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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Gene and Pat
Non classifié
266
Piano & claviers
Piano seul
95
Piano grosses notes
83
Piano Facile
40
Piano, Voix
30
Orgue
22
Piano, Voix et Guitare
10
Accordéon
8
2 Pianos, 4 mains
7
1 Piano, 4 mains
6
Instruments en Do
4
Orgue, Piano (duo)
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
12
2 Guitares (duo)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
122
Chorale 3 parties
53
Chorale Unison
31
Chorale 2 parties
20
Chorale TTBB
9
Chorale SSAA
2
Chorale
2
Voix Tenor, Piano
1
Voix haute
1
Voix duo, Piano
1
Voix moyenne, Piano
1
Chorale SSATB
1
Voix Baryton, Piano
1
Voix duo
1
Voix seule
1
Voix Soprano, Piano
1
+ 11 instrumentations
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Vents
2 Flûtes traversières, Piano
25
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone (partie séparée)
9
Flûte traversière et Piano
8
Clarinette (partie séparée)
8
Saxophone Alto et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette et Piano
6
Quintette de Saxophone: 5 saxophones
6
Saxophone Tenor et Piano
5
Quatuor de Saxophones: 4 saxophones
4
Flûte et Guitare
4
2 Saxophones (duo)
3
Hautbois, Piano (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flute (partie séparée)
3
Saxophone Soprano et Piano
3
2 Flûtes traversières (duo)
2
2 Clarinettes (duo)
2
3 Clarinettes (trio)
2
Ensemble de saxophones
2
Ensemble de Flûtes
2
Saxophone Alto
2
Ensemble de Clarinettes
2
Flûte, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière
2
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Baryton, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Hautbois
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Saxophone Tenor
1
Instruments en Mib
1
3 Saxophones (trio)
1
Hautbois (partie séparée)
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette
10
Trompette, Piano
8
Trompette (partie séparée)
6
Cor (partie séparée)
6
Trombone (partie séparée)
5
Trombone et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trompettes (duo)
3
Cor et Piano
3
Bass Clef Instruments
2
Tuba (partie séparée)
2
3 Trompettes (trio)
1
Trompette, Cor (duo)
1
Instruments en Sib
1
2 Trombones (duo)
1
Tuba
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Cor (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violoncelle
9
Violon et Piano
9
Violoncelle, Piano
9
Violon
7
Violon, Violoncelle (duo)
7
Alto, Piano
3
Harpe
3
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto seul
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
2 Harpes (duo)
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
Harpe, Voix
1
2 Violoncelles (duo)
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
2 Altos (duo)
1
Contre Basse
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Cloches
129
Orchestre d'harmonie
118
Orchestre à Cordes
14
Orchestre
14
Ensemble de cuivres
10
Ensemble Jazz
6
Orchestre de chambre
6
Fanfare
4
Ensemble d'École
3
Percussion
2
Jazz combo
2
Batterie
2
Ensemble de Percussions
1
Piano et Orchestre
1
Timbales
1
Batterie (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
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Instruments
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Gene and Pat
Quatuor à cordes: 2 violons, alto, violoncelle
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
Migrando...
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Juan Guerra González
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Migrando...
