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Vous avez sélectionné:
I Will Come to You Again
Quatuor à cordes: 2 violons, alto, violoncelle
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THE CROWN - FOR STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle
Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By …
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Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. Score, Set of Parts. 22 pages. Published by Helen Marple-Horvat
'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.<br> <br> <br> I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.<br> <br> As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!<br> <br> The long ‘piano’ sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.<br> <br> I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.<br> <br> There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ‘breath’ at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven’t marked it as such, and I couldn’t write a ‘simile’ on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.<br> <br> Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.
$20.00
18.46 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Zimmer, Gregson-Williams, Balfe
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Helen Marple-Horvat
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THE CROWN - FOR STRING QUARTET
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Helen Marple-Horvat
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SheetMusicPlus
Fabs final song - Ballad - Jazz - String Orchestra
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.567747 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.567747 Composed by Thomas Graf. Arranged by Thomas Graf. Broadway,Film/TV,Jazz. Score and parts. 14 pages. Thomas Graf - the-hit-factory.com #504865. Published by Thomas Graf - the-hit-factory.com (A0.567747). Here comes a ballad full of love and passion featuring solo Bugle. No extreme ranges. Vocal part is available on request for free. Check out other compositions and arrangements! Listen to the recording! Here are the words: Give me back my love again, give me back these lonely nights, when my heart went out to talk to you about my love. And give me back these tender words I have sent to you in secret letters, which never found the only way to your heart but now my love has gone and disappeared there is nothing more I feel for you although there's something deep inside my heart (ohohohoh oh) that says to me each lonely night today all day and all forever will something always taste of you in my heart.
$14.99
13.83 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Graf
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Thomas Graf
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Fabs final song - Ballad - Jazz - String Orchestra
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
23.06 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
In My Place
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.799114 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Dan Sanchez. Rock. Score and parts. 15 pages. Dan Sanchez #4775803. Published by Dan Sanchez (A0.799114). One of Coldplay's Greatest Hits, this arrangement of In My Place can be performed with a String Quartet or Trio (the 2nd Violin Part is optional). This includes the score and all parts.This is one of my favorite Coldplay songs, and it comes in handy for wedding preludes and processionals now and again, due to its nice walking tempo and well-balanced harmonies. It’s just a great, great song. 1st Violin and Viola trade off the melody, but that’s not to say the 2nd violin and cello have boring parts. Everyone has something to work with here!One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
11.99 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Coldplay
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Dan Sanchez
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In My Place
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Dan Sanchez
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SheetMusicPlus
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