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Got To Give It Up
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Vous avez sélectionné:
Got To Give It Up
Quatuor à cordes: 2 violons, alto, violoncelle
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Never Gonna Give You Up
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rick Astley
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Denise Flatness
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Never Gonna Give You Up
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Denise Flatness
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1047397 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1047397 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Denise Flatness. 20th Century,Contemporary,Pop,Wedding. Score and parts. 11 pages. Denise Flatness #651958. Published by Denise Flatness (A0.1047397). Have you ever gotten the urge to Rick Roll an entire wedding party? Well, now's your chance! This is a fun arrangement of Never Gonna Give You Up that is perfect to add to any wedding and gigging music collection, and it's sure to catch the attention of all of your listeners!! Visit dflatstrings.com for more string arrangements.
$12.99
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
White Christmas
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dave Koz & Kelly Sweet
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White Christmas
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Samantha Bramley
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.800204 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Samantha J Bramley - stringspirational...
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String Quartet String Quartet - Level 4 - SKU: A0.800204 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Samantha J Bramley - stringspirational@gmail.com. Jazz. Score and parts. 10 pages. Samantha Bramley #3878681. Published by Samantha Bramley (A0.800204). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! This arrangement of 'White Christmas’ for string quartet stays true to the spirit of the original Bing Crosby version with respect both melody and harmony. Beginning with those unmistakeable 4 chords in the upper strings, the ‘cello takes the majority of the vocal line, but all three other parts are also given a chance to shine with melody, counter melody and harmony by turns. With high positions in both violin parts and up to 4th position plus harmonics for the lower strings, the challenge in this arrangement is found in the technical and musical interpretation of this iconic song, and is a great play for ensembles of advanced intermediate standard. Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts, and some higher positions in the violin parts), making them suitable for advanced student and mixed ability groups. A complete score and set of individual parts (violin 1, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com
$14.99
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Got To Give It Up
