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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For This Reason
Non classifié
415
Piano & claviers
Orgue
1 535
Piano grosses notes
990
Piano seul
230
Piano Facile
128
Piano, Voix
117
Clavier
59
Piano, Voix et Guitare
58
Instruments en Do
20
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Piano (partie séparée)
2
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Guitare
33
Ligne De Mélodie, (Paroles) et Accords
16
Ukulele
5
Basse electrique
4
2 Guitares (duo)
3
Ensemble de guitares
2
Mandoline, Piano (duo)
1
Banjo
1
Guitare (partie séparée)
1
Guitare, Orchestre
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
104
Chorale 2 parties
63
Chorale 3 parties
24
Voix seule
13
Chorale Unison
11
Voix duo
10
Chorale TTBB
8
Chorale SSAA
5
Voix duo, Piano
3
Voix haute
3
Chorale SSAATTBB
2
Voix basse, Piano
2
Voix moyenne, Piano
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Voix Soprano, Piano
1
+ 11 instrumentations
Retracter
Vents
Saxophone Alto et Piano
30
Saxophone (partie séparée)
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone Alto
24
Flûte traversière et Piano
23
Saxophone Soprano et Piano
23
Flûte, Hautbois, Clarinette, Basson
19
Clarinette et Piano
19
Clarinette
18
Saxophone Tenor et Piano
17
Flûte traversière
17
Quatuor de Saxophones: 4 saxophones
17
Saxophone Tenor
15
Hautbois, Piano (duo)
15
Saxophone Baryton, Piano
14
Quatuor de Clarinettes: 4 clarinettes
13
Cor anglais, Piano
10
Quintette de Saxophone: 5 saxophones
8
Hautbois (partie séparée)
8
2 Saxophones (duo)
7
Quatuor de Flûtes : 4 flûtes
6
2 Flûtes traversières (duo)
5
Saxophone Soprano
5
2 Clarinettes (duo)
4
Flûte et Guitare
4
Flute (partie séparée)
3
Ensemble de Flûtes
3
Clarinette Basse, Piano
3
Clarinette, Trompette (duo)
2
Flûte, Clarinette (duo)
2
Flûte à bec Tenor
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Flûte, Violon, Piano
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
3 Saxophones (trio)
2
2 Clarinettes, Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Basson (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, violon (duo)
1
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
2 Hautbois (duo)
1
Flûte, Alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Alto et Piano
1
Flûte, Violon
1
Clarinette, Basson (duo)
1
Clarinette et Alto
1
Flûte à bec Soprano
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Clarinette (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette (duo)
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
18
Trombone et Piano
18
Trombone
15
Trombone (partie séparée)
12
Cor et Piano
12
Cor anglais, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette (partie séparée)
9
Trompette, Piano
9
Cor
8
Tuba
6
Euphonium, Piano (duo)
6
Quatuor de Cuivres
6
Tuba et Piano
5
2 Trompettes (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium
3
Cor (partie séparée)
2
2 Trombones (duo)
2
Tuba (partie séparée)
2
Ensemble de Trombones
1
Trombone basse
1
Trompette, Saxophone (duo)
1
3 Cors (trio)
1
Trompette, Trombone (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon et Piano
25
Violoncelle, Piano
18
Alto, Piano
18
Violon
15
Violoncelle
12
Alto seul
11
Violon, Violoncelle (duo)
8
Alto (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse, Piano (duo)
5
Contre Basse
4
Violon, Alto (duo)
4
Harpe
4
Contrebasse (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Trio à cordes: 3 altos
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
Violon (partie séparée)
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Violoncelles (duo)
1
Violon, Trompette et Piano
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Ensemble Jazz
36
Orchestre à Cordes
31
Orchestre
13
Ensemble de cuivres
13
Batterie
12
Orchestre de chambre
12
Fanfare
4
Cloches
4
Jazz combo
3
Batterie (partie séparée)
1
Orchestre, Violon
1
Ensemble de Percussions
1
Percussion (partie séparée)
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Vous avez sélectionné:
For This Reason
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
62 partitions trouvées
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Energy String Quartet - for String Quartet [Score and Parts]
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Marcelo Onetta Fermiano
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Energy String Quartet - for St
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Marcelo Onetta Fermiano
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.861740 Composed by Marcelo Onetta Fermiano. Concert,Contemporary,Holiday,World. Sco...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.861740 Composed by Marcelo Onetta Fermiano. Concert,Contemporary,Holiday,World. Score and parts. 22 pages. Marcelo Onetta Fermiano #5303675. Published by Marcelo Onetta Fermiano (A0.861740). FEATURES: Tonal - Loop - Pop - String Quartet -Instrumental with Melodies - D Major Contemporary Music (2020):This is a tonal composition that is influenced by international pop music. Written for String Quartet, an ensemble very appreciated by the composer. The melodies are accompanied by rhythmic elements full of energy, for this reason entitled Energy String Quartet. Viola and Cello play an important role in leading the rhythm. Energy String Quartet is mostly composed on a looped harmony.File type: PDFKey: D Total Pages: 22 (Score and Parts)**{Score: 10 pages}**{Violin I: 2 pages}**{Violin II: 2 pages}**{Viola: 2 pages}**{Violoncello: 2 pages}Parts: Violin I - Violin II - Viola - Violoncello.
