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Helin
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Vous avez sélectionné:
Helin
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
5 partitions trouvées
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Wings
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Quatuor à cordes: 2 violons, alto, violoncelle
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Musique Sacrée
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VinÃcius Micheline
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VinÃcius Micheline
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Wings
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Vinicius Micheline
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SheetMusicPlus
String Quartet Drums,Organ,Piano - SKU: A0.1072841 Composed by VinÃcius Micheline. Arranged by VinÃcius Micheline. 20th Century,Contemporary,Prais...
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String Quartet Drums,Organ,Piano - SKU: A0.1072841 Composed by VinÃcius Micheline. Arranged by VinÃcius Micheline. 20th Century,Contemporary,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 96. Vinicius Micheline #4728477. Published by Vinicius Micheline (A0.1072841). A relaxing song with harmonic chords. .
$6.50
Auld Lang Syne / Ce n'est qu'un au revoir for 4 cellos
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Popular Scottish Melody
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Cumant Micheline
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Auld Lang Syne / Ce n'est qu'u
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Micheline Cumant
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 1 - SKU: A0.942760 Composed by Popular Scottish Melody. Arranged by Cumant Micheline. Folk,World. Score and ...
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String Quartet Cello,String Quartet - Level 1 - SKU: A0.942760 Composed by Popular Scottish Melody. Arranged by Cumant Micheline. Folk,World. Score and parts. 1 pages. Micheline Cumant #4408604. Published by Micheline Cumant (A0.942760). A popular scottish melody transcribed for 4 cellos.
$1.99
Lanner-Tyrolienne pour orchestre à cordes
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Lanner Josef
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Cumant Micheline
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Lanner-Tyrolienne pour orchest
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Micheline Cumant
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.942764 Composed by Lanner Josef (1801-1843). Arranged by Cumant Micheline. Romantic Period. Score and ...
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String Quartet String Quartet - Level 2 - SKU: A0.942764 Composed by Lanner Josef (1801-1843). Arranged by Cumant Micheline. Romantic Period. Score and parts. 6 pages. Micheline Cumant #4573125. Published by Micheline Cumant (A0.942764). Josef Lanner was with Johann Strauss I the great composer of the viennese valse. Here is a small piece for string quartett.
$2.99
String Quintet based on Beethoven's sketches, op. 79
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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String Quintet based on Beetho
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet,Viola - Level 4 - SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Conte...
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String Quartet String Quartet,Viola - Level 4 - SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Contemporary. Score and parts. 205 pages. Adrian Gagiu #6365523. Published by Adrian Gagiu (A0.1004728). This composition is a premiere, speculative, yet as faithful as possible embodiment of all of Beethoven’s sketches for his String Quintet in C major, Hess 41 (WoO 62), as they have been left by the composer. The usefulness and integrity of more or less hypothetical completions of sketches by great composers remains from case to case controversial. Due to the paucity of the sketches for the aim of attempting a true reconstruction, the present composition in no way falls within such category. It is obviously quite different from what Beethoven himself would have produced if he had lived more, also due to the fact that he usually transformed his preliminary sketches substantially during the compositional process. However, there are some of his frequent, subtle thematic relationships between the sketches for the Quintet movements, and probably some features in the sketches would have been kept in the completed composition. The four-movement design hypothesized by Martin Staehelin and others, as well as other retrospective or relaxed features in the sketches may be a result of a still early stage of the compositional process, or perhaps an indicator of a fourth, neoclassical creative period, together with Op. 135 and the new Finale for Op. 130.To generate a continuity draft of the Quintet, all of Beethoven’s sketches for it were used, with the addition of several ones from the same context within the respective sketchbook and which could be related to the identified Quintet sketches: some sketches are clearly labeled as being for the Quintet, while others are thematically related or written down close to them. With the possible exception of bars 75-94 and 136-155 in movement II (which are variations on the theme) and bars 140-145 in movement IV (which fill in the blank bars in the sketch with a progression based on it), virtually every bar of this composition includes the notes from the sketches in at least one of the instruments. Some of those notes were subject to transpositions and adaptations to fit the formal design, and to editorial choices for the unclear pitches and duration in the sketches.This publication includes the score, parts and continuity draft, the latter being marked with the sources in the sketches for each passage.Total duration: 33 minutes. The mp3 audio clip is the 3rd movement. Performing Rights Organization: SOCAN.
$49.95
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
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