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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Five-four
Non classifié
250
Piano & claviers
Piano seul
90
Piano Facile
34
1 Piano, 4 mains
27
Piano, Voix
21
Piano, Voix et Guitare
20
Orgue
17
2 Pianos, 4 mains
15
Instruments en Do
4
Orgue, Piano (duo)
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano grosses notes
1
Piano (partie séparée)
1
+ 10 instrumentations
Retracter
Guitares
Guitare
19
Ukulele
13
Guitare notes et tablatures
7
4 Guitares (Quatuor)
4
Paroles et Accords
3
Ensemble de guitares
3
Ligne De Mélodie, (Paroles) et Accords
3
Dulcimer
3
Guitare (partie séparée)
2
Basse electrique
1
Banjo
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
55
Chorale 3 parties
8
Chorale SSAA
6
Chorale 2 parties
4
Chorale TTBB
4
Chorale Unison
2
Voix haute
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix Soprano, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone, Clarinette (duo)
12
Clarinette, Violon (duo)
9
2 Clarinettes (duo)
9
Clarinette, Trompette (duo)
8
Saxophone Soprano et Piano
8
2 Flûtes traversières (duo)
8
Saxophone Alto et Piano
8
Flûte traversière
8
Flûte traversière et Piano
7
Quatuor de Flûtes : 4 flûtes
7
Clarinette et Piano
7
Quatuor de Saxophones: 4 saxophones
7
Hautbois, Piano (duo)
7
Flûte, Clarinette (duo)
6
Ensemble de Clarinettes
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto
6
Clarinette et Alto
5
2 Hautbois (duo)
5
Flûte, Violon
5
Saxophone (partie séparée)
5
Flûte, Alto (duo)
5
Flûte, Trompette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Tenor et Piano
5
Flûte, Saxophone (duo)
4
Hautbois, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Clarinette
4
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Flûte
3
Flûte à bec Soprano
3
Flûte et Guitare
3
3 Flûtes à bec (trio)
3
Saxophone Tenor
3
Quintette de Flûte : 5 flûtes
2
Flûte à Bec
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
Instruments en Mib
1
Quintette de Saxophone: 5 saxophones
1
Clarinette (partie séparée)
1
Harmonica
1
2 Flûte à bec (duo)
1
Hautbois
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette
12
Trompette, Saxophone (duo)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone
7
Trombone et Piano
6
Quatuor de Cuivres
4
Tuba
4
Trompette, Trombone (duo)
4
Trompette, Piano
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
Euphonium
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
3
Cor anglais, Piano
2
Tuba et Piano
2
Cor
2
Trombone basse
2
Trompette (partie séparée)
2
3 Trombones (trio)
1
Bass Clef Instruments
1
Cor et Piano
1
2 Euphoniums (duo)
1
Cor, Trompette, Trombone (trio)
1
Cor et Harpe
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trompettes
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Instruments en Sib
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violon et Piano
13
Violon
11
Violoncelle, Piano
10
Alto, Piano
9
2 Altos (duo)
7
2 Harpes (duo)
7
Violon, Alto (duo)
6
Violoncelle
6
Harpe
4
2 Violons (duo)
4
Violon, Violoncelle (duo)
4
2 Violoncelles (duo)
3
4 Violoncelles
2
Alto seul
2
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
Contre Basse
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
59
Orchestre à Cordes
28
Orchestre
21
Cloches
15
Ensemble Jazz
10
Orchestre de chambre
8
Ensemble de cuivres
8
Ensemble d'École
5
Ensemble de Percussions
5
Marimba
2
Batterie (partie séparée)
1
Jazz combo
1
Fanfare
1
Orchestre, Violon
1
Vibraphone
1
Vibraphone et Marimba
1
Piano et Orchestre
1
+ 12 instrumentations
Retracter
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Crtitères actifs :
Five-four
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
26 partitions trouvées
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1
26
For Four in Five Four
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Martin Staub
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For Four in Five Four
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Martin Staub
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.939611 Composed by Martin Staub. Concert,Contemporary. Score and parts. 17 pages. Martin Staub #293124...
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String Quartet String Quartet - Level 4 - SKU: A0.939611 Composed by Martin Staub. Concert,Contemporary. Score and parts. 17 pages. Martin Staub #2931241. Published by Martin Staub (A0.939611). FOR FOUR IN FIVE FOUR is an original composition for string quartet in five four time. The score and all parts are included in the download. .