$29.90
You Are The Reason
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
#
Calum Scott
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Rodrigo Faleiros
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You Are The Reason
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Rodrigo Faleiros
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1295880 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1295880 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamber,Pop,Singer/Songwriter,Wedding. 7 pages. Rodrigo Faleiros #886095. Published by Rodrigo Faleiros (A0.1295880). Experience the enchanting magic of 'You Are The Reason' by Calum Scott in a beautifully crafted string quartet arrangement, designed to add a touch of elegance and heartfelt emotion to your special moments. This arrangement offers a seamless blend of classical sophistication and contemporary romance, making it perfect for wedding ceremonies, engagement parties, or any intimate gathering where love takes center stage. The strings' harmonious melodies and gentle crescendos capture the essence of love's enduring power, creating a memorable soundtrack for your most cherished memories. Elevate your event with this exquisite musical choice that resonates with the heart and soul.Check out every other arrangement I've made for this and numerous other songs clicking here.
$12.99
You Are The Reason
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Calum Scott
#
Rodrigo Faleiros
#
You Are The Reason
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1295881 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1295881 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamber,Pop,Singer/Songwriter,Wedding. 7 pages. Rodrigo Faleiros #886097. Published by Rodrigo Faleiros (A0.1295881). Experience the enchanting magic of 'You Are The Reason' by Calum Scott in a beautifully crafted string quartet arrangement, designed to add a touch of elegance and heartfelt emotion to your special moments. This arrangement offers a seamless blend of classical sophistication and contemporary romance, making it perfect for wedding ceremonies, engagement parties, or any intimate gathering where love takes center stage. The strings' harmonious melodies and gentle crescendos capture the essence of love's enduring power, creating a memorable soundtrack for your most cherished memories. Elevate your event with this exquisite musical choice that resonates with the heart and soul.Check out every other arrangement I've made for this and numerous other songs clicking here.
$12.99
You Are The Reason
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Calum Scott
#
Rodrigo Faleiros
#
You Are The Reason
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - SKU: A0.1295883 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arran...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - SKU: A0.1295883 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamber,Pop,Singer/Songwriter,Wedding. 9 pages. Rodrigo Faleiros #886099. Published by Rodrigo Faleiros (A0.1295883). Experience the enchanting magic of 'You Are The Reason' by Calum Scott in a beautifully crafted string quartet arrangement followed by a piano accompaniment, designed to add a touch of elegance and heartfelt emotion to your special moments. This arrangement offers a seamless blend of classical sophistication and contemporary romance, making it perfect for wedding ceremonies, engagement parties, or any intimate gathering where love takes center stage. The strings' harmonious melodies and gentle crescendos capture the essence of love's enduring power, creating a memorable soundtrack for your most cherished memories. Elevate your event with this exquisite musical choice that resonates with the heart and soul.Check out every other arrangement I've made for this and numerous other songs clicking here.
