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Vous avez sélectionné:
From My First Moment
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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String Quartet #3 - A Year in the Life
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1460359 Composed by Greg Woodward. 21st Century,Chamber,Classical. 54 pages. Greg Woodward #1039292. Published by Greg Woodward (A0.1460359). My third string quartet is a playful and melodic work, encompassing a wide range of styles and moods with a high degree of thematic unity. The joyful, dance-like character of the opening eventually disintegrates into a moment of sorrow, before a pensive, introspective section with elements of Herrmann and Shostakovich. A grand crescendo leads to a huge A major chord (a reference to the Beatles' A Day In The Life) that gradually becomes more dissonant as it progresses underneath a constant high A pedal point in the first violin. A chant-like section featuring open fifths follows, before a driving, angular section in 5/4. This recurs a few times interspersed with some musical episodes before ushering in a majestic transformation of the earlier chant-like section. After this runs its course and dies out, a final section revisits the dance-like energy of the first section which borrows thematic material from all through the piece before speeding into a final jazzy major sixth pizzacato chord.This would make a good concert piece.Visit my YouTube page for more performances, arrangements and compositions.
$55.00
50.85 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Greg Woodward
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String Quartet #3 - A Year in the Life
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Greg Woodward
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SheetMusicPlus
A Nightingale Sang In Berkeley Square
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.797835 By Manhattan Transfer. By Manning Sherwin. Arranged by Derek Hasted. Contemporary,Jazz. Score and parts. 16 pages. Derek Hasted #6527107. Published by Derek Hasted (A0.797835). A NIGHTINGALE SANG IN BERKELEY SQUARE - STRING QUARTET/STRING ENSEMBLEDerek Hasted writes I first arranged this lovely tune for The Hampshire Guitar Orchestra, and my arrangement here produces the same big sound from an intermediate/early intermediate string quartet, but using the quartet’s sustain to make the piece really sing. School teachers will find this is an ideal piece for an end of semester concert, and adult quartets will find it makes a restful and easy-to-play interlude piece in a full-length concert. Being so well-known, this will be an audience pleaser! The key changes in the original are really sublime and enjoyable, and the lush string quartet sound makes the journey to new keys a scenic ride.Like many of my arrangements, this is meant to be accessible and fun, otherwise the music gets lost in a sea of technical worries. This uses familiar keys and positions to lock together quickly and reliably.There’s no fingering or dynamics on this score - this is your chance to make it yours! - the tune stays with Violin 1, but there are plenty of spots in the other parts which are this is my moment places - just do what makes the music sing.I hope you enjoy playing this piece!
$12.99
12.01 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Manhattan Transfer
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Derek Hasted
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A Nightingale Sang In Berkeley Square
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Derek Hasted
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SheetMusicPlus
String Quartet No.2
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987079 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99
18.48 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
Kissing You
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.749203 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.749203 Composed by Des'ree Weekes and Tim Attack. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 17 pages. Helen Marple-Horvat #3548391. Published by Helen Marple-Horvat (A0.749203). ‘Kissing You’ was written for the 1996 film Romeo and Juliet by Des’ree Weekes and Tim Atack, with the gorgeous string arrangements by Craig Armstrong. It is a much loved song, very well received by the critics and public alike, and hugely popular at weddings. As well as this arrangement for singer and string quartet/string orchestra, I also have an arrangement for string quartet without the singer, where the first violinist has the vocal line. The Quartet version can be found on my 'Skinny Black Dogs' Youtube Channel by typing in 'Romeo and Juliet, Kissing You.' The string parts in this version are almost identical to the quartet version but require fewer moments of double stopping as the singer carries the tune. The parts are not difficult to play, and the key is easy for strings. My bowing is just a guide, and less experienced players can easily change the bow more often. There is a tricky part for cello at Bar 28, but with a little help from a good teacher, I’m sure that it is not impossible. The cellist in my recording plays it very lightly, and it could also be done in thumb position, played an octave lower, or simplified. It is important to stick to a strict tempo so that the singer can pull against the barline. Take a look at my Quartet version on Youtube, but bear in mind that this one is a lot easier for the first violin.
$20.00
18.49 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Des'ree Weekes and Tim Attack
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HELEN MARPLE-HORVAT
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Kissing You
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Helen Marple-Horvat
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SheetMusicPlus
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