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1208339 Composed by Juan Guerra González. Chamber,Classical. 78 pages. Juan Carl...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1208339 Composed by Juan Guerra González. Chamber,Classical. 78 pages. Juan Carlos Guerra Gonzalez #806446. Published by Juan Carlos Guerra Gonzalez (A0.1208339). *** PARTS INCLUDED ***La obra es un continuo movimiento de ideas que pretenden explorar el drama de la migración vista desde su origen hasta el desenlace. La migración, ya sea regular o irregular, es siempre un drama que conlleva muchas etapas, que para algúnos resultan ser más dramáticas que otros. En “Migrando…†se exploran musicalmente tres etapas: la “expatriación†ó el momento en que se decide salir de la patria; el “desierto†entendido en dos sentidos: como un estado de ánimo y como un lugar (para los que tienen que cruzar un desierto hacia su destino) y finalmente la “acogidaâ€, cuando existe un proceso de aceptación de la nueva realidad sin dejar atrás los orÃgenes. La misma obra es un viaje migratorio de un espacio sonoro sombrÃo a uno mas complejo en el último movimiento. I. ExpatriaciónEste movimiento está relacionado a la idea de abandonar la patria ya sea por necesidad, por buscar diferentes oportunidades, reunificación familiar, etc. Un sube y baja de emociones representadas en el ostinato de algunas voces mientras las otras partes hacen referencia a la incertidumbre en la travesÃa hacia un nuevo destino. II. DesiertoEn este movimiento se explora la vivencia del “desierto†como un estado de ánimo en el cual se suele caer cuando se llega al nuevo destino. El espacio de tiempo de introspección de la nueva realidad. Este movimiento hace referencia también a la dramática historia de una persona que tuvo la gentileza de contarme la historia de su paso a pie por el desierto hacia su destino en EEUU. El estar perdido durante un dÃa cuando el grupo con el que viajaba lo abandonó “a su suerteâ€. Musicalmente, esta parte es un momento de introspección muy fuerte e Ãntimo.III. AcogidaEsta parte explora la emoción de llegar a un nuevo lugar y poco a poco construir sueños, enriquecerse con nuevas ideas, culturas y vivencias, la sorpresa de ver lugares nuevos y poder aportar al nuevo destino lo mejor de cada uno sin olvidar las propias raÃces. Para esta parte se usó de base un ritmo tradicional Salvadoreño que fué modificado para darle un toque “extranjero†la obra concluye con una referencia a “El Carbonero†entrelazada a unos compases de “The Star Spangled Banner†mezclado con otros elementos simbolizando la unión del origen y un destino. Al final, todos los migrantes nos convertimos en una mezcla de dos (o más) culturas, pero sin olvidar la calidez y la magia de la tierra que nos vió nacer. * Obra ganadora del primer lugar en el concurso de composición “Sonidos de la Diáspora†organizado por el Ministerio de Relaciones Exteriores en El Salvador (2022).
$59.99
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
I'll Remember April
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Woody Herman & His Orchestra
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Douglas R
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I'll Remember April
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Douglas R. Morrison
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1406655 By Woody Herman & His Orchestra. By Don Raye, Gene De Paul, and Pat Johnston. Arranged by Doug...
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String Quartet String Quartet - Level 3 - SKU: A0.1406655 By Woody Herman & His Orchestra. By Don Raye, Gene De Paul, and Pat Johnston. Arranged by Douglas R. Morrison. Jazz,Pop. 14 pages. Douglas R. Morrison #989410. Published by Douglas R. Morrison (A0.1406655). A Rivendell String Quartet Arrangement - The Pop Standards SeriesWritten for and premiered in 1941's Ride 'Em Cowboy, I'll Remember April has achieved the status of pop/jazz standard. It's been recorded by Chet Baker, Cannonball Adderly, Gordon MacRae, Julie London Steve Lawrence, Carmen McRae, Eydie Gorme, Charlie Parker, Frank Sinatra, The Modern Jazz Quartet, and many more!Like us on Facebook: www.facebook.com/rivendellarrangements.
$12.99
Supercollider
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Christine Southworth
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. ...