$15.99
You Are The Reason
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Calum Scott
#
Rodrigo Faleiros
#
You Are The Reason
#
Rodrigo Faleiros
#
SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - SKU: A0.1295882 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arran...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - SKU: A0.1295882 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamber,Pop,Singer/Songwriter,Wedding. 9 pages. Rodrigo Faleiros #886098. Published by Rodrigo Faleiros (A0.1295882). Experience the enchanting magic of 'You Are The Reason' by Calum Scott in a beautifully crafted string quartet arrangement followed by a piano accompaniment, designed to add a touch of elegance and heartfelt emotion to your special moments. This arrangement offers a seamless blend of classical sophistication and contemporary romance, making it perfect for wedding ceremonies, engagement parties, or any intimate gathering where love takes center stage. The strings' harmonious melodies and gentle crescendos capture the essence of love's enduring power, creating a memorable soundtrack for your most cherished memories. Elevate your event with this exquisite musical choice that resonates with the heart and soul.Check out every other arrangement I've made for this and numerous other songs clicking here.
$15.99
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early...
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String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 8 pages. Jmsgu3 #887726. Published by jmsgu3 (A0.1297751). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 3 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886848. Published by jmsgu3 (A0.1296695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 4 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #887319. Published by jmsgu3 (A0.1297245). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 9 pages. Jmsgu3 #887626. Published by jmsgu3 (A0.1297625). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 20 pages. Jmsgu3 #886461. Published by jmsgu3 (A0.1296216). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 29 pages. Jmsgu3 #885988. Published by jmsgu3 (A0.1295690). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 3 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #886850. Published by jmsgu3 (A0.1296687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 4 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 31 pages. Jmsgu3 #887551. Published by jmsgu3 (A0.1297509). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Six Echo Fantasias Complete for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Instructional. 60 pages. Jmsgu3 #887918. Published by jmsgu3 (A0.1298017). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$74.95
Sweelinck: Six Echo Fantasias Complete for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 131 pages. Jmsgu3 #887920. Published by jmsgu3 (A0.1298019). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$86.85
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
$24.95
Once in Royal David's City for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Cecil Frances Alexander
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James M
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Once in Royal David's City for
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1502478 Composed by Cecil Frances Alexander. Arranged by James M. Guthrie. 19th Cen...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1502478 Composed by Cecil Frances Alexander. Arranged by James M. Guthrie. 19th Century,Chamber,Christmas,Historic,Traditional. 16 pages. Jmsgu3 #1078262. Published by jmsgu3 (A0.1502478). Once in Royal David's City is an essential and beloved Christmas carol for several reasons:Historical significance: The hymn was written in 1848 by Cecil Frances Alexander as part of a collection called Hymns for Little Children. The traditional opening of a famous service: Since 1919, this carol has been prominent as the opening processional hymn for the Festival of Nine Lessons and Carols, held on Christmas Eve at King's College Chapel, Cambridge. The BBC World Service and American Public Media broadcast this service worldwide, giving the hymn global exposure.Unique performance tradition: At King's College, the first verse is traditionally sung as a solo by a boy chorister, chosen by the choirmaster just moments before the service begins. This adds an element of anticipation and showcases young talent.Theological content: The hymn tells the story of Christ's birth and childhood, emphasizing His divinity and humanity. It connects the nativity story to broader Christian theology, making it both a narrative and a teaching tool.Musical qualities: The tune IRBY, composed by Henry John Gauntlett, is widely regarded as beautiful and memorable. Despite its relative simplicity, it has been praised for its intimate scale and inspired melody.Widespread use: Beyond its famous use at King's College, the hymn has become popular in churches of various denominations worldwide, especially during Christmas services.Cultural impact: The hymn has become deeply associated with Christmas in many English-speaking countries, evoking nostalgia and religious sentiment for many listeners. In essence, Once in Royal David's City is essential not just for its content but for its role in Christmas traditions, its educational value, and its ability to connect people to the holiday's religious aspects through music.
$34.95
"Pathos" (2010), for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ioannis Papaspyrou
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"Pathos"
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Ioannis Papaspyrou
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1006850 Composed by Ioannis Papaspyrou. 20th Century,Folk,World. Score and parts. 30 pages. Ioannis Papaspyrou #...
