English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
39
Partitions
Numériques
21
Librairie
Musicale
0
Matériel
de Musique
4
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
227
PIANO & CLAVIERS
Piano seul
100
Piano, Voix
70
Piano, Voix et Guitare
41
Instruments en Do
23
Piano Facile
18
Accompagnement Piano
12
Orgue
7
2 Pianos, 4 mains
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Accordéon
1
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
16
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
8
Paroles et Accords
4
Basse electrique
4
2 Guitares (duo)
4
Guitare (partie séparée)
2
Ukulele
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
78
Pack Instrumental pour Chorale
33
Chorale 3 parties
16
Chorale 2 parties
13
Voix Soprano, Piano
8
Chorale Unison
7
Chorale
6
Voix duo, Piano
5
Chorale TTBB
4
Voix seule
3
Voix Alto, Piano
2
Chorale SSAA
2
Voix haute
2
Voix Baryton, Piano
1
Voix duo
1
Instrumentations suivantes
Retracter
VENTS
Clarinette
29
Hautbois (partie séparée)
27
Flûte traversière et Piano
22
Flûte traversière
22
Hautbois, Piano (duo)
21
Clarinette et Piano
20
2 Flûtes traversières (duo)
16
Quatuor de Saxophones: 4 saxophones
12
Quatuor de Flûtes : 4 flûtes
7
Flûte, Hautbois, Clarinette, Basson
7
Quintette de Saxophone: 5 saxophones
6
Saxophone (partie séparée)
6
Saxophone Alto
5
Saxophone Alto et Piano
4
Quatuor de Clarinettes: 4 clarinettes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
2 Saxophones (duo)
3
Saxophone Tenor et Piano
3
2 Clarinettes (duo)
3
Quintette de Flûte : 5 flûtes
2
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
Flûte à Bec
2
Saxophone Soprano et Piano
2
Flûte, Clarinette, Piano (trio)
1
Saxophone et Piano
1
Saxophone Baryton, Piano
1
Saxophone Tenor
1
2 Flûtes traversières, Piano
1
Flute (partie séparée)
1
Instrumentations suivantes
Retracter
CUIVRES
Cor et Piano
37
Cor
34
Trompette
24
Tuba
19
Trombone
18
Trombone et Piano
18
Trompette, Piano
17
Tuba et Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Ensemble de Trombones
3
2 Trompettes (duo)
3
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Bass Clef Instruments
1
Quatuor de cuivres: 4 trombones
1
3 Trompettes (trio)
1
Trombone basse
1
4 Tubas
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Trombone, Tuba (duo)
1
Ensemble de Cors
1
Instrumentations suivantes
Retracter
CORDES
Violoncelle
25
Violon
24
Violon et Piano
24
Violoncelle, Piano
22
Quatuor à cordes: 2 violons, alto, violoncelle
21
Alto, Piano
17
Contre Basse
16
Contrebasse, Piano (duo)
16
Alto seul
13
2 Violons (duo)
11
Trio à Cordes: violon, alto, violoncelle
7
Harpe
6
Alto (partie séparée)
4
2 Violoncelles (duo)
4
Violon, Violoncelle (duo)
3
Ensemble d'Altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violons, Piano
1
Harpe, Voix
1
Violon, Basson (duo)
1
Violon, Guitare (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Altos (duo)
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violons
1
Violon, Orgue
1
Violon, Alto (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
60
Orchestre d'harmonie
36
Orchestre
30
Ensemble de cuivres
18
Cloches
7
Ensemble Jazz
4
Orchestre de chambre
4
Jazz combo
3
Marimba
2
Ensemble de Percussions
1
Batterie (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Greater
SheetMusicPlus
Partitions à imprimer
21 partitions trouvées
<
1
Cavatina
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - difficult - Digital Download SKU: S9.Q778702 String Quartet No.…
(+)
String quartet - difficult - Digital Download SKU: S9.Q778702 String Quartet No. 10 (Beethoven-Study V). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q778702. Published by Schott Music - Digital (S9.Q778702). I consider Beethoven’s String Quartet op. 130 with its Grosse Fuge as the pinnacle of all quartets. In each of the four movements, Beethoven succeeds in re-inventing the archetypal movement forms with equal intensity, meaning that they are consequently nothing like what they once were. My Beethoven Studies (String Quartets 6-10) explore the cosmos of this so very unique quartet to a greater or lesser degree, and in explicit form in this concluding quartet of the cycle. The Cavatina from op. 130 is one of the most emotional movements ever written by Beethoven. Although some of the original material can be recognised in my own Cavatina, I consider it as one of the most personal and freest movements of my entire quartet cycle. This is a free form of ardent singing and flowing, marking the conclusion of the cycle which grappled so vehemently and sensuously with the cosmos of Beethoven’s quartets. Everything hovers … into the open … into free space. Jörg Widmann.