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String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00
Arco (Partes)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Azul Blatter
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Arco
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Editorial Copistas Acuario
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1514903 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 36 p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1514903 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 36 pages. Editorial Copistas Acuario #1089397. Published by Editorial Copistas Acuario (A0.1514903). El proyecto editorial «Escordaturas: Nueva música latinoamericana para cuerdas» nace con la inquietud de la Editorial Copistas Acuario, por ampliar su rango de acción luego de la publicación exitosa de diversos volúmenes de música dominicana tanto histórica como actual.Siempre apegados a una identidad primero dominicana y luego latinoamericana, y siguiendo nuestro objetivo institucional de «fomentar el desarrollo sostenible de la industria creativa de la producción, edición, publicación y distribución del patrimonio musical nacional y regional...» nos propusimos desarrollar esta nueva serie abriendo una convocatoria general a todos los compositores jóvenes de la región que desearan publicar y difundir a través de esta Editorial obras de su autoría para ensambles e instrumentos de cuerda. Se ha preparado esta compilación numerada de 10 obras que busca representar la diversidad y el alto nivel propositivo de la nueva creación sonora en América Latina. De aquí, precisamente, el símbolo de la «escordatura» para visualizar esta riqueza de un continente que a pesar de las diferencias idiomáticas de cada país, logra conformar una entidad cultural identificable, valiosa y llamativa.Con inmenso entusiasmo presentamos esta primera entrega que incluye música de Argentina, Chile, Colombia, Costa Rica, República Dominicana, Nicaragua, México, Ecuador y Venezuela; donde confluye la variedad estilística de cada compositor con lenguajes que rondan desde la música tonal e impresionista hasta propuestas experimentales y posmodernas.Con la apertura de esta nueva serie, la Editorial Copistas Acuario profundiza su posición en América Latina y expande su catálogo, esperando lograr a futuro su consolidación como casa editorial de la música latinoamericana ante el mundo.-------------------------------------------------The editorial project “Escordaturas: New Latin American music for strings” was born from the concern of the Editorial Copistas Acuario, to expand its range of action after the successful publication of several volumes of Dominican historical and contemporary music.Always attached to a first Dominican and then Latin American identity and following our institutional objective of “promoting the sustainable development of the creative industry of the production, edition, publication and distribution of the national and regional musical heritage...” we proposed to develop this new series by opening a general call to all young composers of the region who wish to publish and promote through this Editorial works of their authorship for string instruments and ensambles. This numbered compilation of 10 works has been prepared to represent the diversity and high level of the new sound creation in Latin America. Hence, precisely, the symbol of the “escordatura” to visualize this richness of a continent that despite the idiomatic differences of each country, manages to form an identifiable, valuable and striking cultural entity.It is with immense enthusiasm that we present this first installment, which includes music from Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Nicaragua, Mexico, Ecuador and Venezuela; where the stylistic variety of each composer converges with languages that range from tonal and impressionist music to experimental and postmodern proposals.With the opening of this new series, the Editorial Copistas Acuario deepens its position in Latin America and expands its catalog, hoping to achieve in the future its consolidation as the publishing house of Latin American music to the world.
$9.99
Arco (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Azul Blatter
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Arco
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Editorial Copistas Acuario
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1514943 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 26 p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1514943 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 26 pages. Editorial Copistas Acuario #1089438. Published by Editorial Copistas Acuario (A0.1514943). El proyecto editorial «Escordaturas: Nueva música latinoamericana para cuerdas» nace con la inquietud de la Editorial Copistas Acuario, por ampliar su rango de acción luego de la publicación exitosa de diversos volúmenes de música dominicana tanto histórica como actual.Siempre apegados a una identidad primero dominicana y luego latinoamericana, y siguiendo nuestro objetivo institucional de «fomentar el desarrollo sostenible de la industria creativa de la producción, edición, publicación y distribución del patrimonio musical nacional y regional...» nos propusimos desarrollar esta nueva serie abriendo una convocatoria general a todos los compositores jóvenes de la región que desearan publicar y difundir a través de esta Editorial obras de su autoría para ensambles e instrumentos de cuerda. Se ha preparado esta compilación numerada de 10 obras que busca representar la diversidad y el alto nivel propositivo de la nueva creación sonora en América Latina. De aquí, precisamente, el símbolo de la «escordatura» para visualizar esta riqueza de un continente que a pesar de las diferencias idiomáticas de cada país, logra conformar una entidad cultural identificable, valiosa y llamativa.Con inmenso entusiasmo presentamos esta primera entrega que incluye música de Argentina, Chile, Colombia, Costa Rica, República Dominicana, Nicaragua, México, Ecuador y Venezuela; donde confluye la variedad estilística de cada compositor con lenguajes que rondan desde la música tonal e impresionista hasta propuestas experimentales y posmodernas.Con la apertura de esta nueva serie, la Editorial Copistas Acuario profundiza su posición en América Latina y expande su catálogo, esperando lograr a futuro su consolidación como casa editorial de la música latinoamericana ante el mundo.-------------------------------------------------The editorial project Escordaturas: New Latin American music for strings was born from the concern of the Editorial Copistas Acuario, to expand its range of action after the successful publication of several volumes of Dominican historical and contemporary music.Always attached to a first Dominican and then Latin American identity and following our institutional objective of promoting the sustainable development of the creative industry of the production, edition, publication and distribution of the national and regional musical heritage... we proposed to develop this new series by opening a general call to all young composers of the region who wish to publish and promote through this Editorial works of their authorship for string instruments and ensambles. This numbered compilation of 10 works has been prepared to represent the diversity and high level of the new sound creation in Latin America. Hence, precisely, the symbol of the escordatura to visualize this richness of a continent that despite the idiomatic differences of each country, manages to form an identifiable, valuable and striking cultural entity.It is with immense enthusiasm that we present this first installment, which includes music from Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Nicaragua, Mexico, Ecuador and Venezuela; where the stylistic variety of each composer converges with languages that range from tonal and impressionist music to experimental and postmodern proposals.With the opening of this new series, the Editorial Copistas Acuario deepens its position in Latin America and expands its catalog, hoping to achieve in the future its consolidation as the publishing house of Latin American music to the world.
