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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Final Call
Non classifié
242
Piano & claviers
Piano seul
116
Piano, Voix et Guitare
28
Piano, Voix
19
Orgue
15
2 Pianos, 4 mains
8
Piano Trio: piano, violon, violoncelle
5
Piano Facile
4
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Instruments en Do
3
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
+ 7 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
10
Mandoline
1
Basse electrique
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
76
Chorale 3 parties
26
Chorale TTBB
13
Chorale 2 parties
12
Chorale Unison
10
Chorale SSAA
4
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix haute
2
Voix duo, Piano
1
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix Soprano
1
Voix Soprano, Piano
1
Voix duo
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte traversière et Piano
21
Saxophone Alto et Piano
19
Quatuor de Saxophones: 4 saxophones
16
Quintette de Saxophone: 5 saxophones
13
Saxophone Soprano et Piano
12
2 Saxophones (duo)
9
Clarinette et Piano
9
Saxophone Tenor et Piano
9
3 Saxophones (trio)
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte, Hautbois, Clarinette, Basson
7
Ensemble de Clarinettes
7
Hautbois, Piano (duo)
6
Quintette de Flûte : 5 flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Flûtes
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
2 Flûtes traversières (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette
3
Quatuor de Flûtes à bec
2
Hautbois (partie séparée)
2
Ensemble de saxophones
2
Trio de Flûtes: 3 flûtes
2
Flûte et Guitare
2
Clarinette, Violoncelle (duo)
1
2 Flûte à bec (duo)
1
Ensemble de Hautbois
1
Saxophone (partie séparée)
1
Clarinette, Basson (duo)
1
5 Flûtes à bec
1
Flûte à Bec
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
3 Flûtes à bec (trio)
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes (duo)
1
Flute (partie séparée)
1
Saxophone Alto
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette (duo)
1
Flûte traversière
1
Saxophone Tenor
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trombone et Piano
10
Trompette
8
Trompette, Piano
7
Cor et Piano
6
Euphonium, Piano (duo)
6
Tuba et Piano
5
Cor anglais, Piano
5
Cor
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Trio de Cuivres
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
Ensemble de Trompettes
1
2 Cors, Piano
1
4 Tubas
1
Ensemble de Cors
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon et Piano
17
Alto, Piano
12
Harpe
10
Violoncelle, Piano
9
Violoncelle
5
Violon
5
2 Violons (duo)
4
Violon, Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse, Piano (duo)
2
Contre Basse
2
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orchestre
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Violon, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Violon (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
154
Orchestre
49
Orchestre à Cordes
32
Jazz combo
14
Ensemble de cuivres
12
Cloches
10
Ensemble Jazz
7
Orchestre de chambre
6
Ensemble de Percussions
4
Piano et Orchestre
1
Marimba
1
Batterie
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Final Call
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
44 partitions trouvées
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Fab's final song - Ballad - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Graf
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Thomas Graf
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Fab's final song - Ballad - St
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.567546 Composed by Thomas Graf. Arranged by Thomas Graf. Blues,Gospel,Jazz,World. Score and p...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.567546 Composed by Thomas Graf. Arranged by Thomas Graf. Blues,Gospel,Jazz,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #2029341. Published by Thomas Graf - the-hit-factory.com (A0.567546). Here comes a ballad full of love and passion. Listen to the recording! Substitute parts are available on request. This composition is available in specially adapted arrangements for many different ensembles like saxophone quartet, brass quartet, string quartet, wind quintet, concert band … Check out our other compositions and arrangements! Any individual arrangement is available on request for reasonable price. Call +49 (0) 172 2515987 www.the-hit-factory.com Visit us on Facebook: facebook.com/hitfactorymusic.
$8.99
The Dove
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and ...
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Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
Sacrum Creaturae
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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William Grosvenor Neil
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Sacrum Creaturae
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TheComposerStudio.Com, LLC
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #...