$65.99
60.23 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Joerg Widmann
#
Cavatina
#
Schott Music - Digital
#
SheetMusicPlus
You Found Me
Quatuor à cordes: 2 violons, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515849 By The Fray…
(+)
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515849 By The Fray. By Isaac Slade and Joseph King. Arranged by Eve C. Mailly. Pop,Rock. Score and parts. 24 pages. Zene Strings #5712339. Published by Zene Strings (A0.515849). You Found Me is a song by American rock band The Fray. It was released in November 2008 but was played in Europe under the title Amistad. This arrangement is for string trio. The violin starts with the moving part originally played by the guitar, with the viola (violin 2) taking the melody. The melody is then passed to the violin -- and later to the cello -- with a great moving line throughout. As with all of our string trio arrangements, you will receive the middle part in both alto clef (for viola) and in treble clef (violin 2 alternative) - giving you greater performance flexibility. From your friends at Zene Strings - enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$12.99
11.86 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
The Fray
#
Eve C
#
You Found Me
#
Zene Strings
#
SheetMusicPlus
å››å£ç´…弦樂四é‡å¥ LOVE SONG OF FOUR SEASONS for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1358369 Composed by Yu-Hsien Teng 鄧雨賢. Arranged by Diau-Hua Lim 林肇è¯. Chamber,Pop. 13 pages. Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores #942826. Published by Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores (A0.1358369). The song, LOVE SONG OF FOUR SEASONS, was composed by the famous composer, Yu-Hsien Teng (1906-1944), in 1937. It was arranged for string quartet by Diau-Hua Lim in 2002. The quartet starts with a cheerful introduction and then the rhythm is changed to tango and waltz to give greater variety. It is very popular.
$16.99
15.51 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Yu-Hsien Teng 鄧雨賢
#
å››å£ç´…弦樂四é‡å¥ LOVE SONG OF FOUR SEASONS for String Quartet
#
Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores
#
SheetMusicPlus
Ave Verum Corpus - K618 - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.9…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.933065 Composed by Wolfgang Amadeus Mozart. Arranged by Milton Ferreira Junior. Classical,Standards. Score and parts. 6 pages. Milton Ferreira Junior #6472123. Published by Milton Ferreira Junior (A0.933065). Arrangement for String Quartet with greater movement between voices.Arranjo para Quarteto de Cordas com maior movimentação entre as vozes.
$4.50
4.11 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Wolfgang Amadeus Mozart
#
Milton Ferreira Junior
#
Ave Verum Corpus - K618 - String Quartet
#
Milton Ferreira Junior
#
SheetMusicPlus
A Thousand Years
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.8…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.871347 By Christina Perri. By Christina Perri and David Hodges. Arranged by Clara Obsidian. Pop. Score and parts. 19 pages. Clara Obsidian #5709837. Published by Clara Obsidian (A0.871347). Christina Perri's A Thousand Years, produced as part of the Original Motion Soundtrack (2011) of The Twilight Saga: Breaking Dawn Arranged for String Quartet, great fun (especially the viola part!), with melodies passed around various parts to bring out each unique voicing and greater ensemble music making.Suitable for jamming, gigs and festivals, or even for schools concerts!Full Scores and Parts
$12.99
11.86 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Christina Perri
#
Clara Obsidian
#
A Thousand Years
#
Clara Obsidian
#
SheetMusicPlus
Game Of Thrones
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.905604 Composed …
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.905604 Composed by Ramin Djawadi. Arranged by Peter Rodney Hibbert. Contemporary. Score and parts. 12 pages. Peter Rodney Hibbert #4363099. Published by Peter Rodney Hibbert (A0.905604). This six-piece ensemble arrangement is suitable for students, keen amateurs and professionals. It supplements existing quartet arrangements by providing a 12/8 time signature which creates a better structure and balance for the piece. The addition of the side-drum and acoustic guitar helps to provide greater depth, definition and texture, and a closer resemblance to the original soundtrack. .
