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Vous avez sélectionné:
Fugue in F major
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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Bach: Prelude & Fugue in F Major BWV 556 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1125114 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Traditional. 14 pages. Jmsgu3 #725891. Published by jmsgu3 (A0.1125114). Score: 7 pages. Duration: 2:15.Johann Sebastian Bach's Prelude and Fugue in F Major, BWV 556, is a beautiful and intricate work composed in the Baroque period. This work is one of the most iconic pieces in Bach's repertoire, and its composition is attributed to him.The Prelude of this work begins with a series of powerful chords that lead into a flowing section featuring motifs in the upper voices. The Fugue follows with a grand and majestic theme that is carried throughout the piece, weaving together complex and interesting contrapuntal lines. Both sections are full of energy and emotion, and are often performed together to create a unified musical experience.Overall, Prelude and Fugue in F Major, BWV 556 is a timeless work that continues to captivate audiences to this day. Its timelessness lies in its beautiful melodies and intricate counterpoint, which are combined to create a unique and powerful musical experience.
$32.95
30.07 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in F Major BWV 556 for String Quartet
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jmsgu3
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SheetMusicPlus
Prelude and Fugue in F-sharp major BWV 858 for String Quartet (transposed to G major)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1381806 Composed by Johann Sebastian Bach. Arranged by Hugo Luis Ordoñez. Baroque,Chamber. 18 pages. Hugo Luis Ordóñez #966456. Published by Hugo Luis Ordóñez (A0.1381806). Prelude and fugue for keyboard from The Well-Temepred Clavier Book I, arranged for string quartet and transposed in G major. The file includes score and parts. If you prefer I also have available this work in its original key but in increased difficulty.
$7.99
7.29 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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Hugo Luis Ordoñez
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Prelude and Fugue in F-sharp major BWV 858 for String Quartet
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Hugo Luis Ordóñez
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SheetMusicPlus
Prelude and Fugue in F-sharp major BWV 858 for String Quartet (original key)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1381666 Composed by Johann Sebastian Bach. Arranged by Hugo Luis Ordoñez. Baroque,Chamber. 19 pages. Hugo Luis Ordóñez #966304. Published by Hugo Luis Ordóñez (A0.1381666). Prelude and fugue for keyboard arranged for string quartet in its original key. The file includes score and parts.
$7.99
7.29 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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Hugo Luis Ordoñez
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Prelude and Fugue in F-sharp major BWV 858 for String Quartet
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Hugo Luis Ordóñez
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SheetMusicPlus
Concerto grosso in F major op. 6 no. 9
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156587 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156587 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 45 pages. Adrian Gagiu #756911. Published by Adrian Gagiu (A0.1156587). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in F major, op. 6 no. 9: 1. Largo-Allegro – a stark introduction and a joyful, virtuoso Allegro, one of his best instrumental movements; 2. Larghetto – a gentle, nostalgic siciliana; 3. Allegro molto moderato – an animated, vigorous fugue; 4. Menuet – peculiar and rather complex; 5. Gigue (Allegro) – merry, reminding of Corelli. The mp3 audio clip is the fourth movement (Menuet). Total duration 13 min 30 sec. Performing Rights Organization: SOCAN.
$20.00
18.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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George Frideric Handel
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Adrian Gagiu
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2
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Concerto grosso in F major op. 6 no. 9
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Adrian Gagiu
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SheetMusicPlus
Concerto grosso in A minor op. 6 no. 4
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1150520 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1150520 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 45 pages. Adrian Gagiu #750696. Published by Adrian Gagiu (A0.1150520). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. The movements of Concerto grosso in A minor, op. 6 no. 4: 1. Larghetto affettuoso – solemn, melancholy and broad; 2. Allegro – an energetic, syncopated and somber fugue; 3. Largo – a sublime, soft and simple sarabande in F major, with walking bass; 4. Allegro – restless and dramatic. Total duration 10 min. The mp3 audio clip is the third movement. Performing Rights Organization: SOCAN.
$20.00
18.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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George Frideric Handel
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Adrian Gagiu
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2
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Concerto grosso in A minor op. 6 no. 4
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Adrian Gagiu
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SheetMusicPlus
BACH: Prelude & Fugue No. 11 in F Major, BWV 880 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552029 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552029 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Instructional,Standards. 37 pages. Jmsgu3 #6063997. Published by jmsgu3 (A0.552029). Score: 21 pages. Duration: 5:53.
$24.95
22.77 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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BACH: Prelude & Fugue No. 11 in F Major, BWV 880 for String Quartet
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon in D for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552063 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552063 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6105631. Published by jmsgu3 (A0.552063). Score: 6 pagesDuration: ca. 4:40. The famous Pachelbel Canon arranged for String Quartet A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$42.95
39.2 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for String Quartet
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jmsgu3
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SheetMusicPlus
BACH: Prelude & Fugue No. 13 in F-sharp Major, BWV 882 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552031 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552031 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Instructional,Standards. 34 pages. Jmsgu3 #6084025. Published by jmsgu3 (A0.552031). Score: 18 pages. Duration: ca. 5:35.
$24.95
22.77 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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BACH: Prelude & Fugue No. 13 in F-sharp Major, BWV 882 for String Quartet
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jmsgu3
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SheetMusicPlus
SQ15 ... Hommage à DSCH (2021) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99
9.12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
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