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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Exercises
Non classifié
69
Piano & claviers
Piano seul
45
Piano Facile
20
Instruments en Do
4
Piano, Voix
3
1 Piano, 4 mains
2
Piano, Voix et Guitare
1
+ 1 instrumentations
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Guitares
Guitare
25
Guitare notes et tablatures
10
Guitare Pedal Steel
2
Banjo
1
Basse electrique
1
Dulcimer
1
+ 1 instrumentations
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Voix
Voix Soprano
3
Chorale SATB
3
Chorale 3 parties
3
Voix duo
2
Voix seule
2
Chorale TTBB
1
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale 2 parties
1
Chorale Unison
1
Voix Alto, Piano
1
+ 6 instrumentations
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Vents
Flûte traversière
11
2 Saxophones (duo)
6
Clarinette
5
2 Clarinettes (duo)
4
Flûte à bec Soprano
4
Saxophone Alto
3
Flûte à bec Alto
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Flûtes traversières (duo)
3
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Ocarina
2
Flûte, Violon
1
Flûte à Bec
1
Flûte traversière et Piano
1
Saxophone (partie séparée)
1
Hautbois, Basson (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, violon (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois (partie séparée)
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Cor Anglais
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Saxophone Tenor
1
+ 29 instrumentations
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Cuivres
Trompette
11
Trombone
10
2 Trombones (duo)
4
Tuba
4
Trompette, Trombone (duo)
2
2 Trompettes (duo)
2
2 Tubas (duo)
2
Bass Clef Instruments
1
Cor
1
Euphonium
1
Cor Anglais
1
Trompette, Saxophone (duo)
1
+ 7 instrumentations
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Cordes
Violon
37
Violoncelle
21
Harpe
9
2 Violoncelles (duo)
9
Alto seul
7
Violon et Piano
5
Violoncelle, Piano
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
2 Violons (duo)
2
Violon (partie séparée)
2
Contrebasse, Piano (duo)
1
Contre Basse
1
2 Altos (duo)
1
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Violoncelle (duo)
1
+ 11 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
8
Orchestre d'harmonie
6
Orchestre de chambre
4
Marimba
2
Conga
1
Batterie
1
Bongos
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
First Exercises
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
String Quartet No. 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Anthony Bannach
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String Quartet No. 1
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Anthony Bannach Music
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.995180 Composed by Anthony Bannach. 20th Century,Contemporary. Score and parts. 76 pages. Ant...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.995180 Composed by Anthony Bannach. 20th Century,Contemporary. Score and parts. 76 pages. Anthony Bannach Music #4735689. Published by Anthony Bannach Music (A0.995180). My first string quartet draws a lot of inspiration from early 20th century composers, which perhaps might be my favorite era of classical music. I am oft inspired by the music from Stravinsky, Nielsen, and Debussy, among others. However, the composer to have the most influence on me for the past few years is Bartok, and I believe it is evident in this work as well. I loved Bartok's use of the tritone as a tonal center, the vast and frequent changes of tempo, and the multitude of textural colors and extended techniques in his works. Most of the extended techniques are found in the second movement, an example of which is the Bartok pizzacatto, which today is a commonly found and utilized articulation. But I also have some newer techniques such as aleotoric passages, originally created by composers such as Charles Ives and Henry Crowell and which saw more prominent usage through the likes of John Cage and Witold Lutosławski, are still quite new and fresh compositional tools. The third movement is much more song-like and tonal in nature than the first two movements, but really adapts Bartok's style of changing the tempo often to bridge different sections. Ultimately, I see the quartet as a microcosm of the music I want to continue writing in the future, not over-indulging in the intellectual exercises of mid-to-late 20th and 21st century classical music, while at the same time not relying on the tonal and emotional tropes of the past. .
$15.00
"Libiamo ne' lieti calici" for String Quartet+
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Giuseppe Verdi
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Ryuichi Horikoshi
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"Libiamo ne' lieti calici
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R1音楽ä¼ç”»å®¤
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1267126 Composed by Giuseppe Verdi. Arranged by Ryuichi Horikoshi. 19th Century. 17...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1267126 Composed by Giuseppe Verdi. Arranged by Ryuichi Horikoshi. 19th Century. 17 pages. R1音楽ä¼ç”»å®¤ #859762. Published by R1音楽ä¼ç”»å®¤ (A0.1267126). La Traviata Libiamo ne' lieti calici  (String Quartet version)Composed by Verdi / Arranged by Ryuichi HorikoshiScore, Set of Parts 17pages. Published by R1 Music Planning Office.Libiamo ne' lieti calici  is a song sung in the opera La Traviata.Alfredo, the main character, is asked to sing a song, and he declines at first, but at everyone's urging he prepares with a glass in his hand and sings with passion, then Violetta joins him for a duet, and then everyone joins him for a gorgeous song.I tried to reproduce this part with a quartet. The progression of the original music is followed, so it is possible for a singer to join the quartet. I think it is effective when played at weddings, parties, concerts, etc. to enliven the occasion.The entire piece is approximately 3 minutes long, but even shorter versions are possible.For example, if the piece ends with exercise number F, it can be shortened to almost half the length. It is also possible to skip from Exercises D to L and end on a high note.rehearsal markA/B/C/D/E/L.
$14.99
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First Exercises