$2.99
Nine To Five
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Country
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Dolly Parton
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Alison Gillies
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Nine To Five
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quartetpad.com
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.512091 By Dolly Parton. Arranged by Alison Gillies. Country. Score and parts. 13 pages. Quartetpad.com...
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String Quartet String Quartet - Level 4 - SKU: A0.512091 By Dolly Parton. Arranged by Alison Gillies. Country. Score and parts. 13 pages. Quartetpad.com #3686521. Published by quartetpad.com (A0.512091). The song Nine to Five was written by Dolly Parton for the 1980 comedy film of the same name. It won Parton an academy award and four Grammy nominations. This arrangement for string quartet has all the fun of the original track and is ideal for wedding receptions and functions.
$16.99
The Five Elements (Wu Xing) (Rehearsal Track)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Stephen DeCesare
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The Five Elements
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Exultet Music
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SheetMusicPlus
Piano,Violin - SKU: A0.1052182 Composed by Stephen DeCesare. 20th Century,Contemporary,Instructional,Standards. Full Performance. Duration 167. Exultet ...
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Piano,Violin - SKU: A0.1052182 Composed by Stephen DeCesare. 20th Century,Contemporary,Instructional,Standards. Full Performance. Duration 167. Exultet Music #2958083. Published by Exultet Music (A0.1052182). Canon chamber piece scored for Four Violins and Piano. Accessible for all levels of playing and can be used in any concert setting. Video Review: https://www.youtube.com/watch?v=-W4LDLVwDFE
$3.99
Five Pieces by Cécile Chaminade
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Cécile Chaminade
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Stephen Levintow
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Five Pieces by Cécile C
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1423506 Composed by Cécile Chaminade (1857-1944). Arranged by Stephen Levintow. 19...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1423506 Composed by Cécile Chaminade (1857-1944). Arranged by Stephen Levintow. 19th Century,Romantic Period. 49 pages. Cypress Publishing #1004747. Published by Cypress Publishing (A0.1423506). The music of pianist-composer Cécile Chaminade (1857-1944) was highly popular in her lifetime, but mostly neglected afterward. It is fortunately now being rediscovered. Her character pieces, of which she wrote many, display charm and wit, with elegant French romantic sensibility. This set of arrangements for string quartet includes includes selected works composed between 1887 and 1910. It begins with two excerpts from her ballet suite Callirhoë for piano, Pas des Amphores and Pas des écharpes (Scarf Dance), followed by Idylle, from a set of 6 Romances sans Paroles. The next piece, Chanson Russe (Russian Song), if it isn’t based on an actual folksong, is a clever imitation. The set concludes with the gently uplifting Romance in D major. CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$10.00
String Quartet - William and Mary
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand
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String Quartet - William and M
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Michael M. Strand
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand ...
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String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
$7.00
String Quartet #1 (Yuki)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Ed Sharpe
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String Quartet #1
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Ed Sharpe
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1028516 Composed by Ed Sharpe. 20th Century,Contemporary. Score and parts. 35 pages. Ed Sharpe #355830...