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String Quartet String Quartet - SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #6565287. Published by TheComposerStudio.Com, LLC (A0.980596). Sacrum Creaturae (2019) (score and parts) for string quartet and digital acoustic commissioned and premiered August 18th, 2021 at the Stringwood Chamber Music Festival by the Artaria String Quartet, profiles three endangered creatures: wolves, dolphins, and birds in the three movements of this string quartet. Each of the digital acoustics, the recorded and processed sounds of wolves, dolphins, and birds, explore the sounds of these creatures from three perspectives. Canis Lupus-Nocturne developed through the exploration of wolf howls, growls, snarls, barks, and choruses. My goal in integrating the sounds of wolves with the string quartet was to make them equally passionate and expressive driving the dynamic and emotional climaxes of the music with equal intensity. Programatically, I have placed the wolves deep in the forest, in an environment that allows the string quartet to evoke the mystery and primal energy associated with these animals. I make musical references to the controversy of re-introducing these animals in the wild and the history of violent annihilation by hunters. Delphinus-Cradlesong comprises the slow, middle movement of this piece. The cradlesong is literal and is inspired by the recent discovery by marine scientists that a mother dolphin will sing to its unborn calf so that it bonds with the mother and is familiar with her voice after birth. I have essentially orchestrated my Cradlesong for solo piano for string quartet and the whistling sounds of a mother dolphin singing to its calf. The final movement, 21 Birds, incorporates the bird calls of 21 birds in the Driftless region of the upper Mississippi, integrated with the thematic music of the string quartet. I treat the birds as 21 soloists and as an orchestra of birds accompanying the quartet. In the performance with the quartet, I have employed various special effects, such as reverberation, echo, and delay to blend the two acoustics. Parts rental for performance including the digital acoustic files and support http://www.thecomposerstudio.com/chamber-music/#tab-13006 Inquires at: thecomposerstudio@gmail.com.
$30.00
"Amazing Grace" (Easy String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Musique Sacrée
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John Newton
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Iury Cardoso
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"Amazing Grace"
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Iury Cardoso
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1347001 Composed by John Newton. Arranged by Iury Cardoso. Chamber,Praise & Worship...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1347001 Composed by John Newton. Arranged by Iury Cardoso. Chamber,Praise & Worship,Sacred,Spiritual,Traditional. 7 pages. Iury Cardoso #931790. Published by Iury Cardoso (A0.1347001). EASY BEGINNER STRING QUARTET arrangement of the song: Amazing Grace (John Newton)Score and parts: 7 pages This is a version of the classic hymn Amazing Grace, where the simplified chords and melodies make it easy to learn. Call your friends to play with you!In the first part of this arrangement, the main melody is played by the cello and in the second part by the first violin, creating two different musical textures. In the coda, the final part of the melody is played with a new harmony.On this website, there is also a version of this same arrangement WITH THE PIANO and other versions for STRING QUINTET, SOLO INSTRUMENTS and DUETS. See more arrangements by Iury Cardoso, thank you so much! amazing grace sheet musiceasy beginner string quarteteasy string quartetbeginning string quarteteasy beginner chamber musicstring quartet for beginnerswith pianoeasy violineasy violaeasy cellosheet musiceasy arrangement for string quartetamazing grace string quartet sheet musiceasy amazing gracemusic scoreclassic hymn amazing grace.
$9.99
"Amazing Grace" (Easy String Quartet with Piano)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Musique Sacrée
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John Newton
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Iury Cardoso
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"Amazing Grace"
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Iury Cardoso
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SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - SKU: A0.1347006 Composed by John Newton. Arranged by Iury Cardoso. Chamber,Praise & W...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - SKU: A0.1347006 Composed by John Newton. Arranged by Iury Cardoso. Chamber,Praise & Worship,Sacred,Spiritual,Traditional. 8 pages. Iury Cardoso #931796. Published by Iury Cardoso (A0.1347006). EASY BEGINNER STRING QUARTET with PIANO arrangement of the song: Amazing Grace (John Newton)Score and parts: 8 pages This is a version of the classic hymn Amazing Grace, where the simplified chords and melodies make it easy to learn. Call your friends to play with you!In the first part of this arrangement, the main melody is played by the cello and in the second part by the first violin, creating two different musical textures. In the coda, the final part of the melody is played with a new harmony.On this website, there is also a version of this same arrangement WITHOUT THE PIANO and other versions for STRING QUINTET, SOLO INSTRUMENTS and DUETS. See more arrangements by Iury Cardoso, thank you so much! amazing grace sheet musiceasy beginner string quartet pianoeasy string quartet pianobeginning string quartet with pianoeasy beginner chamber musicstring quartet with piano for beginnerseasy violineasy violaeasy celloeasy pianosheet musiceasy arrangement for string quartet pianoamazing grace string quartet and piano sheet musiceasy amazing gracemusic score.
