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--INSTRUMENTS--
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G minor Waltz
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15
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46
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8
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2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Vous avez sélectionné:
G minor Waltz
Quatuor à cordes: 2 violons, alto, violoncelle
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Chopin Waltz in A Minor- B150 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Chopin Waltz in A Minor- B150
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Yunus Eren Kırmızıgül
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1280887 Composed by Frederic Chopin. Arranged by Yunus Eren Kırmızıgül....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1280887 Composed by Frederic Chopin. Arranged by Yunus Eren Kırmızıgül. 19th Century,Classical,Romantic Period. 12 pages. Yunus Eren Kırmızıgül #872232. Published by Yunus Eren Kırmızıgül (A0.1280887). Originally composed by Frédéric Chopin for Solo Piano, I have arranged this music for a String Quartet. The content includes the Full Score and individual parts for each instrument (Violin I, Violin II, Viola, and Violoncello).
$4.99
SQ15 ... Hommage à DSCH (2021) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe ...
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String Quartet String Quartet - Level 4 - SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99
Set of Three Classical Music Arrangements for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin, Peter Ilyich
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Set of Three Classical Music A
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Yunus Eren Kırmızıgül
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1293971 Composed by Frederic Chopin, Peter Ilyich Tchaikovsky, and Wolfgang Amadeus Mozart. Arranged b...
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String Quartet String Quartet - Level 4 - SKU: A0.1293971 Composed by Frederic Chopin, Peter Ilyich Tchaikovsky, and Wolfgang Amadeus Mozart. Arranged by Yunus Eren Kırmızıgül. 19th Century,Chamber,Classical,Romantic Period,Wedding. 45 pages. Yunus Eren Kırmızıgül #884453. Published by Yunus Eren Kırmızıgül (A0.1293971). I have compiled my string quartet arrangements in a single edition: Mozart- Sonata in C Major No:16 K.545 (Allegro) for String Quartet  (Advanced Intermediate) Chopin - Waltz in A Minor Op. B150 for String Quartet (Intermediate)Tchaikovsky - June Barcarolle Op. 37A for String Quartet,  (Advanced Intermediate)The content includes a Full Score for each piece of music and individual parts for each instrument (Violin I, Violin II, Viola, and Violoncello).
$9.99
Seven Steps To Heaven (2002) for string septet or string orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Sco...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99
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