$9.99
'Spring Creek' from 'Water Suite'
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Jazz
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Pat Holmberg
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'Spring Creek' from 'Water Sui
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Patricia Tanttila Holmberg
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SheetMusicPlus
Harp,Piano - SKU: A0.1068501 Composed by Pat Holmberg. Contemporary,Jazz. Full Performance. Duration 172. Patricia Tanttila Holmberg #2337979. Published...
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Harp,Piano - SKU: A0.1068501 Composed by Pat Holmberg. Contemporary,Jazz. Full Performance. Duration 172. Patricia Tanttila Holmberg #2337979. Published by Patricia Tanttila Holmberg (A0.1068501). This is a computer generated track of the first movement of a concerto for glass harp, piano and full orchestra, entitled 'Water Suite'. 'Spring Creek' is the first of its three movements. It has strong melodic lines in the solo part.BMI
$3.99
Mozart: Sonata K. 284 “Durnitz” for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95
Zacatecas March (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Genaro Codina
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Kenneth Abeling
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.515065 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.515065 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 13 pages. LINCOLN MUSIC PUBLICATIONS #4635433. Published by LINCOLN MUSIC PUBLICATIONS (A0.515065). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for String Quartet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
Over the River and Through the Woods for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Americana
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Patriotique
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Traditional
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Yoel Epstein
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Over the River and Through the
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Yoel Epstein
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SheetMusicPlus
Composed by Traditional. Arranged by Yoel Epstein. Christian, General Worship, Thanksgiving, Patriotic, Americana. Score, Set of Parts. 11 pages. Published by Y...
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Composed by Traditional. Arranged by Yoel Epstein. Christian, General Worship, Thanksgiving, Patriotic, Americana. Score, Set of Parts. 11 pages. Published by Yoel Epstein (S0.163593). - Score,Set of Parts - Christian,General Worship,Thanksgiving,Patriotic,Americana - Yoel Epstein
$1.99
The Battle Cry of Freedom
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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George Frederick Root
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Christopher Benfield
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The Battle Cry of Freedom
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Christopher Benfield
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.909889 Composed by George Frederick Root. Arranged by Christopher Benfield. 20th Ce...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.909889 Composed by George Frederick Root. Arranged by Christopher Benfield. 20th Century,Holiday,Instructional,Patriotic,Standards. Score and parts. 2 pages. Christopher Benfield #4311087. Published by Christopher Benfield (A0.909889). This arrangement of the popular American song by George Frederick Root will instill a sense of patriotism to the early intermediate string players who perform this piece. A great addition to general repertoire as well as a perfect recital piece for student string players, this piece by Christopher Benfield is a good choice for the classroom setting.
$1.99
Quizas, Quizas, Quizas (perhaps, Perhaps, Perhaps)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Joe Davis and Osvaldo Farres
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Martin Ash
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Quizas, Quizas, Quizas
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Martin Ash Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1127278 Composed by Joe Davis and Osvaldo Farres. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding...
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String Quartet String Quartet - Level 4 - SKU: A0.1127278 Composed by Joe Davis and Osvaldo Farres. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding. Score and parts. 18 pages. Martin Ash Music #727914. Published by Martin Ash Music (A0.1127278). This arrangement captures the Latin spirit of this much-loved standard, while writing sympathetically to strings and giving everyone plenty to do. Ideal for any Latin American-themed event or as general background music.