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String Quartet String Quartet - Level 5 - SKU: A0.1028516 Composed by Ed Sharpe. 20th Century,Contemporary. Score and parts. 35 pages. Ed Sharpe #3558305. Published by Ed Sharpe (A0.1028516). This is a short five movement piece for string quartet. Each movement is only about one minute each. And each movement is one line of a tanka that I wrote about Snow (Yuki). I wrote the second movement first and all of the material in the other four movements appears in or is derived from the second movement. Given this, one can think of the first movement as a prelude with the second movement being the main movement. The fifth movement re-states the main motifs of the first four movements, combining them into one large polyphonic mass.Unable to sleep I listen throughout the night to the silent song of falling snow in my yard. With the soft dawn, satori.The first movement is built around the pentatonic scale F# G B C# D. (The Japanese Hirajoshi Scale; 平調�� )The second movement is built around the pentatonic scale C# D F# G# A.The third movement is built around the pentatonic scale D Eb G A Bb.The fourth movement is built around the pentatonic scale C Dd F G Ab, but does not strictly adhere to the scale in places.The fifth movement is built around the pentatonic scale C# D F# G# A, but does not strictly adhere to the scale in places
$7.95
Paul Wehage: Distant Strophes for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Paul Wehage
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Paul Wehage: Distant Strophes
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 12...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 122 pages. Musik Fabrik Music Publishing #3396151. Published by Musik Fabrik Music Publishing (A0.534374). 1. Remembering the sounding bellsII. Interrupted RicacaresIII. En croisant le diable boiteuxIV. ...L'inflexion des voix chères qui se sont tues. (Paul Verlaine)V. Appels et Invocations Distant Strophes for String Quartet is dedicated to the American Cellist Stephen Evans. The work is written in five movements and is based on a series of poetic images.The first movement, Remembering the Sounding Bells..., uses bell-like sonorities and tonal fragments whichare developed between the four instruments of the quartet The second movement Interrupted Ricacares beginswith a compact, accelerating atonal motif which alternates with contrapuntal passages which evoke motet and ricacare forms.En Croisant le Diable Boîteux (Upon meeting the limping Devil) takes its inspiration from the novel by Lesage. This movement is a lively bi-tonal scherzo in classical ABA form which exploits off-the-string bowings and doublestops. The fourth movement, ...L'inflexion des voix chères qui se sont tues (the sounding of dear voices which have been silence) is a line from Paul Verlaine’s : Mon rêve familier (Poèmes saturniens/ melancholia VI 1866). A slowly unfolding dirge-like theme is passed through the four instruments in an expressive lament. The final movement, Appels et invocations, is inspired by a strophe in Charles Baudelaire’s le Serpent qui Danse in Les Fleurs du Mal which speaks of preparing for a voyage, real orimagined, which is expressed here in the angular, robust theme in unison which opens the work.
$38.95
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99
Study on Beethoven
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Methodes Etudes
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes....
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String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
Feld-Partita in B-Flat
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Franz Joseph Haydn
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Stephen Levintow
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Feld-Partita in B-Flat
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1333807 Composed by Franz Joseph Haydn (1732-1809). Arranged by Stephen Levintow. Classical. 19 pages....
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String Quartet String Quartet - Level 3 - SKU: A0.1333807 Composed by Franz Joseph Haydn (1732-1809). Arranged by Stephen Levintow. Classical. 19 pages. Cypress Publishing #920085. Published by Cypress Publishing (A0.1333807). This is perhaps the finest example of Haydn's late divertimento style. The stately, five-bar phrases of the second movement, St. Anthony Chorale were used by Brahms for his Variations on a Theme of Haydn.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$5.00
Auld Lang Syne - Arranged for String Quartet by Hugh Levey
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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Hugh Levey
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Auld Lang Syne - Arranged for
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woodwindly.com
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.937309 Composed by Traditional (Robert Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Tradi...
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String Quartet String Quartet - Level 3 - SKU: A0.937309 Composed by Traditional (Robert Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Traditional,Wedding. Score and parts. 13 pages. Woodwindly.com #6701333. Published by woodwindly.com (A0.937309). String Quartet (2 Violins, Viola, 'Cello) Since Robert Burns wrote the words of Auld Lang Syne in 1788, it has become a standard feature of New Year celebrations, Burns nights, and the closing stages of almost every ceilidh dance and wedding in Burns’ native Scotland. Duration - 1’ 48 for 2 verses. Approximately 5’ for all five versesThis string quartet arrangement is by Scottish musician and arranger, Hugh Levey. It is in a suitable key for playing as a short recital piece or to accompany community or solo singing. For most occasions the arranger suggests playing it without any repeats, so that 2 differently arranged verses are performed. This works for a recital piece or as accompaniment to how it is typically sung. In Scotland it would be verses 1 and 5, in other parts of the world verse 1 is often sung twice. The work opens with ‘bagpipe’ drones played by the viola and cello, which accompany a short introduction by violin 1. This is followed by violins 1 and 2 playing the first verse and chorus, still accompanied by the bagpipe drones. The final verse and chorus are written in four part harmony to give a majestic ending to the piece.
