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--INSTRUMENTS--
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Got To Choose
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Got To Choose
Quatuor à cordes: 2 violons, alto, violoncelle
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You've Got A Friend In Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Film/TV
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Randy Newman And Lyle Lovett
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Thomas Graf
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You've Got A Friend In Me
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.569640 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Thomas Graf. F...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.569640 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Thomas Graf. Film/TV. Score and parts. 14 pages. Thomas Graf - the-hit-factory.com #6569549. Published by Thomas Graf - the-hit-factory.com (A0.569640). Wonderful and worl wide known leitmotif from the Toy Story movies. A must for your repertoire. Instrumentation: Violin 1/2, Viola, Cello Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$14.99
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
Toxic
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Britney Spears
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Matias Reimondez
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Toxic
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Reimale
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.910805 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Ar...
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String Quartet String Quartet - Level 4 - SKU: A0.910805 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Matias Reimondez. Film/TV. Score and parts. 18 pages. Reimale #6491615. Published by Reimale (A0.910805). An original arrangement meant to exploit the possibilities of the string quartet, wich will blend very well given the synthetized strings that the original song already has.Toxic is a song recorded by American singer Britney Spears, for her fourth studio album, In the Zone (2003). It was written and produced by Bloodshy & Avant, with additional writing from Cathy Dennis and Henrik Jonback. Released as the second single from In the Zone, the song was initially offered to Kylie Minogue for her album Body Language, but she turned it down. After trying to choose between (I Got That) Boom Boom and Outrageous to be the second single, Spears selected Toxic instead. A dance-pop and techno-pop song with elements of bhangra music, Toxic features varied instrumentation, such as drums, synthesizers and surf guitar. It is accompanied by high-pitched Bollywood strings, sampled from Lata Mangeshkar and S. P. Balasubrahmanyam's Tere Mere Beech Mein (1981), and breathy vocals. Its lyrics draw an extended metaphor of a lover as a dangerous yet addictive drug.
$14.99
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Got To Choose