$12.99
11.86 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Ramin Djawadi
#
Peter Rodney Hibbert
#
Game Of Thrones
#
Peter Rodney Hibbert
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296215 Composed…
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
22.77 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck was
#
James M
#
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed…
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
$24.95
22.77 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297751 Composed…
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 8 pages. Jmsgu3 #887726. Published by jmsgu3 (A0.1297751). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
22.77 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 3 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296695 Composed…
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886848. Published by jmsgu3 (A0.1296695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
22.77 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 3 for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 4 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1297245 Composed…
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #887319. Published by jmsgu3 (A0.1297245). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
22.77 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 4 for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 5 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297625 Composed…
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 9 pages. Jmsgu3 #887626. Published by jmsgu3 (A0.1297625). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
22.77 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5 for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 5 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
26.42 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5 for String Quartet
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 2 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 20 pages. Jmsgu3 #886461. Published by jmsgu3 (A0.1296216). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
26.42 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck was
#
James M
#
Sweelinck: Echo Fantasia No. 2 for String Quartet
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 1 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 29 pages. Jmsgu3 #885988. Published by jmsgu3 (A0.1295690). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
26.42 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 1 for String Quartet
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 3 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296687 Composed…
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #886850. Published by jmsgu3 (A0.1296687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
26.42 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 3 for String Quartet
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Echo Fantasia No. 4 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 31 pages. Jmsgu3 #887551. Published by jmsgu3 (A0.1297509). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
26.42 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 4 for String Quartet
#
jmsgu3
#
SheetMusicPlus
String Quartet No. 3: Among Friends
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
(+)
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
32.86 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert M
#
String Quartet No. 3: Among Friends
#
Robert M. Greenberg
#
SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298017 Composed…
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Instructional. 60 pages. Jmsgu3 #887918. Published by jmsgu3 (A0.1298017). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$74.95
68.4 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Six Echo Fantasias Complete for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 131 pages. Jmsgu3 #887920. Published by jmsgu3 (A0.1298019). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$86.85
79.26 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Six Echo Fantasias Complete for String Quartet
#
jmsgu3
#
SheetMusicPlus
String Quartet No. 3
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - advanced - Digital Download Composed by Paul Dessau (1894-1979). Thi…
(+)
String quartet - advanced - Digital Download Composed by Paul Dessau (1894-1979). This edition: score and parts. Downloadable. Duration 12 minutes. Schott Music - Digital #Q5968. Published by Schott Music - Digital
Paul Dessau described his Third String Quartet, begun at Laguna Beach near Los Angeles in 1943, as predominantly lyrical. The song-like, melodious main theme of this one-movement work emerges from a series of notes grounded in tonality. A contrapuntally separated little semiquaver figure acquires increasing importance and points the way ahead to the greater rhythmical turbulence of the middle section. Syncopated imitative devices add intensity to the music until all this activity is calmed down again in the extended Coda.<br> By working names into his music as quotations Dessau pays musical homage to two of his aesthetic forefathers - Bach and Schoenberg - during a creative period spent in exile.Paul Dessau described his Third String Quartet, begun at Laguna Beach near Los Angeles in 1943, as predominantly lyrical. The song-like, melodious main theme of this one-movement work emerges from a series of notes grounded in tonality. A contrapuntally separated little semiquaver figure acquires increasing importance and points the way ahead to the greater rhythmical turbulence of the middle section. Syncopated imitative devices add intensity to the music until all this activity is calmed down again in the extended Coda.<br> By working names into his music as quotations Dessau pays musical homage to two of his aesthetic forefathers - Bach and Schoenberg - during a creative period spent in exile.
$29.99
27.37 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Paul Dessau (1894-1979)
#
String Quartet No. 3
#
Schott Music - Digital
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