$9.50
NICO (2019) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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NICO
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.869604 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romant...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.869604 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 42 pages. Thomas Oboe Lee #4725449. Published by Thomas Oboe Lee (A0.869604). I met members of the Nico Quartet (Minami Yoshida, Alison Kim, Chih-Ta Chen and Deok Yong Kim) when I hired them to be part of the instrumental ensemble for a recording session of my Missa Pro Defunctis in the Eben Jordan Studio at the New England Conservatory of Music in the spring of 2019.On a later occasion that spring I heard their cellist Deok Jong Kim as the soloist in the Shostakovich Cello Concerto wit the NEC Philharmonic in Jordan Hal. I was blown away by her impeccable and lyrical performance.A month later I saw the Nico Quartet in a Jordan Hall recital as one of the Honors Ensembles at NEC 2019. This time I was blown away by all four members of the group.Right there and then I decided that I should write a string quartet for them. This is my 13th string quartet. Three more and I will catch to Beethoven. LOL!!!NICO is in five movements.1. Largo2. Presto with a TRIO3. Adagio4. Vivace5. LargoEnjoy!!! Audio link: https://thomasoboelee.bandcamp.com/album/nico-2019-for-string-quartetVideo link: https://youtu.be/i49BXY865zM
$9.99
Pq2 ... (2014) for piano and string quartet, violin 1 part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50809. Published by Thomas Oboe Lee (A0.869305). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Danny Boy (Londonderry Air), for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Trad
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Nigel Williams
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Danny Boy
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Nigel Williams
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.763265 Composed by Trad. Irish. Arranged by Nigel Williams. Celtic,Holiday,Irish,Le...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.763265 Composed by Trad. Irish. Arranged by Nigel Williams. Celtic,Holiday,Irish,Lent. 10 pages. Nigel Williams #3430077. Published by Nigel Williams (A0.763265). A new and fresh arrangement of this most popular Irish tune, 'Danny Boy' (Londonderry Air). This tune is also sung to the Gospel hymn He Looked Beyond My Faults. Starting in the viola part, the melody moves through the quartet allowing each player an opportunity to lead. While some slurring and phrasing is included, take care to be consistent with phrasing the melody and pay close attention to the dynamic markings. The three complete statements of the melody take the arrangement through three tonal areas and allow each player full command of their instrument's range. Aimed at the advanced intermediate level (grade 6 ABRSM), this arrangement is approximately four minutes in duration and is ideal repertoire for high school and college recitals and competitions. Full score runs to five pages, separate parts included. See also my string quartet arrangement of Be Thou My Vision on SMP.
$9.99
Pq2 ... (2014) for piano and string quartet, viola part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Pq2 ... (2014) for piano and string quartet, cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50815. Published by Thomas Oboe Lee (A0.869304). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Vente Pa' Ca
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Ricky Martin Featuring Maluma
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Musikeo
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Vente Pa' Ca
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Musikeo
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1237599 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1237599 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, Juan Luis Londono Arias, Justin Stein, Lars Pedersen, Mauricio Reglero Rodriguez, Nermin Harambasic, Ricardo Andres Reglero, and Ronny Svendsen. Arranged by Musikeo. Contemporary,Disco,Latin,Multicultural,Pop,World. 8 pages. Musikeo #833115. Published by Musikeo (A0.1237599). Vente Pa' Ca (transl. Come Over Here) is a song recorded by Puerto Rican singer Ricky Martin, featuring a guest appearance from Colombian singer Maluma. It was written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen, while the production was handled by Alexander Castillo. The song was released for digital download and streaming as a single by Sony Music Latin on September 23, 2016. A Spanish language reggaeton and pop song, it contains various sexual innuendos. The song received widely positive reviews from music critics, who complimented its danceable rhythm and fusion of genres. It was ranked as one of the best Latin songs of the year by multiple publications, including The Guardian.The song was nominated for the awards of Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. Vente Pa' Ca was one of the most commercially successful Spanish-language songs of 2016, reaching number one in seven countries, including Argentina and Mexico, as well as the top five in Spain and on the Billboard Hot Latin Songs chart in the United States. It also reached the summit of the Billboard Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. Additionally, it was ranked among the top 10 best performing songs of 2017 in six Latin American countries. The song has received several certifications, including quadruple platinum in Spain.An accompanying music video, released simultaneously with the song, was directed