$15.00
Aquellos Ojos Verdes (green Eyes)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jimmy Dorsey
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Martin Ash
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Aquellos Ojos Verdes
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Martin Ash Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1127265 By Jimmy Dorsey. By Adolfo Utrera, E. Rivera, E. Woods, and Nilo Menendez. Arranged by Martin ...
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String Quartet String Quartet - Level 4 - SKU: A0.1127265 By Jimmy Dorsey. By Adolfo Utrera, E. Rivera, E. Woods, and Nilo Menendez. Arranged by Martin Ash. Classical,Jazz,Latin,Standards,Wedding. Score and parts. 18 pages. Martin Ash Music #727899. Published by Martin Ash Music (A0.1127265). This arrangement captures the Latin spirit of this much-loved standard, while writing sympathetically to strings and giving everyone plenty to do. Ideal for any Latin American-themed event or as general background music.
$15.00
Maria Elena
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Indios Trabajaras
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Martin Ash
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Maria Elena
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Martin Ash Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1127269 By Indios Trabajaras. By Lorenzo Barcelata and S.K. Russell. Arranged by Martin Ash. Classical...
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String Quartet String Quartet - Level 4 - SKU: A0.1127269 By Indios Trabajaras. By Lorenzo Barcelata and S.K. Russell. Arranged by Martin Ash. Classical,Jazz,Latin,Standards,Wedding. Score and parts. 14 pages. Martin Ash Music #727903. Published by Martin Ash Music (A0.1127269). This arrangement captures the Latin spirit of this much-loved waltz standard, while writing sympathetically to strings and giving everyone plenty to do. Ideal for any Latin American-themed event or as general background music.
$15.00
Te Quiero Dijiste
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Maria Grever
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Martin Ash
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Te Quiero Dijiste
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Martin Ash Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1127286 Composed by Maria Grever. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding. Score and part...
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String Quartet String Quartet - Level 4 - SKU: A0.1127286 Composed by Maria Grever. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding. Score and parts. 17 pages. Martin Ash Music #727920. Published by Martin Ash Music (A0.1127286). This arrangement captures the Latin spirit of this much-loved standard, while writing sympathetically to strings and giving everyone plenty to do. Ideal for any Latin American-themed event or as general background music.
$15.00
Solamente Una Vez
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Aguirre Agustin Lara
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Martin Ash
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Solamente Una Vez
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Martin Ash Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1127285 Composed by Aguirre Agustin Lara. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding. Score ...
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String Quartet String Quartet - Level 4 - SKU: A0.1127285 Composed by Aguirre Agustin Lara. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding. Score and parts. 18 pages. Martin Ash Music #727919. Published by Martin Ash Music (A0.1127285). This arrangement captures the Latin spirit of this much-loved standard, while writing sympathetically to strings and giving everyone plenty to do. Ideal for any Latin American-themed event or as general background music.
$15.00
Perfidia
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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The Ventures
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Martin Ash
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Perfidia
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Martin Ash Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1127271 By The Ventures. By Alberto Dominguez. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding. S...
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String Quartet String Quartet - Level 4 - SKU: A0.1127271 By The Ventures. By Alberto Dominguez. Arranged by Martin Ash. Jazz,Latin,Standards,Wedding. Score and parts. 16 pages. Martin Ash Music #727905. Published by Martin Ash Music (A0.1127271). This arrangement captures the dramatic Latin spirit of this much-loved standard, while writing sympathetically to strings and giving everyone plenty to do. Ideal for any Latin American-themed event or as general background music.
