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I Should Have Known Better
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Vous avez sélectionné:
I Should Have Known Better
Quatuor à cordes: 2 violons, alto, violoncelle
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I Should Have Known Better
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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The Beatles
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Jeff Tincher
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I Should Have Known Better
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.584191 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher....
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.584191 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 14 pages. Jeff Tincher #5317749. Published by Jeff Tincher (A0.584191). Here is the B-Side of the A Hard Day's Night single. In the original key from the soundtrack LP, this song was featured as the train scene in the movie. This arrangement has an optional live ending. A great rock song !!!! Duration = 2:56. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Wildest Dreams
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Taylor Swift
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Kovats Istvan
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Wildest Dreams
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Kovats Istvan
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1506249 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1506249 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Kovats Istvan. 21st Century,Contemporary,Film/TV,Pop,Wedding. 8 pages. Kovats Istvan #1081603. Published by Kovats Istvan (A0.1506249). The original Taylor Swift song, known also from the Netflix series „Bridgerton”, arranged for String QuartetIn my (and my string quartet collegues) opinion it sounds better than the Bridgerton versionI recommend it for at least intermediate/advanced musicians.Duration: around 3:00 min.TIPS Cello beats: I’m usually beating the upper half of the cello’s body, with two hands (bow down). Low beats with my right hand halfway between the side of the body and the strings, high beats with my left near the side of the body. Feel free to discover other places on the body (the cello’s body ;) :D ) Cello solo – letter ”J”: I think it sounds better on the A string, but if You have a bright D string, You can try there (the 1st violin helps a bit with pizzicato) Violins 1-2, bar 89: The first beat of the 1st violin should be very present, very active, then the 2nd violin should imitate it on the 2nd beat, like a fight. Viola – bars 91-92: You are leading! (Yeah! :D ) In general it’s better to listen to the original song before You start rehearsing. It helps a lot, nobody can write everything in the score, get inspiration from the original version!Stop The Waste! Let’s save some trees! I’m optimizing all of my arrangements to use less paper.This arrangement saved 4 sheets of paper per set.For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$16.99
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
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I Should Have Known Better