by Jessy Terrero and filmed at the SLS South Beach Hotel in Miami Beach, Florida. It depicts several parties in different locations in the hotel and has received over 1.8 billion views on YouTube. To promote Vente Pa' Ca, Martin and Maluma performed it on several television programs and award shows, including both the Premio Lo Nuestro and the Premios Juventud in 2017. Multiple contestants on various music talent shows have covered the song, including Patricia Manterola and Mà xim Huerta. Several remixes and other versions have accompanied the song, such as English versions featuring Delta Goodrem, and Wendy of Red Velvet. The latter reached number one on Melon's international music chart.Musically, Vente Pa' Ca is a Spanish language upbeat reggaeton and pop song, written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen. Its production was handled by Alexander Castillo, and the song features elements of vallenato and Latin music. The track runs for a total of 4 minutes and 19 seconds, and Billboard described it as a party track set over a sultry reggaetón beat.Lyrically, Vente Pa' Ca which translates to Come Here in English, contains various sexual innuendos, with lyrics including, Si tú quieres nos bañamos / Si tú quieres nos soplamos / Pa secarnos lo mojao / Si tu boca quiere beso / Y tu cuerpo quiere de eso / Arreglamos (If you want we can swim / If you want we can dry ourselves / If your mouth wants a kiss / And your body wants that / Then we can manage).Vente Pa' Ca was one of the biggest Spanish-language songs of 2016. The song debuted at number four on the US Billboard Hot Latin Songs chart on October 15, 2016, with a first-week tally of 5,000 downloads sold, 1.1 million streams, and 14 million radio impressions.
$12.99
Shallow
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Lady Gaga
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Inacio Saldanha
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Shallow
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Inacio Saldanha
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SheetMusicPlus
String Quartet String Quartet,Viola - Level 4 - SKU: A0.798072 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. A...
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String Quartet String Quartet,Viola - Level 4 - SKU: A0.798072 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Inacio Saldanha. Pop. Score and parts. 14 pages. Inacio Saldanha #4350551. Published by Inacio Saldanha (A0.798072). Shallow is a song performed by American singer-songwriter Lady Gaga and American actor and filmaker Bradley Cooper. It was released on September 27, 2018, by Interscope Records as the lead single from the soundtrack for the 2018 film, A Star Is Born (2018). Shallow was written by Gaga with Andrew Wyatt, Anthony Rossomando and Mark Ronson, and produced by Gaga with Benjamin Rice. It is heard three times in the film, most prominently during a sequence when Cooper's character Jackson Maine invites Gaga's character Ally to perform it onstage with him. The scene was filmed in front of a live audience at the Greek Theater in Los Angeles.Shallow is a pivotal moment in A Star Is Born, since it speaks about Ally and Jackson's conversations. Gaga wrote it from Ally's point-of-view with the self-aware lyrics asking each other if they are content being who they are. A country and folk pop power ballad, Shallow finds Gaga and Cooper trading verses and gradually moves toward the final chorus with a vocal run by Gaga. The recording is interspersed with the sound of audience noise and applause. Gaga premiered it on DJ Zane Lowe's Beats 1 radio show while giving an interview about the film. An accompanying music video was also released, showing Gaga and Cooper singing Shallow onstage, interspersed with scenes from A Star Is Born.The track received positive reviews from music critics who praised Gaga's vocals, the dramatic nature of the composition and the songwriting, while feeling it worthy of award nominations. Commercially, the song topped the record charts in more than a dozen countries, including the US Billboard Hot 100, and reached the top five in many other nations. It received numerous accolades, including the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, the Critics' Choice Movie Award for Best Song, as well as four Grammy Award nominations, including Record of the Year and Song of the Year while winning Best Pop Duo/Group Performance and Best Song Written for Visual Media. The song was performed live at the 61st Annual Grammy Awards, the 91st Academy Awards, and serves as the encore to Gaga's Las Vegas residency show, Enigma. (Wikipedia).Arranged for Viola Quartet. Key of E minor. Advanced Intermediate. Audio file made from midi engine
$14.99
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Nar Echki
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Sotiri, Miltiade A
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Nick M Lacanski
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Nar Echki
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theupperstaff
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1145004 Composed by Sotiri, Miltiade A. Arranged by Nick M Lacanski. Romantic Perio...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1145004 Composed by Sotiri, Miltiade A. Arranged by Nick M Lacanski. Romantic Period. Score and parts. 16 pages. Theupperstaff #745321. Published by theupperstaff (A0.1145004). Nar Echki is the first waltz in a set of five for piano titled Ismailieh. Sotiri, as best as we can tell, was an Egyptian that lived a very short life (fourteen years) during the romantic period. Thank you for looking.