$12.99
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99
Time After Time
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Javier Colon
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Javier MartÃnez
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Time After Time
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Arte Nova Music Lab
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.742482 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Javier MartÃn...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.742482 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Javier MartÃnez. Pop. Score and parts. 15 pages. Arte Nova Music Lab #4736971. Published by Arte Nova Music Lab (A0.742482). Time After Time is the second single by American singer-songwriter Cyndi Lauper from her debut studio album, She's So Unusual(1983), with Rob Hyman (co-writer and founding member of the rock band The Hooters) contributing backing vocals. The track was produced by Rick Chertoff and released as a single on January 27, 1984. The song became Lauper's first number 1 hit in the U.S. The song was written in the album's final stages, after Girls Just Wanna Have Fun, She Bop and All Through the Night had been written. The writing began with the title, which Lauper had seen in TV Guide magazine, referring to the science fiction film Time After Time (1979).[2]Time After Time is composed of simple keyboard-synth chords, bright, jangly guitars, clock-ticking percussion, and elastic bassline. Lyrically, it is a love song of devotion. Music critics gave the song positive reviews, with many commending the song for being a solid and memorable love song. The song has been selected as one of the Best Love Songs of All Time by many media outlets, including Rolling Stone, Nerve, MTV and many others.[3] Time After Time was also nominated for a Grammy Award for Song of the Year at the 1985 edition.[4] The song was a success on the charts, becoming her first number-one single on the US Billboard Hot 100 chart on June 9, 1984, and remaining there for two weeks. The song reached number three on the UK Singles Chart and number six on the ARIA Singles Chart.The song is also known for its numerous covers by a wide range of artists, including Miles Davis, who recorded an instrumental version for his 1985 album You're Under Arrest, and Eva Cassidy, whose cover of the song appears on her posthumous album of the same name.R&B singer Lil Mo also covered the song for her 2001 debut album Based on a True Story. An acoustic version was sung by Lauper withSarah McLachlan on her 2005 album The Body Acoustic.[5] Lauper has performed the song live with Patti LaBelle twice in 1985 and 2004 and with Sarah McLachlan at the American Music Awards of 2005,[6] as well as with rapper Lil' Kim in 2009.Taken from https://en.wikipedia.org/wiki/Time_After_Time_(Cyndi_Lauper_song)
$20.00
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
God Rest Ye Merry Gentlemen
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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Cally Bartlett
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God Rest Ye Merry Gentlemen
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Cally Bartlett
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1337433 Composed by Traditional. Arranged by Cally Bartlett. Christmas,Classical,Ho...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1337433 Composed by Traditional. Arranged by Cally Bartlett. Christmas,Classical,Holiday,Traditional. 9 pages. Cally Bartlett #923259. Published by Cally Bartlett (A0.1337433). A 3 verse arrangement of God Rest Ye Merry Gentlemen for String Quartet. This piece combines a traditional setting with embellished parts in Violin 1 and 2, giving the piece a flowing thoughtful mood. The final iteration of the verse is strong and bold with interesting harmony parts in the Cello and Viola.
$12.99
Auld Lang Syne - Arranged for String Quartet by Hugh Levey
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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Hugh Levey
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Auld Lang Syne - Arranged for
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woodwindly.com
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.937309 Composed by Traditional (Robert Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Tradi...
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String Quartet String Quartet - Level 3 - SKU: A0.937309 Composed by Traditional (Robert Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Traditional,Wedding. Score and parts. 13 pages. Woodwindly.com #6701333. Published by woodwindly.com (A0.937309). String Quartet (2 Violins, Viola, 'Cello) Since Robert Burns wrote the words of Auld Lang Syne in 1788, it has become a standard feature of New Year celebrations, Burns nights, and the closing stages of almost every ceilidh dance and wedding in Burns’ native Scotland. Duration - 1’ 48 for 2 verses. Approximately 5’ for all five versesThis string quartet arrangement is by Scottish musician and arranger, Hugh Levey. It is in a suitable key for playing as a short recital piece or to accompany community or solo singing. For most occasions the arranger suggests playing it without any repeats, so that 2 differently arranged verses are performed. This works for a recital piece or as accompaniment to how it is typically sung. In Scotland it would be verses 1 and 5, in other parts of the world verse 1 is often sung twice. The work opens with ‘bagpipe’ drones played by the viola and cello, which accompany a short introduction by violin 1. This is followed by violins 1 and 2 playing the first verse and chorus, still accompanied by the bagpipe drones. The final verse and chorus are written in four part harmony to give a majestic ending to the piece.