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String Quartet String Quartet - SKU: A0.1006850 Composed by Ioannis Papaspyrou. 20th Century,Folk,World. Score and parts. 30 pages. Ioannis Papaspyrou #2612637. Published by Ioannis Papaspyrou (A0.1006850). Pathos (2010) – Program Notes Pathos was the second string quartet I had written by that time. It was completed during the Christmas break of 2010, during the last year of my undergraduate composition studies at Georgia State University. It is a single movement piece, and the reason for this was that I needed, and I finally did, completed three small scale compositions in order to complete and secure my undergraduate composition recital. Moreover, Pathos belongs to a group of dark pieces in character; filled with melancholy and negative thoughts. It’s energetic sections express the persistency I have as a person to manage to overcome difficulties, however, on the other hand, it contains sections of collapsing sorrow and deep pain. Ioannis Papaspyrou, 12.2010
$9.99
Patapan for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional French
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James M
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Patapan for String Quartet
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Chris...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 18 pages. Jmsgu3 #1078752. Published by jmsgu3 (A0.1503264). Patapan is a significant French Christmas carol with a rich history and cultural importance. Here are some critical aspects of its significance:Historical ImportancePatapan is an old French carol that dates back to at least 1701. Its longevity demonstrates its enduring appeal and cultural relevance over the centuries.Musical CharacteristicsThe carol is known for its lively and rhythmic nature, which sets it apart from many other Christmas songs. Its distinctive pat-a-pan rhythm, which imitates the sound of a drum, has made it memorable and popular.Cultural InfluencePatapan has had a significant influence on other Christmas music:It may have inspired the more famous carol The Little Drummer Boy. While this connection is debated, the similarities in theme and rhythm are notable.Various artists and composers have adapted and reinterpreted the carol's rhythm, demonstrating its versatility and lasting appeal.Lyrical SignificanceThe lyrics of Patapan are noteworthy for several reasons: They feature characters Guillô and Robin, which are common in old French carols.The carol celebrates the act of caroling itself, making it a meta-commentary on the Christmas music tradition. It incorporates themes of reconciliation between God and humanity, reflecting important Christian theological concepts.Musical EducationPatapan is often used in music education and performances: Its simple rhythm makes it accessible for children to learn and perform.The carol is frequently arranged for various vocal and instrumental ensembles, as evidenced by its availability through multiple music publishers.In conclusion, Patapan is important not only as a beloved Christmas carol but also as a piece of cultural heritage that has influenced other music, reflected theological ideas, and continued to be performed and adapted for over three centuries.
$34.95
4 Character Dances for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Tilly Lockwood
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4 Character Dances for String
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Surrey Dance Music
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SheetMusicPlus
String Quartet - Intermediate - Composed by Tilly Lockwood. Contemporary Classical, Repertoire, General Instructional, Children's Music, Recita...
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String Quartet - Intermediate - Composed by Tilly Lockwood. Contemporary Classical, Repertoire, General Instructional, Children's Music, Recital. Score, Set of Parts. 33 pages. Published by Surrey Dance Music
A collection of four fun characterful sketches arranged for string quartet. I?ve left the melody mostly in the hands of the first, and all four will benefit from ?playing together? skills, adding character with rubato and being aware of what each player is doing. For this reason, as well as the height to which the first reaches, I've graded it as intermediate. I?ve also added a few bow markings for guidance.
$14.95
You Are The Reason
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Calum Scott
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Dan Sanchez
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You Are The Reason
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Dan Sanchez
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.799141 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Dan Sanchez. Pop. S...
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String Quartet String Quartet - Level 3 - SKU: A0.799141 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Dan Sanchez. Pop. Score and parts. 18 pages. Dan Sanchez #6092207. Published by Dan Sanchez (A0.799141). This rendition of Calum Scott’s You Are The Reason for string quartet can also be performed with a string trio, since the 2nd violin part is optional. This song has really nice melody, and the inner voices have nice supporting harmonies.One thing that sets my arrangements apart from others is that I fit all of my parts on no more than 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
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