$7.99
Rock at Beaver Creek
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jim Bosse
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Rock at Beaver Creek
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Jim Bosse
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.955013 Composed by Jim Bosse. Concert,Contemporary. Score and parts. 16 pages. Jim Bosse #4594721. Pub...
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String Quartet String Quartet - Level 3 - SKU: A0.955013 Composed by Jim Bosse. Concert,Contemporary. Score and parts. 16 pages. Jim Bosse #4594721. Published by Jim Bosse (A0.955013). This is the fourth movement of Temple Canyon Suite, a set of five pieces originally scored for classical guitar. The pieces were inspired by beautiful locations in the mountains of Colorado. Performance time for this piece is 2 minutes. Performance demand is in the intermediate level. All five pieces, performed on guitar by Jim, may be viewed by logging on to YouTube and searching jimbosseguitar. Jim's website is www.facebook.com/jimbosseguitar .
$2.99
"V5 - Quintet for Vibraphone and String Quartet" (1995) [Full Score]
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Lior Navok
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"V5 - Quintet for Vibraph
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Lior Navok Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.976029 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 28 pages. Lior Navok Music ...
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String Quartet String Quartet - Level 5 - SKU: A0.976029 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 28 pages. Lior Navok Music #4717905. Published by Lior Navok Music (A0.976029). V5 - QUINTET FOR VIBRAPHONE AND STRING QUARTET [Full Score](1995) DURATION: 17 minutes INSTRUMENTATION: Vibraphone and String Quartet (2 violins, viola and cello) PROGRAM NOTES: The composer writes about his work: The sound of Vibraphone combined with the string quartet is not very common. The mellow strings meet the vibraphone to create a cloudy, hunting atmosphere. The quintet is in five movements made out of two main themes that wear different look for each movement. For most of the time, the piece is dreamy and cloudy. Yet, as in the second and fourth movements, it also has an energetic and humorous side. INFO: Item:Full Score Format:Hard Copy Edition: 2nd Edition Copyright: Lior Navok Publisher:Lior Navok Music Pages: 28 Ink:Black & White Paper Size:DIN A4 / Letter.
$22.00
"V5 - Quintet for Vibraphone and String Quartet [Set of Parts]
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Lior Navok
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White
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"V5 - Quintet for Vibraph
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Lior Navok Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.976028 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 65 pages. Lior Navok Music ...
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String Quartet String Quartet - Level 5 - SKU: A0.976028 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 65 pages. Lior Navok Music #4717909. Published by Lior Navok Music (A0.976028). V5 - QUINTET FOR VIBRAPHONE AND STRING QUARTET [Set of Parts](1995) DURATION: 17 minutes INSTRUMENTATION: Vibraphone and String Quartet (2 violins, viola and cello) PROGRAM NOTES: The composer writes about his work: The sound of Vibraphone combined with the string quartet is not very common. The mellow strings meet the vibraphone to create a cloudy, hunting atmosphere. The quintet is in five movements made out of two main themes that wear different look for each movement. For most of the time, the piece is dreamy and cloudy. Yet, as in the second and fourth movements, it also has an energetic and humorous side. INFO: Item:Full Score Format:Hard Copy Edition: 2nd Edition Copyright: Lior Navok Publisher:Lior Navok Music Pages: 63 Ink:Black & White Paper Size:DIN A4 / Letter.
$36.00
String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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GLENN C
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String Quartet
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GLENN C JONES
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.612849 Composed by GLENN C. JONES. 20th Century,Classical. Score and parts. 107 pag...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.612849 Composed by GLENN C. JONES. 20th Century,Classical. Score and parts. 107 pages. GLENN C JONES #222045. Published by GLENN C JONES (A0.612849). This is a five movement work for string quartet. It is intended for Advanced Intermediate or Advanced players. Parts are included. The first, second, and fifth movements are written without key signature and are based loosely on 12-tone rows. The third and fourth movements are in traditional keys. The performance time for the work is approximately 30-35 minutes.
$39.99
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