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Vous avez sélectionné:
I Can Cook
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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I Don't Want To Miss A Thing
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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David Cook
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HELEN MARPLE-HORVAT
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I Don't Want To Miss A Thing
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749231 By David Cook. By Diane Eve Warren and Diane Warren. Arranged by HELEN MARPLE-HORVAT. Rock. Sco...
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String Quartet String Quartet - Level 4 - SKU: A0.749231 By David Cook. By Diane Eve Warren and Diane Warren. Arranged by HELEN MARPLE-HORVAT. Rock. Score and parts. 19 pages. Helen Marple-Horvat #5801059. Published by Helen Marple-Horvat (A0.749231). https://www.youtube.com/watch?v=O0gGRv9QE8g‘Don’t want to miss a thing’, recorded by Aerosmith, and written by Diane Warren is a hugely popular rock ballad that was a number one hit in the USA. Selling over a million copies in the UK, it reached number four in the UK singles chart. Always a favourite for weddings, Capriccio Quartet recorded it for their repertoire, and it is a song that easily lends itself to a string arrangement.I chose to stick to the original key of D, a great key for string players. At times I have thickened the texture by using double stopping. In this arrangement I have tried to use an open string wherever possible. In some cases there are bare fifths. If you prefer you can choose one of the notes to play instead, especially if this note is doubled in another part. I have also put in some bowing, but the endgame is to feel comfortable, so please feel free to change it and alter the slurring if it makes it easier. I have given the cellist some solos, but everyone in the quartet has some time in the sun in this arrangement. And don’t be afraid to use open strings in this piece, especially in the semi- quavers. They sound great!I am aiming this quartet at the professional market, for weddings and other events, but I am hopeful that younger players will also have the courage to try it, even if the intention is not to ever perform it but to have some fun! Let me hear any recordings you make. I can be reached very easily on Facebook and love to get feedback from people who buy my arrangements.My Youtube Channel has many of my arrangements for String Quartet, most recorded by Capriccio Quartet, and all but two are available as Sheet Music Plus products. Please visit me there :- Helen Marple-Horvat, Songwriter, Arranger, Composer
$20.00
If I Ain't Got You
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Alicia Keys
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P
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recitals
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If I Ain't Got You
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P.h. Damasceno
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1509130 By Alicia Keys. By Alicia Augello Cook. Arranged by P.h.Damasceno. A Cappel...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1509130 By Alicia Keys. By Alicia Augello Cook. Arranged by P.h.Damasceno. A Cappella,Disco,Easter,Pop,Wedding. 9 pages. P.h. Damasceno #1084382. Published by P.h. Damasceno (A0.1509130). Music: If I Don't Have YouArrangement for string quartet with a medium level of difficulty.This arrangement can be performed at wedding ceremonies; recitals; birthdays; bridal parties; engagements; various parties; etc. Instrumental Configuration: Violin 1, Violin 2, Viola and Cello
$12.99
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
Fantasia Upon A Cabbage
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Derek Hasted
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Derek Hasted
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Fantasia Upon A Cabbage
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Derek Hasted
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1396167 Composed by Derek Hasted. Arranged by Derek Hasted. Baroque,Children,Comedy...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1396167 Composed by Derek Hasted. Arranged by Derek Hasted. Baroque,Children,Comedy,Renaissance. 16 pages. Derek Hasted #979549. Published by Derek Hasted (A0.1396167). FANTASIA UPON A CABBAGE - STRING QUARTETFor School Music Teachers and for adults with a sense of the ridiculous...Derek Hasted writes This really does need a bit of explanation. Well, more than a bit!As a Music Teacher I often have to teach beginners how to read music, and of course the seven names of the musical notes can be made to spell words. Like CABBAGE.This, then, is a little piece of kitchen-based nonsense, cooking up a rather unappetising dish comprising cabbage, egg, beef and a lot, lot more cabbage. I’ve arranged it (if that is the word) to include nods to the renaissance and baroque periods.The scores contain mark-ups to show where a particular player has an item of food in their motif.As well as EGG, you’ll find some GEG (that’s scrambled egg) and a BAD EGG (and some sad music). You’ll also find that the recipe includes a helping or two of BEEF.Bach comes in for a special mention, as there’s a fugue-like section where the subject comes in a fifth away from the starting key (which I’ve loosely interpreted as being a recipe in a foreign language) and there’s some stretti (well, just about) at the end, when the fugue subjects overlap a tiny, tiny amount. And we also pay homage to the pedal section of an organ, where the CABBAGE subject comes in down low on the 'cello at half the speed of the original.The final, jazzy, chord at the end contains seven notes that collectively spell CABBAGE.So there are lots of teaching points, lots of things to ask the audience to listen out for, and a lot of mischief in a compact piece.The musical refrain CABBAGE is not the greatest motif to work with, but on reflection, when you have this much cabbage, it’s much better to listen to it than have to eat it...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$3.99
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I Can Cook