$15.00
Jolly Old St. Nicholas for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Traditional
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James M
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Jolly Old St. Nicholas for Str
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1499389 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Hi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1499389 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 15 pages. Jmsgu3 #1075440. Published by jmsgu3 (A0.1499389). Jolly Old St. Nicholas is a significant Christmas song rooted in a poem by Emily Huntington Miller, published in December 1865 as Lilly's Secret in The Little Corporal Magazine. The song's lyrics, now widely recognized, closely resemble Miller's original poem. However, some attributions have also been made to Benjamin Hanby, who wrote a similar song in the 1860s, and John Piersol McCaskey, who claimed authorship in 1867.Historical ContextThe music for Jolly Old St. Nicholas is generally credited to James R. Murray, first published in 1874. The song has since become a staple of Christmas music, with numerous recordings by various artists, including Ray Smith, Chet Atkins, and Alvin and the Chipmunks. Themes and LyricsThe song features a child speaking to Santa Claus, eagerly anticipating Christmas and sharing gift wishes. This interaction reflects the broader themes of childhood innocence and the joy of giving, which are central to Christmas. The lyrics highlight a sense of wonder and excitement as the child asks Santa to choose gifts for them, emphasizing trust in Santa's judgment. Cultural ImpactJolly Old St. Nicholas has become a beloved Christmas classic, often performed in various musical styles, including jazz and pop. Its enduring popularity is a testament to its ability to resonate with children and adults, encapsulating the spirit of Christmas and the joy of anticipation accompanying the holiday season. Overall, the song serves not only as a festive tune but also as a cultural artifact that reflects the evolution of the Santa Claus figure from St. Nicholas, a historical Christian bishop known for his generosity, to the modern-day Santa Claus celebrated in various traditions worldwide.
$34.95
The Rains Of Castamere
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jackie Evancho
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The Rains Of Castamere
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Nonamé Música
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1112567 By Jackie Evancho. By George R.R. Martin and Ramin Djawadi. Arranged by Lui...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1112567 By Jackie Evancho. By George R.R. Martin and Ramin Djawadi. Arranged by Luis Turina and Nonamé Música. Celtic,Film/TV,Historic,Irish,Pop,Wedding. 10 pages. Nonamé Música #714572. Published by Nonamé Música (A0.1112567). (Spanish below) Since this mythical series premiered, it has appeared more and more in the events in which the Nonamé String Quartet participates with its main theme music. But as it progressed, we wanted to take a truly differential step forward. We use the music from the opening scene of the first episode of the fourth season (Two Swords) which leads inevitably into the traditional opening music, as Tywin melts Ice into Widow's Lament and Oathkeeper. We start with the Lannisters theme (the Rains of Castamere) on cello, later accompanied by viola. A general crescendo leaves us with the main theme, transcribed as best as possible from Ramin Djawadi's masterful header. The violin can do pizz on the last phrase, or not play it at all. Arrangement on a single page to facilitate its interpretation outdoors. Bowings and dynamics to facilitate a good sightreading. All set to recreate the Red Wedding in your performances! More Noname Music arrangements on our channel: Noname Music Desde que comenzó esta mÃtica serie, cada vez ha aparecido más en los eventos en los que el Cuarteto Nonamé participa la música de su cabecera. Pero según fue avanzando quisimos dar un paso adelante realmente diferencial. Utilizamos la música de la escena preliminar del primer capÃtulo de la cuarta temporada (Two Swords) que desemboca irremediablemente en la música de cabecera tradicional, mientras Tywin funde Hielo para convertirla en Lamento de Viuda y Guardajuramentos. Empezamos con el tema de los Lannister (las Lluvias de Castamere) en el cello luego acompañado por la viola. Un crescendo general nos deja con el tema principal, transcrito lo mejor posible de la magistral cabecera de Ramin Djawadi. El violÃn puede hacer pizz en la última frase, o no tocarla en absoluto. Arreglo en una sola página para facilitar su interpretación al aire libre. Arcos, digitaciones y matices para poder hacer una buena lectura a primera vista. ¡Todo listo para recrear la Boda Roja en vuestras actuaciones! Más arreglos de Nonamé en nuestro canal: Nonamé Música
$12.99
Two Swords
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Ramin Djawadi
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Two Swords
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Nonamé Música
