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Hot Time Comin’
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Crtitères actifs :
Hot Time Comin’
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
4 partitions trouvées
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Time After Time
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Javier Colon
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Javier MartÃnez
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Time After Time
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Arte Nova Music Lab
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.742482 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Javier MartÃn...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.742482 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Javier MartÃnez. Pop. Score and parts. 15 pages. Arte Nova Music Lab #4736971. Published by Arte Nova Music Lab (A0.742482). Time After Time is the second single by American singer-songwriter Cyndi Lauper from her debut studio album, She's So Unusual(1983), with Rob Hyman (co-writer and founding member of the rock band The Hooters) contributing backing vocals. The track was produced by Rick Chertoff and released as a single on January 27, 1984. The song became Lauper's first number 1 hit in the U.S. The song was written in the album's final stages, after Girls Just Wanna Have Fun, She Bop and All Through the Night had been written. The writing began with the title, which Lauper had seen in TV Guide magazine, referring to the science fiction film Time After Time (1979).[2]Time After Time is composed of simple keyboard-synth chords, bright, jangly guitars, clock-ticking percussion, and elastic bassline. Lyrically, it is a love song of devotion. Music critics gave the song positive reviews, with many commending the song for being a solid and memorable love song. The song has been selected as one of the Best Love Songs of All Time by many media outlets, including Rolling Stone, Nerve, MTV and many others.[3] Time After Time was also nominated for a Grammy Award for Song of the Year at the 1985 edition.[4] The song was a success on the charts, becoming her first number-one single on the US Billboard Hot 100 chart on June 9, 1984, and remaining there for two weeks. The song reached number three on the UK Singles Chart and number six on the ARIA Singles Chart.The song is also known for its numerous covers by a wide range of artists, including Miles Davis, who recorded an instrumental version for his 1985 album You're Under Arrest, and Eva Cassidy, whose cover of the song appears on her posthumous album of the same name.R&B singer Lil Mo also covered the song for her 2001 debut album Based on a True Story. An acoustic version was sung by Lauper withSarah McLachlan on her 2005 album The Body Acoustic.[5] Lauper has performed the song live with Patti LaBelle twice in 1985 and 2004 and with Sarah McLachlan at the American Music Awards of 2005,[6] as well as with rapper Lil' Kim in 2009.Taken from https://en.wikipedia.org/wiki/Time_After_Time_(Cyndi_Lauper_song)
$20.00
The Dove
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and ...
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Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
Bad Romance
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Quatuor à cordes: 2 violons, alto, violoncelle
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Pop musique
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Lady Gaga
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Joe Cox
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Bad Romance
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Joe Cox
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.715199 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Joe Cox. Pop. Score and parts. 14 pages...
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String Quartet String Quartet - SKU: A0.715199 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Joe Cox. Pop. Score and parts. 14 pages. Joe Cox #3053437. Published by Joe Cox (A0.715199). #LadyGaga Bad Romance peaked at number two on the Billboard Hot 100, and it has been certified eleven-times platinum by the Recording Industry Association of America (RIAA), having sold 5.6 million digital downloads as of April 2016. It achieved worldwide success by topping the charts in a variety of markets, ultimately selling 12 million copies worldwide, becoming one of the best-selling singles of all time. .
$12.99
Tico Tico (tico Tico No Fuba)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Keith Terrett
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.747013 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Ze...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.747013 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869549. Published by Keith Terrett (A0.747013). Arranged for String Orchestra Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
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Hot Time Comin’