$9.50
Wrecking Ball
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan ...
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String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
Gaúcho - Corta Jaca (Brazilian Music)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chiquinha Gonzaga
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Renato Esteves
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Gaúcho - Corta Jaca
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Renato Esteves
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages...
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String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00
Four Pieces from "Peer Gynt"
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Edvard Grieg
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Stephen Levintow
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Four Pieces from "Peer Gy
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1333792 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Romantic Peri...
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String Quartet String Quartet - Level 5 - SKU: A0.1333792 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Romantic Period. 46 pages. Cypress Publishing #920070. Published by Cypress Publishing (A0.1333792). The two orchestral suites drawn from Grieg's incidental music for Ibsen's Peer Gynt have been symphonic repertory favorites since they were written. This set for string quartet contains Morning Mood, Solveig's Song and Anitra's Dance, all famous from the suites, plus the haunting and little known Solveig's Lullaby, the final number in the play, which was not included in either suite.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$8.00
Phoenix Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jordan Wimmer
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Phoenix Quartet
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Jordan Wimmer
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1027808 Composed by Jordan Wimmer. Contemporary. Score and parts. 75 pages. Jordan ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1027808 Composed by Jordan Wimmer. Contemporary. Score and parts. 75 pages. Jordan Wimmer #2991153. Published by Jordan Wimmer (A0.1027808). Phoenix Quartet is a String Quartet in four movements, for two violins, viola, and cello. The first movement, entitled Life, is quick, spritely, and very traditional musically, and symbolizes the carefree phoenix soaring in the sky, living a life of bliss. The second movement, entitled Immolation, is much slower and very dreary, creating a feeling of nothingness to symbolize the extinguished life of a burnt-up phoenix. The third movement, entitled Rejuvenation, is faster paced and very rhythmically intricate. It is also the pizzicato movement of the work, and symbolizes the phoenix's ashes working to revive themselves. The final movement, entitled Rebirth, takes concepts from the first movement of the piece, reworking them into something entirely new for a grand finish.
$11.99
In Christ Alone
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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The Newsboys
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Ben Clapton
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In Christ Alone
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Ben Clapton
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.842481 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Ben Clapton. Christian,Praise &...
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String Quartet String Quartet - Level 4 - SKU: A0.842481 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Ben Clapton. Christian,Praise & Worship,Religious,Sacred. 14 pages. Ben Clapton #4810117. Published by Ben Clapton (A0.842481). In Christ Alone is a popular modern Christian hymn, written by Keith Getty and Stuart Townend. Composed in 2001, the lyrics of this song are credal in nature, speaking about the life, death and resurrection of Christ.This arrangement is an adaptable arrangement suitable for many uses. The first, repeated section contains a basic hymn tune arrangement that is easy and able to be played by all players. If accompanying singing, then you can just repeat this section for the four verses.Following this, the arrangement explores the text musically. A short shift into the tonic minor expands the words There in the ground His body lay, Light of the world by darkness slain before a sudden shift back to the tonic major with the words Bursting forth in glorious day. The accompaniment becomes a triplet ostinato which helps bring out the victory theme in the latter part of this verse, invoking a feel of a snare drum in a marching band.The music then starts preparing for a final verse, taking a small melodic motif and passing it around the quartet as it modulates up a tone to E major. The last half of this verse is repeated, with the second violin accompanying part mirroring the melody an octave lower to provide a base for the soaring melody of the first violin high on the E string.This arrangement would be suitable for church accompaniment (first section repeated), or for special performance. The first violin part is quite advanced, ranging to G#6 (sixth position), however the remainder of the parts would be playable by intermediate players.
