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Vous avez sélectionné:
Fugue in e minor
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
9 partitions trouvées
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Bach: Prelude & Fugue in E Minor BWV 555 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1124720 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Standards,Traditional. 13 pages. Jmsgu3 #725476. Published by jmsgu3 (A0.1124720). Score: 5 pages. Duration: ca. 3:20Johann Sebastian Bach's Prelude and Fugue in E Minor BWV 555 is a work of great depth and complexity. The Prelude is a fast-paced and virtuosic piece that showcases Bach's mastery of the keyboard. Its sweeping, contrapuntal lines flow seamlessly together, creating a sense of grandeur and majesty. The Fugue, on the other hand, is a much more serious and intense work. Its complex counterpoint and intricate harmonies create an atmosphere of intense contemplation and reflection. Together, these two pieces form a powerful musical statement that has been a favorite of musicians and audiences for centuries. The Prelude and Fugue in E Minor BWV 555 is a timeless masterpiece that remains as relevant today as it was when it was first composed.
$32.95
30.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in E Minor BWV 555 for String Quartet
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jmsgu3
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SheetMusicPlus
Fugue in E Minor BWV555
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1146754 By Bill Swick. By Johann Sebastian Bach. Arranged by Bill Swick. Baroque,Chamber. 16 pages. Bill Swick #746970. Published by Bill Swick (A0.1146754). Fugue in Em was composed by J.S. Bach originally as a keyboard piece. Bill Swick has arranged it for string quartet. The level is intermediate +.
$12.95
11.88 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Bill Swick
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Bill Swick
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Fugue in E Minor BWV555
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Bill Swick
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SheetMusicPlus
Little Fugue in G Minor for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.746769 …
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.746769 Composed by Keith Terrett. Baroque. 8 pages. Keith Terrett #3493461. Published by Keith Terrett (A0.746769). A little quasi Fugue I composed for String Quartet, hope you like it!Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$5.99
5.49 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Keith Terrett
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Little Fugue in G Minor for String Quartet
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Keith Terrett
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SheetMusicPlus
Concerto grosso in E minor op. 6 no. 3
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Digital Download SKU: A0.1150516 Composed by George…
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String Quartet String Quartet - Digital Download SKU: A0.1150516 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 46 pages. Adrian Gagiu #750692. Published by Adrian Gagiu (A0.1150516). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. The movements of Concerto grosso in E minor, op. 6 no. 3: 1. Larghetto – a serious sarabande 2. Andante – a tragic fugato, reminding of J.S. Bach’s style (and of the theme of D. Scarlatti’s so-called ‘Cat Fugue’) 3. Allegro – stern, Italianate and a bit strange 4. Polonaise (Andante) – pastoral, yet courtly, in G major 5. Allegro, ma non troppo – serious again, with some surprises. Total duration 10 min 30 sec. The mp3 audio clip is the fifth movement. Performing Rights Organization: SOCAN.
$20.00
18.35 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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George Frideric Handel
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Adrian Gagiu
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Concerto grosso in E minor op. 6 no. 3
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Adrian Gagiu
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SheetMusicPlus
Pachelbel: Canon in D for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552063 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552063 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6105631. Published by jmsgu3 (A0.552063). Score: 6 pagesDuration: ca. 4:40. The famous Pachelbel Canon arranged for String Quartet A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$42.95
39.4 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for String Quartet
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jmsgu3
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SheetMusicPlus
Fugue in e minor (1994) for string quartet (SCORE and PARTS)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1023129 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1023129 Composed by Rose & Tyger Musick. Baroque. Score and parts. 8 pages. Rose & Tyger Musick #4628141. Published by Rose & Tyger Musick (A0.1023129).
$15.00
13.76 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rose & Tyger Musick
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Fugue in e minor
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Rose & Tyger Musick
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SheetMusicPlus
BACH: Prelude & Fugue No. 10 in E Minor, BWV 879 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552028 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.552028 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Instructional,Standards. 38 pages. Jmsgu3 #6063589. Published by jmsgu3 (A0.552028). Score: 23 pages, Duration: 6'11.
$24.95
22.89 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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BACH: Prelude & Fugue No. 10 in E Minor, BWV 879 for String Quartet
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jmsgu3
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (score)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00
7.34 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00
9.17 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
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