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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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DEEJAY
DIDGERIDOO
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XYLOPHONE
Is There No-one Here?
Non classifié
123
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48
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7
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5
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3
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2
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1
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1
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6
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11
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11
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11
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8
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6
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7
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4
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2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
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Harpe, Flûte (duo)
1
Alto seul
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Violon, Violoncelle (duo)
1
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11
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
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FLUTE TRAVERSI…
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Is There No-one Here?
Quatuor à cordes: 2 violons, alto, violoncelle
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1
String Quartet No. 6 (Lochrian) (score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 5 - SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00
String Quartet No. 6 (Lochrian) (parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 5 - SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00
String Quartet No 0 - PARTS
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 0 - PARTS
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938426 Composed by Colin Bayliss. 20th Century. Score and parts. 74 pages. Colin Bayliss #11311. Publi...
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String Quartet String Quartet - Level 4 - SKU: A0.938426 Composed by Colin Bayliss. 20th Century. Score and parts. 74 pages. Colin Bayliss #11311. Published by Colin Bayliss (A0.938426). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The Score is available as a separate download The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00
String Quartet No 0 SCORE
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 0 SCORE
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Publi...
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String Quartet String Quartet - Level 4 - SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Published by Colin Bayliss (A0.938424). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The parts are available as a separate download. The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00
Concerto grosso in F major op. 6 no. 9
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Adrian Gagiu
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2
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Concerto grosso in F major op.
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1156587 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 45 pages. Adria...
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String Quartet String Quartet - Level 4 - SKU: A0.1156587 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 45 pages. Adrian Gagiu #756911. Published by Adrian Gagiu (A0.1156587). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in F major, op. 6 no. 9: 1. Largo-Allegro – a stark introduction and a joyful, virtuoso Allegro, one of his best instrumental movements; 2. Larghetto – a gentle, nostalgic siciliana; 3. Allegro molto moderato – an animated, vigorous fugue; 4. Menuet – peculiar and rather complex; 5. Gigue (Allegro) – merry, reminding of Corelli. The mp3 audio clip is the fourth movement (Menuet). Total duration 13 min 30 sec. Performing Rights Organization: SOCAN.
$20.00
Concerto grosso in A major op. 6 no. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Adrian Gagiu
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2
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Concerto grosso in A major op.
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1156596 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 48 pages. Adria...
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String Quartet String Quartet - Level 4 - SKU: A0.1156596 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 48 pages. Adrian Gagiu #756920. Published by Adrian Gagiu (A0.1156596). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in A major, op. 6 no. 11: 1. Andante larghetto – solemn, complex introduction, like in a French overture; 2. Allegro – one of his best movements, a short and exhilarating fugue; 3. Largo-Andante molto mosso – slow and dramatic introduction, then soothing and elaborate; 4. Allegro – joyful and enthusiastic. The mp3 audio clip is the second movement. Total duration: 16 min 30 sec. Performing Rights Organization: SOCAN.
$20.00
Yes! We Have No Bananas for String Quartet or Wind Quartet (Mixed Quartet, Double Reed Quartet, or C
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Comédie Musicale
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Silver & Cohn
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Daniel Kelley
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Yes! We Have No Bananas for St
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 5 - SKU: A0.530802 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/S...
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Woodwind Ensemble,Woodwind Quartet - Level 5 - SKU: A0.530802 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. 18 pages. Last Resort Music Publishing #6071825. Published by Last Resort Music Publishing (A0.530802). YES! WE HAVE NO BANANAS - This fabulous hit song by Silver & Cohn from 1923 has been re-recorded by Benny Goodman and His Orchestra, Spike Jones & His City Slickers, Kidsongs, and many more. An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Set of 11 Parts plus ScorePart 1 Flute or Oboe or ViolinPart 1 Clarinet in BbPart 2 Flute or Oboe or ViolinPart 2 Clarinet in BbPart 3 ViolaPart 3 ViolinPart 3 Clarinet in BbPart 3 English Horn or French Horn in FPart 4 Cello or BassoonPart 4 Bass Clarinet in BbKeyboard or GuitarScore (Parts 1-4 in C)
$9.95
Patchwork
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Barbara Heller
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Patchwork
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Schott Music - Digital
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SheetMusicPlus
String quartet - intermediate to advanced - SKU: S9.Q7150 String Quartet No. 3. Composed by Barbara Heller. This edition: score and parts. Downlo...
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String quartet - intermediate to advanced - SKU: S9.Q7150 String Quartet No. 3. Composed by Barbara Heller. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q7150. Published by Schott Music - Digital (S9.Q7150). Patchwork, the third string quartet by Barbara Heller, with its cheerful and light character, is an enjoyable piece. Playfully flowing figures, often in pizzicato, alternate with 'still soundscapes'. Designed by Heller as a tritone study, the tonal material consists of whole-tone relations throughout. The unusual tone colour of the tritone therefore requires precise intonation. with regards to tempo, it allows for free interpretation: Patchwork can either be played statically at a moderate tempo or one can 'scurry' quickly and humorously through the piece.
$35.99
M. Paradis: Sicilienne for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Maria Theresia von Paradis
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Clara Obsidian
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M. Paradis: Sicilienne for Str
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Clara Obsidian
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1472110 Composed by Maria Theresia von Paradis. Arranged by Clara Obsidian. 19th Ce...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1472110 Composed by Maria Theresia von Paradis. Arranged by Clara Obsidian. 19th Century,Classical,Folk. 8 pages. Clara Obsidian #1049809. Published by Clara Obsidian (A0.1472110). Sicilienne, originally written for Violin and Piano by female composer Maria Theresia von Paradis (1759 – 1824), is arguably one of her most renowned works. With its elegant melody and gently lilting chords - typical of the Sicilian dance form, that is passed around all 4 voices of the quartet, the arrangment will surely please the hearts.Interestingly, the attribution of this work to Paradis is uncertain, with many having noted of its similarities to Weber's Romanze from Violin Sonata Op.10, No.1.Arranged for String quartet of Intermediate - Late Intemediate LevelFull Score and Parts -----------------------------------------------
$5.99
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
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