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Vous avez sélectionné:
Forefront
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
4 partitions trouvées
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Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
Swallowed
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Bush
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Kent Heberling
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Swallowed
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Kent Heberling
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.951370 By Bush. By Gavin Rossdale. Arranged by Kent Heberling. Contemporary. Score and parts. 16 pages...
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String Quartet String Quartet - Level 3 - SKU: A0.951370 By Bush. By Gavin Rossdale. Arranged by Kent Heberling. Contemporary. Score and parts. 16 pages. Kent Heberling #4840209. Published by Kent Heberling (A0.951370). This late-90s radio gem from Bush has been arranged for string quartet, where start-stop songwriting and intriguing harmonies come more to the forefront than they even do in the original!
$12.99
I Love Rock 'n Roll
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Joan Jett And The Blackhearts
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Jeff Tincher
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I Love Rock 'n Roll
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.585323 By Joan Jett And The Blackhearts. By Alan Merrill and Jake Hooker. Arranged ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.585323 By Joan Jett And The Blackhearts. By Alan Merrill and Jake Hooker. Arranged by Jeff Tincher. Contemporary. Score and parts. 15 pages. Jeff Tincher #6235479. Published by Jeff Tincher (A0.585323). This song brought Joan Jett And The Blackhearts in the rock and roll forefront. Title cut, in the original key, is still played a lot on classical rock radio stations. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
2112
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Alex Lifeson, Geddy Lee, Geddy
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Jeff Tincher
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2112
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.585688 Composed by Alex Lifeson, Geddy Lee, Geddy Lee Weinrib, and Neil Peart. Arra...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.585688 Composed by Alex Lifeson, Geddy Lee, Geddy Lee Weinrib, and Neil Peart. Arranged by Jeff Tincher. Contemporary. Score and parts. 92 pages. Jeff Tincher #6358229. Published by Jeff Tincher (A0.585688). This is the complete, full length version of the epic song that put Rush in the forefront of Prog Rock and began the Math Rock genre. In the original key from their 211 LP, this arrangement includes all the guitar solos, the lyrics, and the story of 2112. Duration = 21:03. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$20.99
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