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1112564 By Ramin Djawadi. By Ramin Djawadi. Arranged by Luis Turina and Nonamé M...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1112564 By Ramin Djawadi. By Ramin Djawadi. Arranged by Luis Turina and Nonamé Música. Film/TV,Medieval,Multicultural,Pop,Wedding,World. 10 pages. Nonamé Música #714569. Published by Nonamé Música (A0.1112564). (Spanish below) Since this mythical series premiered, it has appeared more and more in the events in which the Nonamé String Quartet participates with its main theme music. But as it progressed, we wanted to take a truly differential step forward. We use the music from the opening scene of the first episode of the fourth season (Two Swords) which leads inevitably into the traditional opening music, as Tywin melts Ice into Widow's Lament and Oathkeeper. We start with the Lannisters theme (the Rains of Castamere) on cello, later accompanied by viola. A general crescendo leaves us with the main theme, transcribed as best as possible from Ramin Djawadi's masterful header. The violin can do pizz on the last phrase, or not play it at all. Arrangement on a single page to facilitate its interpretation outdoors. Bowings and dynamics to facilitate a good sightreading. All set to recreate the Red Wedding in your performances! More Noname Music arrangements on our channel: Noname Music Desde que comenzó esta mÃtica serie, cada vez ha aparecido más en los eventos en los que el Cuarteto Nonamé participa la música de su cabecera. Pero según fue avanzando quisimos dar un paso adelante realmente diferencial. Utilizamos la música de la escena preliminar del primer capÃtulo de la cuarta temporada (Two Swords) que desemboca irremediablemente en la música de cabecera tradicional, mientras Tywin funde Hielo para convertirla en Lamento de Viuda y Guardajuramentos. Empezamos con el tema de los Lannister (las Lluvias de Castamere) en el cello luego acompañado por la viola. Un crescendo general nos deja con el tema principal, transcrito lo mejor posible de la magistral cabecera de Ramin Djawadi. El violÃn puede hacer pizz en la última frase, o no tocarla en absoluto. Arreglo en una sola página para facilitar su interpretación al aire libre. Arcos, digitaciones y matices para poder hacer una buena lectura a primera vista. ¡Todo listo para recrear la Boda Roja en vuestras actuaciones! Más arreglos de Nonamé en nuestro canal: Nonamé Música
$12.99
Crazy In Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Beyonce Featuring Jay-Z
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HELEN MARPLE-HORVAT
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Crazy In Love
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.749226 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. ...
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String Quartet String Quartet - Level 5 - SKU: A0.749226 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #5028989. Published by Helen Marple-Horvat (A0.749226). https://www.youtube.com/watch?v=3nbV9vSBktM Crazy in Love was released on Beyonce’s debut solo album ‘Dangerously in Love’ in 2003 and featured the rapper Jay-Z. It reached number one in both British and USA charts, and the top ten in many countries across the world.I really loved arranging this for string quartet and hope that it will give you pleasure to play. I have placed this piece within the Advanced category. In rehearsal with Capriccio Quartet and we tried it various tempi between70 and 84 bpm. Provided the energy is present in the playing it sounds just as good at a slower speed!Younger players could also tackle this song, which is in an easy key for strings. Although some of the rhythmic patterns appear difficult on the page, the key is to listen to the song and to do them by ear. There is not a lot of syncopation, and the on-beat semi quavers sound wonderful on strings. If they are played vigorously, with all the staccato and accents in the score, you can get away with a much slower speed altogether. As usual, the bowing is just a guide and the double stopping always includes an open string. On the rare occasion that the double stopping includes two notes without the open string, choose one of them that is not doubled in one of the other parts.Where there is a dynamic ‘p’ it is important to observe it. There are some very dissonant harmonies in this piece. Playing them loudly will sound a bit odd, but I tried leaving them out and the result was a drop in tension. There is a major/minor thing going on throughout the song that is very subtle.Please visit my Youtube Channel at ‘Helen Marple-Horvat Songwriter, Arranger, Composer’ for playlists of all my arrangements, most of which have been recorded. All but three are available from Sheet Music Plus.
$20.00
Dirty Old Town
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ewan MacColl
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Martin Ash
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Dirty Old Town
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Martin Ash Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1125886 Composed by Ewan MacColl. Arranged by Martin Ash. Celtic,Chamber,Classical,Folk,Irish. 14 page...
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String Quartet String Quartet - Level 4 - SKU: A0.1125886 Composed by Ewan MacColl. Arranged by Martin Ash. Celtic,Chamber,Classical,Folk,Irish. 14 pages. Martin Ash Music #726633. Published by Martin Ash Music (A0.1125886). This arrangement captures many elements of the Pogues' classic recording of Ewan MacColl's masterpiece and integrates them into an interesting, atmospheric instrumental arrangement that is enjoyed by players and audiences alike. Suitable for Irish functions, St Patrick's themed events or as general background music.
$15.00
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