualities: The tune IRBY, composed by Henry John Gauntlett, is widely regarded as beautiful and memorable. Despite its relative simplicity, it has been praised for its intimate scale and inspired melody.Widespread use: Beyond its famous use at King's College, the hymn has become popular in churches of various denominations worldwide, especially during Christmas services.Cultural impact: The hymn has become deeply associated with Christmas in many English-speaking countries, evoking nostalgia and religious sentiment for many listeners. In essence, Once in Royal David's City is essential not just for its content but for its role in Christmas traditions, its educational value, and its ability to connect people to the holiday's religious aspects through music.
$34.95
Simultaneous Accelerando and Rallentando (MTN Etude 1)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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String Quartet
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Simultaneous Accelerando and R
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SullivanWorks
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.489399 By String Quartet. By Timothy Sullivan. 20th Century,Classical,Contest,Festi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.489399 By String Quartet. By Timothy Sullivan. 20th Century,Classical,Contest,Festival,Instructional. Score and parts. 3 pages. SullivanWorks #105782. Published by SullivanWorks (A0.489399). In this Multiple Tempi Notation (MTN) Etude, No. 5 from Beethoven's Quartet op. 131 is divided into two duets, Violins 1 and 2 as Duet 1, and Viola and Cello as Duet 2. Duet 1 gradually speeds up while Duet 2 gradually slows down, then both duets reverse this process and meet again in the same tempo in the second last bar.
$15.00
Supercollider
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Christine Southworth
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Gamelan Elektrika
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. ...
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String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00
String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 3 "Old
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 page...
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String Quartet String Quartet - Level 5 - SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 pages. Mark O'Connor Musik International #6201731. Published by Mark O'Connor Musik International (A0.861789). String Quartet No. 3 Old-Time (Score – two vlns, vla, cel) MO169BViolin 1 Part (score and parts available)Music by Mark O’Connor30 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169BCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Mark O’Connor
#
Mark O'Connor
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String Quartet No. 3 "Old
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Mark O'Connor Musik International
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...
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String Quartet String Quartet - Level 5 - SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola – two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark O’Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Mark O’Connor
#
Mark O'Connor
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String Quartet No. 3 "Old
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Mark O'Connor Musik International
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 page...
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String Quartet String Quartet - Level 5 - SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part – two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark O’Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 3 "Old
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 page...
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String Quartet String Quartet - Level 5 - SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part – two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark O’Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
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