$12.99
My Heart Is Filled With Thankfulness
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Getty and Stuart Townend
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Brian Buda
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My Heart Is Filled With Thankf
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budaful music
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SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1323398 Composed by Keith Getty and Stuart Townend. Arranged by Brian Buda. C...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1323398 Composed by Keith Getty and Stuart Townend. Arranged by Brian Buda. Christian,Holiday,Praise & Worship,Religious,Wedding. 20 pages. Budaful music #911619. Published by budaful music (A0.1323398). The beautiful Getty/Townend hymn My Heart is Filled with Thankfulness, has been arranged for string quartet. It wonderfully communicates the truths in the hymn. Musically, the melody gets handed to all 4 strings, though the violin 1 inevitably has the melody most of the time. Arranged with hauntingly beautiful harmonies hailing from the 20th century, post-romantic era. 2 options exist in the arrangement. While most of the piece is moderately advanced, the final 2 pages hold the bulk of the difficulty. Play either the 2 verse version (easier/shorter) or the full 3 verse version (fuller/longer/features a key change). Piano solo also available (SMD). The piano can work as an accompaniment if some strings aren't available, for instance, it could be a violin duet with piano.
$14.99
Classic Dance
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Kenneth Baird
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Classic Dance
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Kenneth Baird Music
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.726395 Composed by Kenneth Baird. Classical,Contemporary. Score and parts. 23 pages. Kenneth Baird Mus...
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String Quartet String Quartet - Level 2 - SKU: A0.726395 Composed by Kenneth Baird. Classical,Contemporary. Score and parts. 23 pages. Kenneth Baird Music #3094827. Published by Kenneth Baird Music (A0.726395). Imagine an 18th century palace as it comes to life with the sounds of a ball being held in honor of visiting royalty. Classic Dance by Kenneth Baird recreates this stately traditional highly formal style of dance music. Enjoyable parts for all, a variety of basic bowings (two-note slurs, staccato quarter notes, slurred staccato), and a variety of dynamics make this an excellent choice for developing ensemble precision with early intermediate string orchestras. Entirely in first position (except for bass), Classic Dance could also provide a rewarding challenge for the final concert of the year for an outstanding beginning string orchestra. As was common in 18th century orchestra music, the cello and bass parts are virtually identical making Classic Dance musically satisfying even when performed without bass, whether by a string quartet or by a small string orchestra lacking basses. An optional violin III part is also provided for ensembles that are short-handed in viola. A rehearsal piano part is also included. String Orchestra (also suitable for string quartet). Early Intermediate or end of 1st year.
$30.00
Into The Groove
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Madonna
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Greg Woodward
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Into The Groove
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Greg Woodward
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1033966 By Madonna. By Madonna and Stephen Bray. Arranged by Greg Woodward. Pop. Sc...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1033966 By Madonna. By Madonna and Stephen Bray. Arranged by Greg Woodward. Pop. Score and parts. 17 pages. Greg Woodward #639282. Published by Greg Woodward (A0.1033966). This arrangement of Madonna's iconic 80s hit Into the Groove is driven by a reworking of the original bassline for cello which is moderately challenging but also fairly repetitive and not highly physically demanding to maintain. The verses have a mild disco feel which contrasts with the more four-on-the-floor EDM feel of the chorus, and there's a brief original breakdown and dramatic key change before the final chorus. This would be a great show-stopper and showcases a capable cellist.
$25.00
Fox, you've stolen the goose
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven and Wolfg
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Fox, you've stolen the goose
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Schott Music - Digital
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SheetMusicPlus
String quartet - intermediate - SKU: S9.Q7119 As Ludwig van Beethoven could (possibly) have composed it. Composed by Ludwig van Beethoven and Wol...
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String quartet - intermediate - SKU: S9.Q7119 As Ludwig van Beethoven could (possibly) have composed it. Composed by Ludwig van Beethoven and Wolfgang Birtel. This edition: score and parts. Downloadable, Score and parts. Duration 13 minutes. Schott Music - Digital #Q7119. Published by Schott Music - Digital (S9.Q7119). What do Beethoven and the children's song Fuchs Du hast die Gans gestohlen have in common? Nothing, strictly speaking. Although the song was written as early as 1824 (and theoretically, Beethoven could have known it), it has not left deep marks on his oeuvre. But what if he had known it? Wolfgang Birtel pursued this question and, in reply to it, conceived a symphony for string quartet: behind each movement is an original symphony by Beethoven (spiced with quotes from other works). The children's song appears as the main theme in the final movement of Symphony No. 1, in the famous funeral march of Eroica, fate knocks at the door (of the goose house) in remembrance of Symphony No. 5, and the work ends with Ode to the Roast Goose (Symphony No. 9). A funny and cleverly arranged collage, a performing and listening pleasure in the footsteps of Beethoven.
$45.99
The girl I want to live with - Latin/Calypso - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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The girl I want to live with -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.567626 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz,Latin,World. Score an...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.567626 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz,Latin,World. Score and parts. 21 pages. Thomas Graf - the-hit-factory.com #21271. Published by Thomas Graf - the-hit-factory.com (A0.567626). A smooth and sexy theme, which is presented by 3 instruments in different keys. The cool latin feel has a nice calypso flavor at the beginning and ends in a samba like finale. Big fun to play!  Instrumentation: Violin 1/2, Viola, Cello Listen to the recording - a challenge for your ensemble.  Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included (2016,9 pages) Video: https://youtu.be/ZQKPv9Pk-rk
$10.99
The Little Drummer Boy
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Wilson Phillips
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Thomas Graf
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Instrumentation:
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The Little Drummer Boy
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568299 By Wilson Phillips. By Harry Simeone, Henry Onorati, Katherine K...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568299 By Wilson Phillips. By Harry Simeone, Henry Onorati, Katherine K. Davis, and Michael Peace. Arranged by Thomas Graf. Christmas. Score and parts. 17 pages. Thomas Graf - the-hit-factory.com #2913461. Published by Thomas Graf - the-hit-factory.com (A0.568299). Like Ravels Bolero The little drummer boy develops a great tension, goes through 3 different keys and has a great finale. Have Fun! Drums are optional. Instrumentation: Violin 1/2, Viola, Cello, Contra Bass, Drums (opt.) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog includedVideo: https://www.youtu.be/nbmhbz6Irek
$18.99
American Christmas - Mash up Rondo of best Christmas Songs - String Quintet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Traditional
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Thomas Graf
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Instrumentation:
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American Christmas - Mash up R
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - SKU: A0.569112 Composed by Traditional. Arranged by Thomas Graf. Christmas. Score and part...
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String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - SKU: A0.569112 Composed by Traditional. Arranged by Thomas Graf. Christmas. Score and parts. 22 pages. Thomas Graf - the-hit-factory.com #3630115. Published by Thomas Graf - the-hit-factory.com (A0.569112). A mash up in a rondo form of some of the best Christmas songs ever: We wish you a merry Christmas - Ding dong merrily on high - Oh come all ye faithful - Jingle bells. Including a bass solo on Jingle Bells’ verse, some polka and swing elements and a Grand Finale in maestoso – This is the perfect arrangement for your upcoming concerts in the holiday season. Instrumentation: Violin 1/2, Viola 1/2, Cello Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/EP8ndDx0sus
$18.99
American Christmas - Mash up Rondo of best Christmas Songs - String Quintet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Trad
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Thomas Graf
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American Christmas - Mash up R
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.568518 Composed by Trad. Arranged by Thomas Graf. Christmas. Score and...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.568518 Composed by Trad. Arranged by Thomas Graf. Christmas. Score and parts. 23 pages. Thomas Graf - the-hit-factory.com #2964407. Published by Thomas Graf - the-hit-factory.com (A0.568518). A mash up in a rondo form of some of the best Christmas songs ever: We wish you a merry Christmas - Ding dong merrily on high - Oh come all ye faithful - Jingle bells. Including a bass solo on Jingle Bells’ verse, some polka and swing elements and a Grand Finale in maestoso – This is the perfect arrangement for your upcoming concerts in the holiday season.  Instrumentation: Violin 1/2, Viola, Cello, Contra Bass       Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                               Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic  New catalogue includedVideo: https://www.youtu.be/Gcp2Cjxn7wA
$18.99
The girl I want to live with - Latin/Calypso - String Orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Thomas Graf
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Thomas Graf
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Instrumentation:
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The girl I want to live with -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568042 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz,Latin. Sc...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568042 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz,Latin. Score and parts. 30 pages. Thomas Graf - the-hit-factory.com #2347409. Published by Thomas Graf - the-hit-factory.com (A0.568042). A smooth and sexy theme, which is presented by 3 instruments in different keys. The cool latin feel has a nice calypso flavor at the beginning and ends in a samba like finale. Big fun to play! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included (2016,9 pages) Video: https://youtu.be/zaHnO25sEic
$14.99
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